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Vénus

Alexandra Monet
Perfumista
Alexandra Monet
3.74 de 5
404 votos

Acordes principales

Descripción

Vénus by Nina Ricci is a chypre floral fragrance for women. This creation, launched in 2024, was designed by Alexandra Monet, Nathalie Lorson, and Olivier Cresp. Its olfactory pyramid unfolds with top notes of magnolia leaf and mandarin; a floral heart composed of magnolia and jasmine; and a sweet, woody base that blends vanilla and patchouli.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 27%
  • Primavera 28%
  • Verano 17%
  • Otoño 29%
  • Día 49%
  • Noche 51%

Notas clave

Comunidad

404 votos

  • Positivo 62%
  • Neutral 21%
  • Negativo 17%

Pirámide olfativa

Estructura completa de la fragancia: de la salida al fondo.

Salida 2 notas
Corazón 2 notas
Fondo 2 notas

Comunidad

Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.

Propiedad

¿La tienen, la tuvieron o la quieren?

Uso recomendado

Estación y momento del día con más votos.

Dónde comprar

Compara tiendas verificadas para Vénus y elige según envío, precio o disponibilidad.

Amazon

Amazon

Envío rápido

Entrega rápida y política de devoluciones conocida.

Ideal si priorizas velocidad y disponibilidad.

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eBay

eBay

Más opciones

Más opciones de precio, formatos y vendedores.

Útil para comparar alternativas antes de decidir.

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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18 reseñas

Mostrando las más recientes primero.

  • What a bold move to finally bring the house back! It was only a matter of time before Puig gave Nina Ricci a new push, and that meant stepping out of the apple basket comfort zone. The conservative approach of just releasing flankers has its dangers of burnout. Nina Le Parfum and Nina Illusion follow the same beaten path, and the last one, Nina Gold, crushed my expectations with that harsh orange blossom and ambroxan. It was necessary to shake things up, and the giant cosmetics company did it by betting on Venus as the start of a new era. Venus is something else. The bottle is a whole statement of intent, a Lalique art-deco masterpiece alluding to Botticelli’s shell. My first impression was a ‘déjà vu’ at the opening, associated with Divine from the same group. A fresh, undeniable opening, slightly sharp, with a floral bouquet from the start. The deployment of magnolia and jasmine allows playing with luminous nuances against an oriental dry-down. The vanilla is so dominant it needs citrus or fresh floral accords to avoid being overwhelming. Here, the hormonal impressions make an interesting turn, close to classic creations, almost vintage. Anyone who knows the splendor of past perfumery will recognize the will to bring new generations back to forgotten olfactory concepts. And if anyone was capable of offering creative surprises like this, it could only be Nathalie Lorson.

  • This was a fragrance I thought I’d love, what a disappointment. I didn’t like it at all. Also, it smells very similar to Good Girl Blush on me, a bit dirty and dark. I usually like magnolia, but not here; the blend feels too strong. This fragrance overwhelms and harasses. No and no…

  • Petaloazul

    It felt suffocating to me, highlighting a salty note that I dislike. What a pity because I adore the magnolia note.

  • Tested it at about 73 degrees. On my skin, it smells mainly of vanilla—nothing heavy or dark, actually has a bit of a coconut vibe that I liked quite a bit, plus the beautiful bottle already tempted me. But after a few hours, all that was left was a bitter wood scent.

  • Bought it two weeks ago and it has serious style. Smells stronger than Fame, but so rich! I wore it and almost forgot I was at the perfume counter; at 24 hours, the scent was still impactful and beautiful. I loved it. Leaves an incredibly rich, strong vanilla with a lot of presence, maybe better for night. A brand new gem, super wearable! I’m not usually a Nina fan, but this surprised me in a good way. After a month, it lasts all day on skin and a week on clothes. It really highlights the magnolia, a note I didn’t expect much of, and I adored it. I’m obsessed with Venusssss.

  • Rociopucheta

    I just bought it a bit blindly and I liked it. As soon as I smelled it, I said it’s the same as Fame, which I love a lot. It’s not an overplayed scent or anything out of this world, but it usually gets lots of compliments. In the opening, I smell the mandarin and magnolia present all the time, dry with that Fame vanilla, but I sense something of Alien Goddess, maybe the coconut (though I don’t declare it, to me it smells like coconut or tropical fruit). Unlike Fame, it lasts longer and its skin projection is moderate. In short, if you have Fame or Alien Goddess, you don’t need this, but if you don’t, I’d go for this because of its price, longevity, and projection.

