Men
Good Girl Gone Bad
Acordes principales
Descripción
Good Girl Gone Bad by By Kilian is a fruity floral fragrance for women. Launched in 2012, the nose behind this composition is Alberto Morillas. The top notes reveal osmanthus, peach, neroli, bergamot, mandarin, and cinnamon; the heart is composed of Indian neroli, jasmine, narcissus, and May rose; while the base notes settle on amber, cedar, sandalwood, vetiver, and patchouli.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
osmanthus
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Corazón
Indian Tuberose
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Base
amber
Comunidad
8,026 votos
- Positivo 66%
- Negativo 19%
- Neutral 15%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Good Girl Gone Bad y elige según envío, precio o disponibilidad.
Amazon
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Ideal si priorizas velocidad y disponibilidad.
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eBay
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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17 reseñas
Mostrando las más recientes primero.
Category:
I like it because it’s different, and when I wear it, people ask what fragrance I’m using. It’s very exclusive; I recommend it if you’re looking for something sexy and unique.
Good Girl Gone Bad is one of the most innocent pieces in the ‘In the Garden of Good and Evil’ line, built on white flowers over an oily bed of osmanthus. Although the brand bases the collection on the Eden parable with a modern twist, this fragrance is far from bad; on the contrary, it’s friendly, compliant, and very versatile. It’s a ‘whirlwind of flowers’ with an osmanthus dry down featuring apricot, orange blossom, and rose; it vibrates half innocent, half voluptuous. It dries into three sirens: tuberose, jasmine, and narcissus (created by Alberto Morillas). It opens with realistic osmanthus, creamy jasmines, and then neroli with a ‘buttery’ texture, almost gourmand. Finally, a bit of narcissus, resins, and a very gentle animal accord emerge. It delivers to the skin, is comforting and suggestive without being suffocating. It’s a tamed beast: perceptible but not transgressive or timid. Its longevity is average. The name doesn’t quite match the scent, but it doesn’t detract from its elegance. If you don’t like white flowers or oily textures, you won’t like it; if you love creamy neroli, it’s a proposal. Its biggest flaw is the price and difficulty to find (205 euros for 50 ml). Thanks to user Cnidaria for letting me try it.
It’s nothing extraordinary; it smells like white flowers very similar to Loewe’s Solo Ella or Tommy Girl’s Dreaming, but with an osmanthus note that adds depth. To make it last, I have to apply a lot of drops. I still think Kilian sells average perfumes at a gold price.
It’s nothing extraordinary; it smells like white flowers very similar to Loewe’s Solo Ella or Tommy Girl’s Dreaming, but with that osmanthus touch that gives it depth. If you want it to last, you have to douse it. I still think Kilian sells average perfumes at a gold price.
It’s a modernized white floral—pretty, delicate, and spring-like, where osmanthus is the main note. Nothing ‘bad’: it smells like a communion bouquet, all white without that strong indolic tone found in other white flowers. It has good projection and longevity, lasting more than 14 hours. It leans feminine; it would be great for daytime in warm seasons if you love florals. However, the scent isn’t anything special and seems excessively expensive. Pleasant: 7/10, Interesting: 4/10, Versatile: 6/10, Original: 1/10.
It’s a modernized white floral, pretty, delicate, and spring-like, where osmanthus is the main note. There’s nothing ‘bad’ here: it smells like a communion bouquet because everything is white, and I don’t feel that indolic tone of white flowers at their peak. It has good sillage and longevity, more than 14 hours on my skin. It tends to be feminine and would be a good daytime perfume for heat if you like florals. However, the scent isn’t anything special, and I think it’s excessively expensive for what it is. Pleasant: 7/10 Interesting: 4/10 Versatile: 6/10 Original: 1/10
There’s nothing wrong with this ‘good girl,’ but I’m not sure she’s as good as she claims. That’s how it feels. Good Girl Gone Bad has a fruity and sweet opening, featuring a sparkling apricot typical of osmanthus. Then the flowers take over, especially jasmine and fresh neroli, not very creamy. I don’t detect the rose or musk, which I appreciate. I notice a slight animalic and carnal touch just before drying, which ends with cedar, vetiver, and amber dominating, adding warmth and depth. It’s very well-balanced, spring-like, delicate, sophisticated, playful, and feminine. It’s not original or special, but very pretty. I wouldn’t buy it, but I’d enjoy my decant happily.
