Men
Un Jardin à Cythère
Acordes principales
Descripción
Un Jardin à Cythère by Hermès is an aromatic woody fragrance for men and women. Launched in 2023, this composition features the olfactory signature of Christine Nagel.
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Comunidad
2,877 votos
- Positivo 69%
- Neutral 17%
- Negativo 15%
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Características
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Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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32 reseñas
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The newest in the line. You can smell the olive oil; the pistachio is warm yet fresh. My favorite has always been Sur le Nil, but this reminds me of a summer in Skopelos: fresh from the sea breeze but warm at the same time. A great novelty.
Starts with a citrus explosion mixed with a salty pistachio smell, very curious. On the skin, that opening vanishes quickly, leaving an oily scent that doesn’t suit me. If applied near the mouth, the opening revives, so I imagine it would be more noticeable in areas that ‘sweat.’ It’s a peculiar fragrance; I don’t recommend buying it blindly.
The opening is a citrus bomb with a salty pistachio note, very curious. On the wrist, that top note fades quickly, leaving an oily base that doesn’t suit me. If I take a deep breath, the opening comes back, so I imagine that in areas where I sweat, the salty scent will be even more noticeable. It’s a very peculiar fragrance; I don’t recommend buying it blind.
The first garden without Ellena, which is why it has its special touch: pistachio. It doesn’t smell like nougat or ice cream, but like the salty fruit you order with a Martini. It’s pleasant, not invasive, but very literal with the fruit’s natural scent. Curious to experience it. Hermès Gardens keep exploring new horizons.
At first glance, it’s weird. It didn’t convince me, though it did a reasonable job for a Jardin by Hermès. At first, the pistachio screams, then it fades, but unpleasant notes occasionally resurface. A very different style from the rest of the collection.
A pure energy citrus opening that yields to cardamom, the undisputed star. Unisex and fascinating; that green, stimulating start is next level. The quality is exquisite, as expected from Hermès, and it doesn’t disappoint. It’s a rare fragrance that could be your signature if it defines you. I imagine it perfect on male skin, especially that cardamom note with the soapy base. It’s spicy, clean, and has its own character.
I’m a fan of the line and have owned all the previous ones in my perfume life, so I wanted to try it as soon as I had the chance. The opening is an astringent combination of citrus and wood, very refreshing. Quickly, it takes on a very singular oily and salty nuance, reminiscent of mild olive oil, and grows until it becomes the dominant note, with the citrus very in the background. The composition maintains this oily scent throughout the duration, but over time it becomes greener, reminding me of the smell of the real olive plant. Its projection is very close to the skin and the longevity is low: after 3 hours, I couldn’t smell anything. It seemed like a very interesting olfactory experience. I wouldn’t wear it, though I see it as more masculine (it seems to work better with male chemistry) for informal or semi-formal occasions in spring/summer. I’d never heard anything like this, and I think it’s worth trying for wood lovers, even if just for its peculiarity. Pleasant: 7/10, Interesting: 9/10, Versatile: 7/10, Original: 10/10.
A peculiar and different aroma. It smells mostly of olive oil. Don’t buy blindly.
I’m a fan of the line and have tried all the previous ones, so I wanted to try this as soon as I had the chance. The opening is an astringent mix of citrus and wood, very refreshing. It moves quickly, picks up a unique oily and salty hint, like mild olive oil, which becomes dominant while the citrus stays in the background. It maintains that oily scent all the time, but over time it turns greener, reminding you of the real olive plant. The projection is very skin-like and the longevity is low: after 3 hours, I couldn’t smell anything. I found it a very interesting olfactory experience. I wouldn’t wear it, though I see it works better on men for informal or semi-formal occasions in spring/summer. I’ve never smelled anything like this, and I think it’s worth it for wood lovers, just for being so unique. Pleasant: 7/10 Interesting: 9/10 Versatile: 7/10 Original: 10/10
It’s not a cosmetic to smell sexy and attract attention (or is it). Undoubtedly, this is an olfactory experience, a work of art, an expression of chemical and conceptual quality. It’s a unique, highly evocative aroma, capable of moving your mind and emotions to another place in a very vivid way.
