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Flower by Kenzo L’Absolue
Acordes principales
Descripción
Flower by Kenzo L'Absolue by Kenzo is an oriental floral fragrance for women. Flower by Kenzo L'Absolue was launched in 2022. The nose behind this fragrance is Alberto Morillas. The top notes are saffron; the heart notes are damask rose and orange blossom; the base notes are vanilla and white musk.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
saffron
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Corazón
Damascus rose
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Base
vanilla
Comunidad
638 votos
- Positivo 66%
- Neutral 18%
- Negativo 16%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Flower by Kenzo L’Absolue y elige según envío, precio o disponibilidad.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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20 reseñas
Mostrando las más recientes primero.
Category:
Since I haven’t seen any reviews yet, I decided to leave my first one. It smells great, though it doesn’t resemble the original Flower much (which I wear as my summer signature). To me, it tastes like a cherry lollipop with a pleasant, sensual twist—it’s not quite gourmand. It’s bright and lovely for summer, but the downside is that it’s very soft and lacks longevity. I tested it early in summer when it wasn’t scorching hot; for about an hour, I could smell it quite well on my wrists, but then it disappeared sooner than I’d like. Today, with the intense heat, I tried it again and felt it was muted on my skin from the start, although pleasant bursts arrive from time to time. It’s more like a cloud that envelops you (this also happens with the original Flower). People say it smells like a very soft, sweet floral. After a while, the lollipop scent fades, evoking an orange-red hue, becoming talc-like and vanilla but extremely soft, staying close to the skin. I only rely on these occasional pleasant bursts. It’s one of those perfumes that, if not for the price, I’d really love to own, because I don’t like citrus or green, ‘fresh’ fragrances much, so I appreciate warmer, brighter scents like this for summer.
What a bombshell! Not much like the original, which by the way I never really liked. I do enjoy the Elixir and Poppy, but this new one surpasses them both. It’s juicier, more intense, sophisticated, and feminine—something truly sensual. Lots of bitter orange and strong vanilla with an exotic touch. I haven’t tried it on skin yet; on paper it’s strong, interesting, and uncommon. I liked it. If you’re a fan of the Flowers line, try this first—it’s a fragrance that breaks the mold.
Amazing perfume! Nothing like its older brother, the king of cloying scents. This one is more elegant, sexy, sweet, strong, and intense. It’s one of those aromas you can’t stop smelling. Longevity: 8 to 12 hours, I fell in love at first sniff 💗. Would I buy it? Obviously, without a doubt. It reminds me a bit of Byzance by Rochas, with that elegant and sexy vibe I’ve come to love. I like Flower by Kenzo Elixir, Poppy Bouquet, and Lumiere, but this last one knocked me out. It takes the top spot, the best of all the Flowers by Kenzo.
Total perfume bomb! Nothing like its older brother, the king of sillage. This one is more elegant, sexy, sweet, strong, and intense. It’s one of those scents you can’t stop wearing; lasts 8 to 12 hours. I fell in love at first sniff 💗. Would I buy it? Obviously, no doubt. It reminds me a bit of Rochas Byzance, with that elegant and sexy vibe of the Flower line I’ve tried: I like Flower by Kenzo, Le Lixir, Poppy Bouquet, and Lumiere, but the last one broke my heart. This one takes the top spot, the best of all the Flower by Kenzo scents.
I have some samples of this perfume that, thankfully, I didn’t even want to try in the perfumerie. It has an air of the original Kenzo Flower, the one I had once years ago. It’s an air, a small slap of memory. But L’Absolue has its own personality that wants to break away from its older brother, but it can’t quite do it. From afar, you can smell the vanilla, yet you still feel that musk and that disturbing rose from the original Flower. I insist, from a distance you feel vanilla and saffron playing friendly, but if you bring your nose close, Flower hits you right in the heart. I think L’Absolue is just another look at Flower plain and simple, and for that reason, I don’t like it. I recommend smelling it before risking it.
I have samples I didn’t even want to try at the perfumerie. It has an air of the original Flower, that one I had years ago. It’s just an air, a small slap of memory. But L’Absolue wants to break away and can’t. From a distance, it smells like vanilla, but you feel that musk and that disturbing rose from Flower. I insist, from afar it’s vanilla and saffron playing, but if you bring your nose close, it hits the heart of Flower. I think L’Absolue is just another look at Flower plain and simple, and that’s why I don’t like it. I recommend smelling it before risking it.
Kenzo scents are so tricky. They let me try it, and after a while, I loved it; it was an over-the-top sweet scent. Point in my favor: I liked it more on skin than on paper, although only the opening. Must try it for a long time before buying. P.S.: I’m surprised by the comparison with Nina Soy; I’m a fan of red apples, and it didn’t remind me of it at all.
