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Aoud Cuir d’Arabie
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Características
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Masculino
Precio
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Reseñas
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17 reseñas
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Extreme perfume, strictly for those who love raw, hard leather. The opening is shocking—it’s not a normal fragrance; it’s explosive, dirty, carnal, and animalistic. I read something fun on Fragrantica in English: ‘smelly old socks in your grandfather’s barn leather boots.’ Yes, it has that, but after half an hour, it settles and reveals the truth: it’s hyper-realistic Arab leather. Imagine smelling a wallet or bag brought from Morocco or Tunisia; the first thing that surprises you is the scent. Aoud Cuir d’Arabie smells exactly like that. The best part is how it integrates with your skin, as if it symbiotically merges with you, making you feel like you’re wearing a ‘leather skin’ that covers you. In this illusion, you notice tobacco and wood. Projection and longevity last a full day. Extraordinary, but not for everyone. Rating: 10/10.
I completely agree with Botifa; this is a fragrance not suitable for everyone. Strong, pure leather, explosive, the type that can give you a headache. But I know in this perfume world there’s something for everyone, so I recommend you test it before buying. It arrived in a 2ml sample, I sprayed it on blotter, and I didn’t dare put it on my skin. It smells exactly like that Arab leather Botifa mentioned.
The potency of its opening isn’t as intrusive as other Montale creations. However, its scent does suffer from being intrusive and annoying. I’m sorry to say, but it’s a scent that makes me gag; it’s a bizarre leather mixed with dirty oud. It’s not the dirtiest thing I’ve ever smelled, but it is quite annoying and stinky. I don’t know who can walk around smelling like this; I suppose if you work at a stable or a slaughterhouse, you might blend in with the environment and feel at home. Otherwise 🤷♀️ animal leather + dirty oud and nothing else! I should have tested it on blotter paper; I wore it on my arm and I swear to God I never wanted to get home and scrub myself with a pumice stone until the last molecule of this fragrance left my skin.
Ugh. It’s been a long time since a perfume impacted me so much or brought so many conflicting sensations. This is an extraordinary fragrance but, perhaps for many, hardly digestible. After a high-impact opening, a leather scent begins to emerge, but not that velvety or traditionally masculine kind, but a very raw, tremendously fecal, direct, and real leather. At times, I feel organic bursts of drying raw meat in a stable, but at the same time, another side of the fragrance conveys elegance. It’s very realistic, and some of its notes show an elegant, glossy sheen, something totally different and very well-made, but very dramatic, dirty, and whose presence becomes somewhat difficult to carry. The opening reminded me, at times, of one of the first Annick Goutal perfumes I tried, but I can’t remember which one. Maybe it smelled very different, but the moment Aoud Cuir d’Arabie came to mind, that’s what I thought of. Here you smell a cave man who hasn’t bathed in many, many, many days; the one who, due to the terrible cold of the ice age, put on a megatherium skin cut with rudimentary tools… and then exposed to the mild winter sun for several weeks. This is one of those scents that definitely must be tested before purchasing, and, as the previous reviews point out, it’s definitely not for everyone.
The potency of the opening isn’t as intrusive as other Montales. However, the scent does suffer from being intrusive and annoying. It gives me nausea; it’s a bizarre leather mixed with dirty oud. It’s not the dirtiest I’ve heard, but quite unpleasant and stinky. I don’t know who can wear this; I suppose if you work at a stable or slaughterhouse, you blend in with the environment. Otherwise: animal leather + dirty oud and nothing else. I should have tested it on blotter paper; I wore it on my arm and swear I never wanted to get home and shower so badly until the last molecule of this fragrance was gone.
For only advanced olfactory enthusiasts or those who love animal scents and deep, wet ouds. It’s true that the opening is fecal at the oud level and quite animalistic, but in 10 minutes it transforms on my skin into one of the most fascinating, elegant, and unique fragrances in my collection. No one asks me what I’m wearing, but in a very good way, now some people try it and can’t get past the brutal opening, which is a pity, but that’s how it is. I would never and for no reason recommend buying something like this blindly; in fact, I took the step because I could test it at the Montale boutique in Milan and bought it there with the same tester. Trick!!! My best allies for combos based on my personal experience are: Attar, Black Aoud normal or Intense, Night Aoud, White Aoud, Moon Aoud. Rose works very well with the skin, castoreum, and fecal oud; its aroma is pure luxury, power, and distinction. Remember that the fecal note is only in the opening, lasting no more than 10 minutes, but what comes after is MARVELOUS!
Only for advanced users or lovers of wet, animal oud. The opening is fecal and very animal, but within 10 minutes, it transforms on my skin into one of the most fascinating and unique fragrances in my collection. No one asks what I’m wearing, but many who try it don’t get past the brutal opening, which is a shame. I would never recommend buying this blind; I did so thanks to a sample at the Montale boutique in Milan. Tip: its best allies are Attar, Black Aoud, Night Aoud, White Aoud, and Moon Aoud. Rose works great with skin, castoreum, and fecal oud; it’s luxury, power, and distinction. The fecal note lasts about 10 minutes, and what comes after is MARVELOUS.
