Men
Ambre Fétiche
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Descripción
Ambre Fétiche by Goutal is an oriental fragrance for men and women. Launched in 2007, this composition was created by Isabelle Doyen and Camille Goutal. The top notes unfold with amber, incense, labdanum, vanilla, and styrax; the heart reveals benzoin and iris; while the base notes close the pyramid with leather, vanilla, patchouli, and geranium.
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- Positivo 86%
- Negativo 10%
- Neutral 3.5%
Pirámide olfativa
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From the Les Orientalistes collection, Ambre Fetiche opens with luxurious, sensual, smoky incense, mixed with warm, dry amber that creates a decadent atmosphere. A touch of Russian leather adds elegance and an animal air, playing with the light-dark contrast. Spices and resins, with a patchouli reminiscent of Ambre Sultan, round out the fragrance. Very complex, with layers that give rich nuances. Longevity is monstrous and the sillage is impeccable. Goutal knows how to play with the dreamlike and sensuality, making this a unique and irreplicable masterpiece. Although there are imitations like Byredo 1996, nothing matches it for the original idea and Goutal’s class. A rich Oriental that takes you to the splendor of the Alhambra. Must-keep! Rating: 9
From the Les Orientalistes collection, inspired by harem rituals, Ambre Fetiche opens with opulent, sensual, smoky incense, leathery and warm, dark, dry amber that creates a decadent and luxurious atmosphere. A touch of Russian leather adds elegance and an animal, shadowy air, playing with contrast. Spices and resins round out the fragrance, nuanced by a patchouli reminiscent of Ambre Sultan. Very complex, with overlapping layers that give rich nuances. The longevity is monstrous and the sillage is impeccable. Goutal knows how to play with the dreamlike, innocence, and sensuality perfectly, turning Ambre Fetiche into something decadent, unique, and irreplicable. Although there are imitations like Byredo 1996, they never match the original idea and the class of Goutal’s genius. A rich Oriental that transports you to the splendor of the Alhambra. A true masterpiece to keep in mind. Rating: 9
I’m 100% in agreement with the previous one. Another masterpiece by A. Goutal, absolutely opulent and not for everyone. Amber, incense, and leather are the protagonists, mixed with spices and many other notes. Very Oriental, different, and complex. The sense of quality in the materials is extremely high. Note: it’s an old-school fragrance, a bit rough due to the leather, and very potent. As I said, it’s opulent and not for every taste. More recommended for winter, and be careful with the sprays. Longevity and sillage are excellent.
I agree 100% with the previous review. Another masterpiece by A. Goutal. Absolutely opulent and not for everyone. Amber, incense, and leather are the main notes, mixed with spices and a host of others. Very Oriental, different, complex, and unique. The sense of quality in the materials is extremely high. Note: it’s an old-school fragrance, a bit rough, especially due to the leather note, and very Oriental and powerful. As I said before, yes, this is truly opulent and not for every taste. More recommended for winter, and be careful not to spray too much. Longevity and sillage are excellent.
It’s possibly the most luxurious and ostentatious perfume I own, even though I’ve spent more on others. It’s incredibly dense, almost chewable; the scent it projects is simply impressive. The standout note is amber, though it has a touch of Holy Week incense in the background that doesn’t really stand out to me. It’s the best of the Oriental series, much denser than Musc Nomade or Encens Flamboyant. For me, it beats the Amouages.
At first, it smells strong, with noticeable burnt incense, leaving a trail of amber and vanilla. Later, I think I detect some patchouli in the base and also leather. When it dries completely, the note that stands out is labdanum. Very good performance and excellent projection. I must say I have the latest reformulation. The first part seems clearly masculine to me, but once dried, I notice it’s perfectly unisex. Undoubtedly for cold weather and for night use.