Flower was groundbreaking, alongside Noa by Cacharel, defining the millennium shift. They cut through the boozy vanillas and amber florals. They were transparent, ethereal, futuristic. I liked both, but Flower had more ‘chicha’ (punch). Noa was pretty, Flower was something else: powdery but modernized until it didn’t look vintage. It had a lot of old-school elements well assembled, contrasting ethereal notes with waxy ones. Even today, smelling it still moves me; it’s a masterpiece. It’s curious how years change tastes; today, young girls see Flower as a perfume for older women. I lived through its launch, and the users were young girls. All my friends were dying to have that transparent reed with the poppy. Damn, my mother would have probably found it too modern. When commercial perfume offers bombard you from birth, they eventually filter down into your soul. And that’s the key to why Flower seems like an old lady’s perfume today. If you’ve been smelling nuclear fireworks and extreme gourmands for years, everything else smells like grandma to you. It takes guts for Flower to exist because it was born so modern. Whoever wants Flower should use it, whoever wants to avoid it shouldn’t give it a chance. That said, this flanker confirms that fashions are different. What a trendy, cheap thing. I smelled it blind and thought of a feminine perfume from Mercadona: sticky, vulgar, loud. Well, Flower by Deliplus. When that unpleasant blast dissipated, waxy notes, a majestic rose, and musky tones made me perk up. But nah, it’s an illusion. That cheap, shrill sound came back again. Come on, another piece of crap. I was looking for something in the chaotic crowd. A very tasty note, an edible flavor that fills your mouth with saliva, intense, spicy, almost umami, like a good hot stew. And indeed, upon entering, I saw handfuls of saffron. Sincerely, I think it suits it very well. Flower L’Absolue is irrelevant with the texture of today’s trash. But it has something. From the original, it retains a certain tone of rose and very light talc vanilla in the dry down, wrapped in more of the same 2022 stuff, but a tasty, impudent, rough, tannic, phenolic note makes you want to smell it again. The saffron saves it, taking it to quintals, androgynous, animal, and sexual, with a certain blood orange tone from the orange blossom. In the dry down, the pink musk stands out. In short, it’s a bad perfume, but seeing how terrible the others are, it’s even interesting—not because it’s the best or reveals anything new, but because it smells moderately well. At least if someone has to choose between Black Opium with its offspring and this, they should choose this. Thanks for that.
Flower was groundbreaking; both Kenzo and Noa by Cacharel defined the turn of the millennium. They cut away from powdery vanillas and Parisian amber florals. Both were transparent, ethereal, capturing that liquid, metallic, pearlescent futurism of 2000. I liked both, but Flower had more bite. Noa was pretty, transparent, and pleasant, but Flower was something else entirely. A powdery perfume, extremely powdery, yet modernized so much it didn’t seem vintage but terribly modern. There was a lot of old-school composition in it; the feat was working it so well, assembling ethereal and ozonic notes with waxy and resinous ones, it was born a classic. Today, smelling it still excites me a bit; for me, it’s a masterpiece. It’s curious how years change tastes; many young girls today consider Flower to be for older women. I lived through its launch and can testify that the users were young girls. All my friends were dying to get that transparent reed with the poppy, an odorless flower encapsulated in the cap. Damn, I’m sure my mother would have found it too modern. It’s normal that when commercial fashion perfumes bombard you from birth, they eventually seep into your soul. And that’s the key to why Flower, the original, now seems like a perfume for old ladies to twenty-year-olds. If you’ve spent fifteen years non-stop sniffing nuclear bombs, fetid, cloying gourmands to the extreme, anything outside that smells like an old lady to you. Flower has guts because it was born incredibly modern. Whoever wants Flower should use it, whoever wants to avoid it shouldn’t even try; we’re just talking about perfumes, not vitamins. That said, this flanker proves that fashions have changed. How trendy, how cheap. I tested it blind with no idea, and the first thing I thought of upon spraying was one of those feminine perfumes from Mercadona that populate the streets of Spain. The same sticky, vulgar, loud consistency. Wow, Flower by Deliplus. When that unpleasant blast dissipated, waxy notes emerged, majestic rose and musky with a certain vintage touch that made my nose perk up. But nah, it’s an illusion. Soon, that annoying, tacky shrillness rolled back in, which is now the norm. Come on, another piece of trash. The point is, I was craving a good smell. It gave me a little disgust, but I was searching through the chaotic crowd for something. A very tasty note, an edible flavor that fills your mouth with saliva as if you hadn’t eaten in days, an intense, spicy, almost umami flavor that made me think of a hot meat stew. And indeed, upon entering to check the details, there was saffron by the handful. Sincerely, I think it suits it very well. Flower L’Absolue is an irrelevant perfume with the same texture as today’s trash, but it has something. From the original, it retains a certain tone of very light rose and talc vanilla in the dry down; the whole thing is wrapped in more of the same 2022 stuff, but a tasty, impertinent, rough, tannic, phenolic note makes you want to smell it again. Saffron saves it, taking it to quintals, androgynous, animal, and very sexual, and why not, a certain blood orange tone I suppose comes from the bergamot. In the dry down, pink musk stands out. In short, it’s a bad perfume that, given how terrible the others are, is actually interesting—not because it’s amazing or reveals anything new, but because it smells moderately well. At least if someone next to me has to choose between Black Opium and its brood of stepchildren and this, please, let them choose this. I appreciate it.