I’m comparing this fragrance’s profile to free jazz: a style where listeners (and even the performers) try to understand and enjoy it… Dissonant and unclear. It smells similar to some kind of massage oil. Anyway, the scent itself isn’t THAT unpleasant. Although I didn’t find its sillage very potent either; I feel it lacks body.
I’m reminded to compare this profile to ‘free jazz,’ an ultra-vanguard style where even the performers try to understand and enjoy it… it’s dissonant and unclear. It smells like some kind of massage oil. Anyway, the scent isn’t THAT unpleasant. Although I also didn’t find its sillage very potent; I feel it lacks body.
Opening is very, very strong. Very animalistic. DIRTY!!! Not for making friends… It reminds me of the smell of skinning large game. The drydown becomes more pleasant and ends with a rough leather scent.
Very, very strong opening. Very animal. DIRTY. Not for making friends. It reminds me of the smell of skinning big game. The drydown becomes more pleasant and ends in a rugged leather.
A family-friendly version of FM’s The Night… If you’ve already tried Bortnikoff ouds or The Night, this won’t seem very challenging to you. Still, for me, they aren’t comparable because The Night has a lead rose that this one lacks. So at best, the only comparable thing is the stinky oud, but in this perfume, it’s very diluted. Given the price, it seems like a good option to start exploring these types of scents.
For noses with a rebellious palate. Thanks, Pierre Montale 🫡
This is a charming ‘stinky’ one: leather and oud that deliver a hard, virile slap. It transports you to an open landscape with skin, a jacket, and boots soaked in sweat and baked by the sun. It’s like Mad Max meeting Yellowstone. Don’t be fooled by this vibe; it’s more wearable and polite than you’d expect from Montale. I’d love to smell this on my wife. The bite of the opening softens in minutes with a creamy tobacco note. Imagine a freshly rolled habano in a tannery or stable (though it doesn’t smell like a corral). Think of un-tanned leathers. The funk of the oud is attenuated, more medicinal than fecal, balanced by a birch tar accord. There’s not much else; it settles and vibrates for hours without being cloying. No prickly woods or unpleasant chemicals: quality in a simple but bold composition. Ideal for this season.
This is a ‘stinky’ delight: a leather and oud blend that hits you hard and leaves an image of roughness and virility. It transports you to an open landscape, with skin, a jacket, and boots soaked in sweat and baked by the sun. It’s like Mad Max meeting Yellowstone. But don’t be fooled by this vibe, because in reality, it’s quite wearable and more polite than you’d expect from Montale (it’s the only one I have from the house). In fact, I’d love to smell this on my wife someday. The strong opening softens after a few minutes with a creamy tobacco leaf note. Imagine a freshly rolled habano in a tobacconist shop… or a stable (though it really doesn’t smell like a corral). Think of raw hides. The funk of the oud is there but attenuated, more medicinal than fecal, with a very balanced birch tar accord. There’s not much else; it settles and keeps vibrating for hours without becoming cloying. No piercing woods or annoying aromatics, just quality materials in a simple but bold composition. Ideal for this season.
Aoud Cuir d’Arabie is the type of perfume you have to be careful with; it’s very challenging, with a wet, almost fecal oud and a black, raw leather, not for everyone. I agree—if it’s challenging, the first time I heard it, I didn’t like it, although I was already familiar with ouds and leathers. Every time I went to the perfumerie, I gave it another chance, and it started to enchant me until I bought it. I wore it yesterday to go out and appreciate that it’s intimate and doesn’t project wildly, because otherwise, people would end up hating you. It doesn’t have much evolution; it comes out as it goes in, though maybe after a few minutes, a dry, green tobacco emerges, the oud fades, and the leather remains the protagonist, very dirty, but the oud gives more punch to that dirtiness. Obviously, you can tell it’s perfume and not a hygiene issue, so don’t be scared. In my collection, it’s one of the dirtiest; it’s not for compliments, it’s 100% personal joy. Longevity is extreme.
Aoud Cuir d’Arabie is that perfume that scares you at first: a damp, almost unbearable oud paired with raw black leather. It’s not for everyone. I hated it the first time, even though I already knew the world of oud and leather, but every time I walked into the perfumerie to smell it again, I started to love it until I finally bought it. I wore it yesterday and I’m glad it’s intimate and doesn’t project wildly, because otherwise people would hate you. It doesn’t evolve much; it comes out the same way it goes in, though over time a dry, green tobacco note might appear; the oud fades but the leather remains king, very dirty, with that oud giving it more edge to the grime. Obviously, you can tell it’s perfume and not a bad hygiene smell, but in my collection it’s one of the dirtiest, and it’s not for compliments—it’s 100% personal pleasure. The longevity is extreme.