There’s nothing wrong with this good girl, but I’m not sure she’s that good. 😏 That’s how it feels. Good Girl Gone Bad starts fruity and sweet, with a sparkling apricot typical of osmanthus. Then flowers dominate, especially fresh jasmine and neroli, not creamy ones. I don’t detect the rose or the musk, which I appreciate. I detect a slight animal and carnal touch just before drying, when cedar, vetiver, and amber enter, giving it warmth. It’s very well balanced, spring-like, and delicate. It’s sophisticated, playful, feminine, and nothing synthetic. Although it’s not original or special, it’s very pretty. I wouldn’t buy it, but I’ll enjoy my decant happily.
As someone said, there’s nothing ‘bad’ about this ‘good girl’; it smells like a bouquet of flowers. I wouldn’t say it’s sexy; on the contrary, it feels mature to me. I’d give it to my grandmother—it’s nothing special and not worth the price. It’s not warm.
This perfume is super delicate and I adore it. I like neroli, but not in all perfumes—here it works perfectly. The neroli stands out beautifully paired with rose and small blossoms. It smells like soft cream with a fresh touch at the end. It’s an aroma you’d constantly want to sniff yourself; it doesn’t leave a strong trail or require heavy spraying. The soft neroli is exactly what I’m looking for. Ideal for moderate temperatures, autumn, spring, and for daytime or evening wear.
It’s super delicate and I love it. I like neroli, but not in all perfumes; in this one, it’s perfect. The neroli stands out a lot mixed with the rose and other little flowers; it looks beautiful. To me, it smells like soft cream with a fresh touch at the end. It’s something you put on yourself; it doesn’t leave a big trail, nor do I abuse with sprays because I prefer soft neroli. Ideal for moderate temperatures, autumn, spring, and for wearing during the day or afternoon.
I really love this perfume. It’s super feminine, simple, and uncomplicated with no unexpected evolution. On my skin, it smells like sweet peach mixed with moisturizing cream. Very pleasant; every time I wear it, people ask about it.
It opens with a strong peach note that quickly mellows, and the neroli is present without being annoying. The dry down is creamy and very pleasant, ideal for spring. It’s delicate and subtle, nothing ‘bad.’ Cons: short longevity and sillage. I like it, but at 255€ for 50ml, I’m not going crazy.
I agree it’s soft and delicate. It’s fine, beautiful, charming, elegant, and very feminine, especially delicate. The opening is one of my favorites: bergamot, peach, and neroli; I notice the peach quite a bit. As it evolves, I love the rose and jasmine; on my skin, the rose takes the lead. The cedar and vetiver base lasts for hours. I imagine a ballerina in a white or pink tutu taking small steps, a light dance. Perfect for daytime or an evening occasion in spring. It reminds me of Satin by Lalique, À la rose by MFK, or Féminin Pluriel (the gold version, which is more intense). If you like this type of scent, you’ll love it. The price is a bit of a deterrent, but if you can afford it, you’ll like it.
I’m glad to see so many positive reviews and that you’re enjoying this perfume, because honestly, it didn’t work for me at all. It smells clean, but that’s about it. If I pay the price of a bottle just to smell like I just showered, I’ll sign up for balconing.
The opening caught me off guard: much sweeter than I expected. Then woody notes kick in, making it greener. It’s fresh but sweet, attention-grabbing without being heavy. Super feminine and elegant. On my dry skin, it smells clean and soapy, like peach shampoo. Personally, I don’t like spending a lot on this type of perfume, so I wouldn’t pay its price.
Beautiful rose and super fresh, nothing vintage. It’s light, clean, and on my skin the rose stands out with vetiver and a green fig leaf touch. It leans clean and fresh with good longevity. If you’ve tried YSL Vestiaire’s Lavallière, this is its twin. A safe choice: nothing dark or mysterious, perfect for the office or everyday wear. Note: if you’re looking for neroli or peach, this isn’t for you.