I love it! It feels original to me. It has a little bit of the first one, but I like this one much more; I can’t stand the other one. It’s sweet but not overpowering. You can smell the orange, but it’s an elegant orange, not citrusy, thanks to the orange blossom giving that sense of sweet orange. I don’t distinguish the saffron as such, and the rose is very delicate, nothing synthetic. I really liked it. It has good projection and lasts 7 to 8 hours on me, then stays close to the skin and on clothes until the next wash. The fixative works well.
I love it! It feels original, with a bit of the first one, but I like this one much more than the other, which I can’t stand. It’s sweet but not overdone; you can smell the orange, but it’s an elegant orange, not citrusy, thanks to the orange blossom. I don’t distinguish the saffron specifically, and the rose is very delicate, nothing synthetic. I’ve liked it a lot. It has good projection and lasts 7 or 8 hours on me, then on clothes until the next wash. The fixative works well.
The opening is annoying, but it settles down and becomes pleasant after 10 minutes: orange, rose, and saffron coexisting well. But it has nothing to do with the original Kenzo; it’s a tender scent that makes me feel comfortable.
This flanker strays from the original, which is one of my favorites. It’s not powdery; it’s more floral. I was drawn to the saffron, but it was sharp at first and faded quickly. On my skin, the rose and orange blossom stand out, pushing the vanilla to the background with a fresh, clean touch from the musk. It doesn’t fully convince me; I stick with the original.
I tried it months ago and don’t have much to say. It opens with a juicy, potent orange loaded with saffron, but that note fades fast, turning into a floral scent dominated by a vanilla rose that feels a bit musty. Projection and longevity are good. It’s feminine and mature, perfect for winter. It doesn’t resemble the original Flower, and although I liked it and received compliments, it wasn’t anything spectacular.
It’s one of the few where I really struggle to find anything standout. I was gifted a 10 ml bottle for buying another product, and grateful as I was, I thought it would resemble the original. Well, it doesn’t, and indeed, the opening was unpleasant, as another reviewer mentioned. Maybe I shouldn’t have brought my nose so close to the skin, because I got hit with a blast of saffron that was between sugary and chemical; it wasn’t powerful but very sharp. This phase lasted quite a while for my taste, almost an hour, during which a very shy rose gradually appeared before giving way to a soft, faded, and almost testimonial vanilla. After three hours, the fragrance barely projected and threatened to disappear. I didn’t perceive any fruity notes, and I see that in English reviews they even find aquatic notes, which surprises me. I see people have a quite different perception from mine, so maybe I received a faulty bottle. Anyway, I didn’t like this Flower by Kenzo L’Absolue much. Regardless, one day I’ll stop by a perfumerie and check if it really is like that.
One of the few where I struggle to find a strong point. I was gifted 10ml and thought it would be identical to the original, but it wasn’t. The opening was annoying—a blast of sugary, chemical saffron that was sharp. It lasted almost an hour before a timid rose emerged, eventually giving way to a soft, almost non-existent vanilla. After three hours, the projection is barely there. I didn’t detect any fruity notes, yet it’s described as aquatic in English, which surprises me. Maybe I got a bad bottle, but I didn’t like Flower L’Absolue much. One day I’ll go to a perfumerie to check if it’s true.
So rich! You can tell they really like it.
It’s delicious!
Smells like an Arab perfume with that generic DNA that makes everyone smell the same. If I didn’t know it was Kenzo, I’d swear it’s Lattafa. I didn’t like it; honestly, it gave me the creeps. Where I live, for the past two years, all the young people have smelled identical, probably due to the saffron trend.
It smells like an Arabic perfume, with that typical DNA that makes so many of them smell the same. If I didn’t know it was Kenzo, I’d swear it was from Lattafa. I just don’t like it; in fact, it’s a scent I find unpleasant. Plus, where I live, all the young people were wearing something very similar a couple of years ago thanks to the rise of Arabic fragrances… I guess saffron is what gives it that vibe.