Citrus, wood, aromatic plants, and pistachio. This composition delivers on all its promises. I agree with @Coquita and others about that oily sensation in the heart phase. It’s a unisex aroma that conveys effortless elegance, but in an original way. On me, it has moderate sillage and lasts about 7 hours. Although I liked it and it didn’t bother me, that olive oil aftertaste didn’t make me love it completely, so I wouldn’t include it in my collection. I recommend trying before buying. Scent 6.5/10, Longevity 7/10, Sillage 6.5/10, Value for money 6/10, Versatility 7/10, Packaging 8/10. Would I buy it again? No.
On my skin, I sense something floral; although it’s citrusy and woody, it has a floral base. It’s very revitalizing, unisex, and refreshing, with good longevity. I don’t sense pistachio, more of a subtle salty note without the nutty fruit. I don’t dislike it, but I don’t see it as my signature scent.
At first, I really disliked it; I found it too bitter and green for my taste. But after about 5 minutes, the notes blended better, and it remained vibrant, citrusy, and green, though it became oilier, adorned with touches of pistachio. Although it’s not a sweet pistachio, it adds sweetness and balances the fragrance. Because of that oily touch, which reminds me of The Body Shop’s olive oil cream, it smells more like a luxurious body cream than a perfume. I see it as 100% unisex and versatile; for an EDT, the performance is acceptable (better than many commercial EDPs). I think it’s not for me and I wouldn’t buy it, but I do appreciate the creativity and I’d never heard anything like this before. The Hermès Jardin collection might not be your cup of tea, but it never leaves you indifferent.
What a rich fragrance! It’s distinct, refined, fresh, and green, between oranges and pistachio. Delicate and addictive. A flawless creation. Medium longevity, normal sillage. A personal and elegant perfume. I want it.
It’s like mixing a Le Petit Marseillais body gel with an Oliva Mítica Garnier mask. And it’s so good! It’s a light injection of nutty fruit, with a citrus opening that shifts into a creamy phase. And that’s when that fantasy pistachio hits! I love when perfume houses create deceptive replicas of nature: their vision of how a rose or almond smells isn’t exact, but it creates a familiar, edible, and comforting scent. This Cythère by Hermès has more personality than Lagune or Sur Le Toit, though less than the unsurpassable Un Jardin Sur Le Nil. But no worries. I’m intrigued by that oily pistachio caress, one of my favorite notes. The flicker of Petit Marseillais comes and goes, giving that sensation of something known, tender, and pure well-being. Cythère isn’t surprising, but it’s lovely, luminous, and dreamy; it puts me in a good mood with its Mediterranean touch, like an open window with a clay vase and billowing curtains.
A perfect offspring between Le Petit Marseillais gel and Oliva Mítica face mask. And that’s not a bad thing. It’s a light injection of nutty fruit, with a citrus opening that shifts to a creamy phase, until that fantasy pistachio arrives. I like when houses create deceptive replicas of nature, their vision of how a rose or an almond smells: they don’t nail realism, but they create a familiar, edible, comforting scent. This Cythère has more personality than other family members (Lagune or Sur Le Toit) but less than the unsurpassable Sur le Nil. But no worries. I’m intrigued by that oily pistachio caress, one of the notes I appreciate most. The flicker of Petit Marseillais comes and goes, maintaining that feeling of something known, tender, and pure well-being. Cythère isn’t surprising, but it’s lovely, luminous, and dreamy; it puts me in a good mood with its Mediterranean touch, an open window with a clay vase and billowing curtains.
At first, dry, it smells citrusy, fresh, and clean. But on the skin, it changes radically: here it’s orange blossom, green leaves of bitter orange (a bit bitter but rich), a perfumed oil, and wet earth. I know these aren’t the official notes, but that’s how I perceived it. From the pistachio, I only noticed something salty and dry.
On the skin, it’s a pistachio bomb, making it a super original garden, right up there with Monsieur Li and La Lagune. Just be warned: the longevity is very short, unfortunately.
Thank you for feminine fragrances that differ from the rest of the overly floral and sweet ones. It’s an olfactory marvel: dry, citrusy, dense, and with personality. It smells like a hot summer, perfect for warm nights and casual use. Correct duration for its use. A 9/10, especially for its originality.
