Men
Chanel No 19 Poudre
Acordes principales
Descripción
Chanel No 19 Poudre is a powdery floral woody fragrance for women. Launched in 2011, this composition was created by perfumer Jacques Polge. Its top notes of galbanum, neroli, and mandarin give way to a heart of iris and jasmine, while vetiver, musk, and tonka bean close the olfactory pyramid with a warm, enveloping base.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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29 reseñas
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The formidable nose of Jacques Polge clearly demonstrates the status and stature of this creator and why he commands such an important house as Chanel. This version of Henri Robert’s classic No. 19 provides the inspiration for this new take, where Polge adds the label: ‘Poudre,’ meaning ‘powdery’ or ‘earthy.’ That’s exactly it. This feminine fragrance smells quite masculine; it’s the most beautiful representation of the scent of earth after rain. It smells like a forest, but not a coniferous one; rather, a transitional forest where the green, the vegetal, and that rich, nutrient-dense black earth dominate, where flowers after rain release their aroma, mixing with the earthiness to create a greater terrestrial result. Chanel No. 19 Poudre is not a fleeting success. It’s a fragrance made to exist, drawn from the ancient memory of man. This ’19’ alludes to a status beyond the elemental; it’s not a fashion scent nor for unconscious consumption, but for people with feet firmly on the ground, with personality and quite a bit of mortality. It’s an aroma to transcend within life itself, not in the ether. From my perspective, it’s a women’s fragrance that would work effectively on a man, and for a woman, it might require more than just femininity. Recommended? Not entirely, but tastes always break genres. It’s not festive; it’s sober and powerful, perfect for executive environments.
Delicious, festive, and beachy. Chanel 19 Poudre has conquered me; it’s a combination I wasn’t used to in Chanel. There’s a freshness of countryside, nature, sun, and sea that I adore. For me, it’s perfect, considering I live on a Caribbean island where summer embraces us every day. This little gem will be my next Chanel acquisition; I’ll tell you more about it soon.
Splendid. It exudes sobriety and timeless elegance, like the previous one, but with a powdery touch and more iris that give it lightness. Renewed, it reinvents itself and rises from its ashes; it’s another classic that doesn’t succumb to trends or fickle tastes. What I like most is its complexity combined with simplicity; it’s more ethereal than its older sister but still retains that scent of a winter field under a gentle sun. It’s impossible to get tired of or find annoying; it comforts me and makes me feel good, thanks to its bucolic setting of greenery, flowers, and purity. Great hours and moderate sillage.
They say the musk in this perfume reacts differently on everyone. I smelled it for about 7 hours, always clinging tightly to the skin, right up against it; I suppose it would last longer if you bathed in it, though I only sprayed it once on my wrist. The scent isn’t bad, but it’s not glorious either. It’s clean, everyday aromas—musk and neroli like the ADP Essenza, with the difference being a faint iris note. The price seems astronomical, but of course, you pay for the brand. Ultimately, there’s a very slight vetiver present.
This perfume is like great art: always beautiful, timeless, and elegant. A precious, ethereal aroma. It’s the subtle spirit of No. 19, but less sharp; the Poudre version is tender and harmless. Iris and vetiver dominate, softened by tonka bean vanilla, with citrus notes that aren’t predictable fruits but a diffuse, mysterious spirit typical of Chanel. It’s a subtle chypre with a perfect green note and a well-blended powdery dry down. To me, it’s a Chanel masterpiece: it carries the DNA of elegance and status but has its own personality—kind, warm, wonderful, and tranquil. It’s like aromatherapy, versatile for any season, adding class and distinction. It’s distinctive and worn by few; perhaps it’s undervalued or reserved for connoisseurs. If you can get your hands on it, buy it without hesitation. It’s not everywhere, and it’s a masterpiece.
I stopped wearing it a year ago due to poor longevity and lack of compliments. It’s meant to be worn close to the skin, leaving no trail, as if the scent were skin itself. It reminds me of a porcelain doll dusted with talcum powder in a garden. Today I tried it again, and curiously, it has more density and lasts longer, though still soft. Less green than the EDP, more natural. It’s back to being my favorite.
