Cabochard Parfum by Grès
Men Women 1959
Description
Cabochard Parfum by Grès is a fragrance from the olfactory family for men and women. Launched in 1959, the nose behind this fragrance is Bernard Chant. The top notes are aldehydes, spicy notes, tarragon, sage, asafoetida, lemon (sour lime), and fruity notes; the heart notes are geranium, jasmine, ylang-ylang, lily root, and rose; the base notes are leather, oakmoss, tobacco,…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
967 votes
What do you think?
Leading answer Love it
316 votes
Season
Choose severalLeading answer Autumn
194 votes
Time of day
Choose severalLeading answer Night
107 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Cabochard Parfum
Cabochard Parfum by Grès is a fragrance from the olfactory family for men and women. Launched in 1959, the nose behind this fragrance is Bernard Chant. The top notes are aldehydes, spicy notes, tarragon, sage, asafoetida, lemon (sour lime), and fruity notes; the heart notes are geranium, jasmine, ylang-ylang, lily root, and rose; the base notes are leather, oakmoss, tobacco, patchouli, vetiver, musk, sandalwood, amber, and coconut.
Green, herbal and fougère Spices Fruits, vegetables and nuts Flowers White flowers Musk, amber and animalic Woods and mosses
It may remind you of
Ranked by what the community voted.
More from Grès
More from Bernard Chant
How it wears
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Longevity
Leading answer Long-lasting
101 votes
Sillage
Leading answer Strong
124 votes
Character
Leading answer Balanced
66 votes
Value perception
Leading answer Fair price
50 votes
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Community reviews
4 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Excellent reviews, if not everything is already said; though we could talk about so many wonders of this delight… I met it when I was older and it became the love of my life. I bought it blindly based on the notes and it was an instant crush. I still remember our first time; I was surprised because I knew nothing like it. I closed my eyes for a couple of minutes, enjoying it while it filled the air and stole my heart. Since then, all other perfumes are just fleeting lovers from a crazy, short night, second-rate, mere caprices. Cabochard is different. He is the faithful, steady, unconditional, definitive lover. He is the one you always return to, who waits with open arms, without reproaches, welcoming and caressing you softly. Then, treacherously, he leaps upon you—pure passion! Clinging to your skin as if there is no tomorrow, accompanying you intensely without giving you a break for hours and hours. Cabochard Vintage is not a simple whim; it has become a necessity. Just as I drown my sorrows in alcohol, I drown mine in Cabochard, and my joys with even more reason, to celebrate and enjoy them. Sometimes, simply Cabochard, a glass of wine, a book, and a cigarette offer me great pleasure; no other fragrance comforts me like this one. Yes, it is carnal, very carnal, dirty, erotic, hard, dry, strange, even grumpy; but it has managed to conquer me to the point that I identify with it. This is how I want to smell and no other way. I can’t even imagine myself without it. I confess I hoard it with greed and avarice out of fear of losing it, and sadly, it is becoming harder to find, and the price has skyrocketed—it seems people like it more than we thought. Sometimes I think I met it at the most opportune moment in my life. Maybe if I had been younger, with different tastes and less trained senses, I wouldn’t have known how to appreciate it. Or do I? I don’t think so. I always believe part of its charm lies in appearing at the exact moment, with the right maturity on my part, because it is a perfume to be taken very seriously and worn with care. We coincide in that it’s not for everyone, but when it conquers, it sweeps everything away, devastating hearts and leaving no one indifferent; some might even hate it. By the way, in a complete review to which everyone says ‘Amen!’, Casablanca77 comments that Cabochard is a cousin of Lancôme’s Sykomore. Unfortunately, I haven’t had the luck to meet that fantastic chypre. But as a compensation for these fortunate twists of the universe, I was recently gifted a perfume that was a complete unknown to me: Kashmir by Milton Lloyd. They say it came out as a clone of Sykomore, and indeed, Kashmir is a cousin of Cabochard Vintage. It’s a rich, classic chypre that I dare not comment on due to the excellent review we have on the corresponding page, a gift from Sidonie, whom I thank for this great discovery. If you like Cabochard, you will probably like Sykomore, and by extension, Kashmir.
After reading enlightening reviews with a tissue in hand, barely touched by a drop of Cabochard, I still try to understand this strange, dark, moody creature. I can’t say I like it; I wouldn’t dare wear it. But little by little, I’m trying to appreciate it (thanks to Grès for the energetic lesson in olfactory education). I don’t think I smell leather, just imagine it, assume it. What I clearly sense is the dry, powdery, astringent base of moss. The late-night darkness of tobacco, a heavy Ylang, alongside an overly ripe, almost wilted, fainting jasmine. I think this is how Madame Edwda must have smelled on that ethylated, fatal night that drags her occasional lover through Paris’s dirty brothels (that night that never ends) until a gray, desolate dawn. She, who is Evil because she is God, because she holds the power of life and death, smells exactly like this, definitively. It’s the fragrance of erotic anguish, if you will, not sensuality. It makes no promises it won’t keep. It’s not an evanescent desire. It’s pure flesh; tough, undeniably, and a bit bitter.
Reading clarifying reviews with a handkerchief in hand and testing just a drop of Cabochard, I keep trying to decipher this rare and closed creature. It doesn’t convince me, and I wouldn’t dare wear it, but little by little I try to appreciate it (thanks to Grès for the lesson in olfactory education). I don’t perceive the leather, I only imagine it; I do notice the dry, dusty, astringent bottom of the moss. Dark tobacco, a dense Ylang, and a very mature, almost withered jasmine define the atmosphere. It seems like the fragrance of Madame Edwda that night, ethereal and fatal, dragging her lover through the dirty brothels of Paris until a gray, desolate early morning. It is the Evil because it is God, with the power of life and death, it smells like this, without a doubt. It is erotic anguish, not sensuality. It makes no empty promises, it’s not a fleeting desire, it’s pure flesh: sturdy, without doubts, and with a bitter touch.
Cabochard Parfum is an absolute gem, though finding it is nearly impossible. I kept it tucked away for a deep, meditated test because its notes of moss, leather, and tobacco inspired great respect in me. But nothing compares to what I actually feel; it’s the exact opposite of the story of the little lambs and the wolf: disguised as a wolf, it’s a tremendous, fluffy Zamoran lamb. It opens with a crunchy, fresh, dynamic burst of well-made aldehydes: I hadn’t smelled an aldehydic beauty that commands presence without being so drastic, and here it shines remarkably. Maybe that pepper lifts it in its freshness; it’s a crisp aldehydic opening full of green, could it be tarragon? In its evolution, it defines itself with macerated green tones soaked in something always fresh, and the leather, if there is any, is refined with prodigious subtlety. On my skin, it doesn’t give any harsh, shaky, or dark tones that could overshadow the formula. I was worried about that moss that usually turns perfumes sour or acidic for me, but not this time. It’s incredibly carnal, raw, and clean, making it feel like living matter: I love it. I’m going to be head-over-heels for it, too bad I can’t just buy it given the state of the market. A primitive of Sikkim, without its excess of stagnant shadow, this has more fresh streams, moistened by the cold, with extensive green hills of wild grass. An extinct marvel, worthy of a king’s throne.