I feel a great love for this perfume. From the moment it appears until it disappears (too soon, but not as fast as most Jardins), it envelops you like the sea on a Greek island: the olive flower scent dominates, with that oily, creamy, and woody sensation. It smells of golden grass, sunlight, and morning wind: in short, a sunny and unique experience, just like the other Jardins.
I love this perfume. From the moment it sprays until it disappears (too soon, but not as fast as other Jardins), it envelops you like the sea on a Greek island: the olive flower dominates, with an oily, creamy, and woody sensation. It smells of golden grass, sunlight, and morning breeze; a sunny and unique experience, just like the other Gardens.
Upon applying it, I felt a pleasant citrus scent that unfortunately faded very quickly, leaving only the wood. I didn’t like it as much as ‘Un Jardin sur le toit’, my favorite. It reminded me of my childhood walking past a lumberyard on the way to school. I find it very masculine; I love the box, but I wouldn’t buy it.
I must say that at first I was horrified by that heavily marzipan-like pistachio opening, but as it dissolves, it leaves a breathtaking beauty. It’s like watching the sun rise through the clouds. Dryness usually doesn’t suit me, but I think this is a very convincing argument for how beautiful it can be. It’s elevated yet earthy, soapy yet dry, very contained and radiant. It makes me love thistles, the stones plowed up by the plow, and yellowed grasses. Who would wear this? An Oread in summer.
At first, I was horrified by that heavy pistachio and marzipan opening, but as it dissolves, it leaves behind a breathtaking beauty. It’s like the sun breaking through the clouds. Although dryness usually isn’t my thing, here it’s an argument for how beautiful it can be. It’s incredibly elevated and earthy, soapy yet dry, very contained and radiant. It makes me love cardoons, plow stones, and yellowed grasses. Who would wear it? A dryad in summer.
A marvel, one of the most original, addictive Jardins with good performance. Completely unisex. It upholds the house’s principles: exquisite raw materials, sublime balance, soft elegance, and tells a story. It’s good that not everyone likes it; let’s keep the secret of this little-known gem. Cheers.
A gem, one of the most original Gardens, addictive, and with great performance. It’s totally unisex and true to the house: exquisite raw materials, sublime balance, and soft elegance that tells a story. It’s fine that not everyone likes it; let’s keep the secret of this little-known gem. Cheers.
A marvel. I’m fascinated by the pistachio note, and the balance of all the notes is perfect. I feel serene yet energetic. It’s a subtle beauty that wins you over when you take notice; elegant and discreet, yet it creates an addiction that makes you smell your wrist over and over. It evokes a summer breakfast or dinner with soft sunlight. Many find it difficult, but try it and don’t dismiss it at first sniff.
I was gifted it for my birthday; I had smelled it at El Corte Inglés and finally it’s mine. Since I desired it, I’ll try to be objective. The opening is toasted pistachio with lemon, though on my skin the lemon lasts through the entire evolution. It’s a clean, soapy, sweet lemon—not acidic—trapped in woods with oily pistachio. It doesn’t evoke freshness for me, so while many use it for summer, I wear it daily at the office.
I’m back to it after a year, tired of vanillas and cherries. Upon rediscovering it, what a beautiful scent: pleasant citrus, with tender herbs and a delicate freshness. It feels friendly and affectionate, like wet lemon peels under the morning dew in soft light. A necessary pleasure after so much tonka bean and praline. A beautiful Hermès Garden.
It’s a gem that blends the warmth of pistachio and almond with very sophisticated citrus. Although it’s called a citrus scent, what dominates is the wood, olive, and nuts, giving it a unique aroma. For me, it’s the luxury version of Bruma 62, and they pair beautifully together. 100% recommended.
I was recommended it and bought it blindly, but after testing it in-store, I realized it wasn’t for me. The citrus opening is great, but as it evolves into that salty pistachio and olive scent, I had to run to the bathroom. It gave me nausea on my skin, so I don’t recommend buying it without smelling it first.
A friend recommended it, so I ordered it online without testing it first. While waiting, I tried it in-store and unfortunately, I didn’t like it. Not only did I not like it, but I couldn’t stand it and had to go to the bathroom to wash my wrists after an hour. I really enjoyed the citrus opening, which evaporates quickly, but when the salty pistachio hit with the olive wood, it was too much. It just didn’t work on my skin; it gave me nausea. Honestly, I don’t recommend buying it blind.