Chanel N.19 Poudrée, you are a dream, so you, so chic and ethereal. A fascinating flanker, even better than the original creation. It’s like walking through a cloud with a hint of tart orange, galbanum, and fresh green notes; the leather is felt with restraint, but what impresses most is the iris, which takes you from a dusty bouquet to a creamy point evoking lipstick. What a perfume, pure elegance, subtle movements, caresses that delight. It’s clean, soft, with character, so you and yet so mine. With it, I can be Sleeping Beauty or Maleficent, depending on my mood. Worth it in every aspect, and if you understand it, you’ll love all its facets. You are dreamy, sweet, and tender. I hope to enjoy your petals for many years. Originality 8/10, Longevity 8/10, Sillage 7/10.
Simply wonderful. Worth trying and owning. On my skin, I get a truly amazing iris. I love it.
I find it ideal for unisex. I bought it myself and it works great on both men and women, with excellent results.
No doubt I thought this was my favorite. A couple of years ago, I was gifted a decant that I keep like a treasure; I wore it at an important event in June and felt so comfortable, clean, and fabulous that I thought I’d eventually own a bottle. This year, I finally bought it after keeping it on my wishlist for two years. I thought the whole collection would be my signature… But a few days ago, on a hot March day, I tried it and I adore it. The opening is super powdery with iris and vetiver. Truth be told, it doesn’t last even an hour.
Fragrantica, please correct the name: it’s not called ‘Poudre’, it’s ‘Poudrée’, which is the past participle. Being powder is different from being dusted…
Soft, delicate, floral with woody touches from the vetiver and a hint of sweetness from the tonka bean on my skin. Great longevity. I have a 100 ml bottle for sale if anyone is interested. I’m from Chile.
It’s a powdery version of the 19 EDP. It has the complexity and green sweetness of the EDP, but the leather and that rugged character of the EDT are much tamed. You can tell they’re related: the leather notes are replaced by beautiful floral powders. The iris stands out in the top and mid-notes, supporting the tonka bean’s powdery base. To my nose, it’s more versatile and easier to wear, slightly more formal and business-appropriate, though also suitable for parties. I loved it at a freeshop and I’m buying it.
It’s basically the powdery version of 19 EDP. It keeps that complexity and that soft green sweetness, but the leather and that wild character of the EDT are much calmer. You can tell they’re directly related: where the first had intense leather notes, here you have precious floral powders. Iris dominates the top and heart, though I think it lingers in the background supporting the tonka vanilla. To my nose, the powder is more versatile, easier to wear and enjoy. It’s quite more formal, office-appropriate, though I wouldn’t rule out a party. I tried it at a freeshop and loved it; when I can, I’ll buy it.
I’m floored… another disaster. I used this poudrée version since its launch, and today, after buying it again, I was shocked to find they reformulated it. It lacks that intense powder note; it seems they added more galbanum and removed the earthy iris. Now it smells like a mix of the poudrée and the EDP. It can’t be; Chanel is cutting costs for their campaigns. In my opinion, they’re losing quality.
Extremely feminine and tender, it smells like a forest with flowers, water, and trees; it makes me feel like a fairy. The scent is delicate, perfect for a sweet woman, but the longevity is poor, and I have to reapply frequently. I’m sorry to see Chanel’s quality drop so much.
Maria del mar Astorga, nice comparison. I’ve worn it all day and agree with everything you said. It would be my favorite perfume if it weren’t for the fact that on my skin it doesn’t last even 2 hours, and let’s not talk about the sillage, which is non-existent. Scent: 10, Longevity: 5, Sillage: 3, Versatility: 2. I adore it, but I don’t think I’ll buy it again.
It’s a dream that wraps me in a bohemian, romantic atmosphere, like I’m standing in the rain. It’s feminine and less classic than the original 19; on my skin, it lasts about 7 hours without needing a touch-up. It feels softer, more innocent, and candid than the Chanel 19 EDT. While the whole line is fantastic, this is my favorite.
Nature everywhere! Experiencing this is truly something. The saleswoman warned that ‘you have to give it time’… and I found an earthy, green opening from which a slightly sweet talcum iris sprouts, evolving into wood. All stages happen with smooth and quick transitions (the little plant finishes growing in two hours). The ‘natural’ effect is captivating. But once it finishes sprouting, the scent fades… unfortunately, it doesn’t stand out for its longevity and sillage.