  • darlenerock

    The first thing I liked is the beautiful bottle. Can you like a scent without smelling it? Yes, because of the bottle. I’m a collector, and besides scents and moments, I enjoy having beautiful bottles, and this one was a must-have. Luckily, the scent also pleased me a lot. White floral with vanilla, super pleasant, nothing complex. Suitable for all noses. Feminine and versatile. Excellent price. Happy for Nina Ricci for leaving the apple flankers behind to do something different, finally.

  • darlenerock

    The first thing I liked was the beautiful bottle. Can you like a scent without smelling it? Yes, because of the bottle, haha. I’m a collector and enjoy having scents and moments with beautiful bottles, this one couldn’t be missing. Luckily, the scent also pleased me a lot. White floral vanilla, super wearable, nothing complex. Suitable for all noses. Feminine and versatile. Excellent price. Happy for Nina Ricci for leaving the thousand little apple flankers behind to do something different, finally!

  • The opening felt a bit overwhelming, then it fades down to settle on my skin as a vanilla that reminded me a lot of Fame. I liked it, but it’s not my style. Personally, I love magnolia, but here it feels heavily overshadowed by an intense, powdery vanilla; I prefer it in another context.

  • The opening felt a bit overwhelming to me, then it settled down to a vanilla on my skin that reminded me a lot of Fame. I liked it, but it’s not my style. Personally, I love magnolia, but here I notice it heavily invaded by an intense, powdery vanilla; I prefer it in a different context.

  • Perfumadict

    Venus is sweet (with the same sweetness as Fame) and patchouli-like at the opening. But then that raw egg smell from the JPG Divines comes out, which I hate. I loathed it and wanted to wash my arm. Edit: a week later, I can still smell the Fame scent on my coat.

  • Venus is sweet (with the same sweetness as Fame) and patchouli-like at the start. But then comes that raw egg smell from JPG’s Divines that I hate. I loathed it and wanted to wash my arm. Edit: a week later, I can still smell Fame in my coat.

  • melisa belen

    Hello everyone. I tried it yesterday. It felt very sexy; I’d bet it has a salty note (fitting the handsome bottle, so it’s likely a nod). On the other hand, I felt it powdery on my skin, dry, with a sharp magnolia note. It has character.

  • No one mentioned that the dry-down is very similar to Ani by Nishane??? I was surprised by how multifaceted it is; it’s one of the few new releases daring to step outside the ‘trendy’ mold. Given the usual comparisons, I’d say it doesn’t resemble any of them: just because the marketing links it to The Birth of Venus doesn’t mean it should smell like JPG’s Divine. The common thread between Ani, my reference, and this Venus is realistic vanilla. Divine’s is aquatic, Rabbane’s is tropical fruity, while Ani and Venus are green, fresh, and aromatic. Nina Ricci’s novelty opens with a bunch of bruised magnolia leaves with marine touches, giving metallic and salty hints. Then it radically shifts to a sweet mandarin with magnolia flowers and a very unmoderated vanilla that dances between citrus and green, with that herbal tone coming and going. Upon drying, that addictive aromatic vanilla reminds me a lot of Nishane. Lasting power is quite good, easily over ten hours. Sillage is strong at first, then moderate, which is appreciated for year-round wear in my city. Congratulations to Nina Ricci for not releasing another apple flanker and launching something new executed magnificently.

  • marneptuniano

    It didn’t impress me; I got a beach piña colada vibe. It’s exquisite, but I don’t want to smell like that. The bottle is beautiful, and I would have loved if it smelled different—I was expecting a goddess-like scent.

  • I loved it; it’s intense and lasts forever. It has a very prominent coconut note that reminds me of Alien Goddess mixed with Moschino’s Fresh Gold. If you already own those two, it doesn’t add anything new, but if you don’t, go for it because it’s gorgeous.

  • Pleasantly surprised, it’s an intense fragrance with excellent longevity. It has a very noticeable ‘coconut’ note that reminds me of Alien Goddess mixed with Moschino’s Fresh Gold Couture. If you already have one of those two, I don’t see it adding much, so: go for it because it’s gorgeous.