Nature everywhere! Wearing this is a whole experience. The salesperson told me ‘you have to give it time’… and indeed, it starts with an earthy, green touch from which a slightly sweet talcum iris emerges, then evolving into wood. All stages pass with very smooth and fast transitions (in two hours, the little plant has already grown). The ‘natural’ effect is captivating. But once it finishes blooming, the scent fades… unfortunately, it doesn’t stand out for its longevity or sillage.
I love it; it’s as fine and elegant as it gets, adding that sense of cleanliness and freshness but with class. It’s my favorite Chanel.
I’m not a huge fan of Chanel, but the 19 line has my vote as the one I like most (maybe because it’s the one that smells the least ‘Chanel’). This version seems like an update of the classic EDT: it opens very green with vetiver and neroli, but quickly loses its astringency as iris, tonka, and musk take over. The dry-down is powdery, but not powdery in the powder-puff sense; it’s dry and musky with a touch of sweetness. Longevity is lamentable for its price; after 5 hours, I can’t smell it even if I bury my nose in it. Projection is weak, so it’s perfect for the office or for enjoying in solitude. I think it shines on fresh spring or autumn days, especially with the sun. It’s elegant unisex (not formal), pleasant but somewhat simple compared to its predecessors. Within the line, I prefer Prada Infusion d’Iris for its greater complexity. Pleasant: 7/10, Interesting: 6/10, Versatile: 8/10, Original: 5/10 (it’s a flanker, after all).
Chanel N19 is a window into a woody and forest world; the greenest and most elegant side of the house. Built on iris root (a precious note noticeable in Houbigant’s Jardin Secret), moss, and earthy notes. Flowers take a backseat; the protagonists are tree roots and a vast green forest with lots of soft moss. It’s timeless, with a talcum-iris touch that will conquer vintage lovers. An alternative to Chanel’s usual bouquets: the GREEN alternative that you want to be green.
As many have discussed the similarity to Prada Infusion d’Iris, here’s my take on both. By notes, they don’t seem very different. The Chanel comes out much greener and more astringent, while the Prada is tender, sweet, and creamy without as many edges. Galbanum gives the Chanel that green character that lasts, while the Prada has a less intense ‘pastel green.’ Iris is the star in both, overshadowing the other flowers. When dried, both have a beautiful vetiver; I notice it more in the Prada, while the Chanel ends up more soapy due to the musk. Both are sweet and wearable. Maybe the Prada is a bit sweeter, but it’s not a sweet floral. In projection, the Chanel is more imposing at the start, but when dried, they are very similar: excellent longevity (over 8 hours) but low projection, almost skin-scent. Both evoke peace and are works of art. For lovers of green and bold scents, choose the Poudré; if you don’t like the green, go for the Infusion d’Iris. Both have a noticeable talcum character, so it’s an indispensable condition that you like that type of aroma.
A delightful fine woody and herbal scent, with an old-fashioned touch where a delicious rose, wet earth, and woody notes stand out. This 2011 version has a youthful vibe with echoes of the original, but with a delicious talcum powder that reminds me of grandma’s powder puffs. It smells like rice powder, very clean and sensual, with that Chanel hallmark that always distinguishes their perfumes.
Feminine, subtle, ethereal like a dream… a beautiful and delicate scent. However, its longevity and projection are very light. I applied five sprays to my wrists and enjoyed the opening and heart, but after two hours, it was almost gone. What a pity, because I love it.
It smells like my childhood, opening grandma’s drawer with her talcum powders and perfumes; it’s sublime, ethereal, green, and rich. I’ll buy the bottle when my refill runs out.
It evokes a magical encounter in an enchanted forest, reminiscent of the surreal scenes in Bosch’s ‘The Garden of Earthly Delights.’ Perhaps I’m exaggerating with the description, but it feels like a very pleasant olfactory experience.
It gives me the sensation of getting lost in a magical forest, like Bosco. Maybe I’m exaggerating, but it smells incredible.