I wore it for the first time last Saturday night for my birthday dinner. Although I had tried it before, it was when I perfumed my uniform that this work of art came out in all its splendor. It’s a complex perfume, but it emanates crystal-clear naturalness and defines specific aromas, places, and situations of the oriental world. As my colleagues say, it’s opulent and rich, very compact and present, leaving a trail that leaves no one indifferent, neither close nor far. You only need a few sprays; it doesn’t need more. I felt very comfortable with it, as opulent orientals are to my liking. I like its aromas: the burnt incense and labdanum, the sensual and dark Russian leather, the prominent and mysterious amber, the very natural patchouli, and that magical pinch of benzoin. For me, it’s an elegant perfume that requires knowing how to wear it, but also esoteric and mysterious, one that knows how to portray real aromas. A superb niche perfumery masterpiece that raises the bar high for orientals. The crown of my wardrobe. 10/10.
I’ve enjoyed it since October 2015 (it was my birthday), and if I have to give an opinion, I’d say it’s the oriental of orientals. There’s lots of good competition in that olfactive family, but I, who have been into oriental fragrances since I was young, can say that Ambre Fétiche (by Annick Goutal) is brutal. It’s brutal because it’s rich in notes, dense, definitive, leaves no doubts, and its construction has a prominent, realistic, no-nonsense trail that goes straight to the core. Amouage is talked about a lot and they deserve it, but in my book, this Goutal beats them, matters of pH, matters of each person. When I speak of the East, I speak of this and no other. Besides, it has no strange notes; on the contrary, all are realistic and natural. Finally, it’s very elegant, mysterious on an esoteric plane, and unfolds a magic that only it possesses. An irrepeatable work of art that defines France as a perfumery country.
Well, with Ambre Fétiche, the truth is I bought it based on internet comments, especially on Fragrantica, and obviously, one isn’t made of stone, so I couldn’t pass up the opportunity… it was a long-standing wish. What do I think? Very good, I suppose you can’t ask for more. Personally, it doesn’t quite convince me; as the hours pass, it tends to become a bit boring. I don’t mean I don’t like it; I’m currently using it, and maybe in a few days I’ll change my mind, but for now, that’s my take. It’s a quality creation with lots of character and nothing cloying, for mature people 35 and up. You have to be up to the task to wear it in all its splendor, because it has a brilliant, captivating opening that gives way to a mysterious, subtle fragrance, reminding me of the aroma of hundreds of lit candles in a cathedral… it’s almost a religious experience and yet sinful, as if it balances between good and evil.
Ambre Fétiche is a work of art. There are orientals that take you to idealized Arab worlds, spice markets, and sensual palaces. Ambre Fétiche is the exact opposite. It has not a single trace of fantasy oriental, and yet it is a capital-O Oriental. Here, the East speaks with the West and ends up in Catholicism, the religion that uses those intoxicating resins. Ambre Fétiche is pure Holy Week, the kind from southern Spain. Imagine a crowded alley in an Andalusian city on a procession night. You feel the narcotic incense clogging your nose and leaving you dazed, and suddenly an oily, smoky scent of pure melting wax from the candles on a Virgin’s palio overpowers it. When you get used to it, you feel a minimal sweetness of a traditional sweet someone is eating nearby (vanilla and dry, heavy amber), and if you have a good nose, you smell the quality iris of an attractive mature woman watching the procession. Few perfumes make me visualize a scene so vividly. I feel the broom from start to finish: resinous, oily, dirty, almost moldy, which suddenly releases powdery incense and iris. I barely notice the vanilla, amber, and patchouli, perhaps only at the end when it becomes more linear, but they are overshadowed by the labdanum that devours everything. There’s a moment when the crowd blends, and you feel surrounded by thousands of quality candles, smelling of pure wax aromatized with the scents of that church or procession. This is the best! I’ve worn it for several weeks, and it has become one of those perfumes you reach for because you know it won’t disappoint with cheap ingredients. All the notes are exquisite and high quality; longevity is very good and the sillage is more than adequate. The only problem is its lack of versatility: it’s neither masculine nor feminine, neither earthly nor lustful, nor formal. It’s an experience in itself, moving between the diabolical and the divine, and it’s hard to find an ideal moment. I don’t follow those rules and wear perfume when I feel like it, so I use it in all situations. It’s making me very happy.
Ambre Fétiche is a work of art, no beating around the bush. While other Orientals take you to spice markets or sensual palaces, this is the exact opposite: it has not a trace of Oriental fantasy. Here, the East speaks with the West and ends up in Catholicism, specifically in Holy Week in southern Spain. Imagine a Seville alley packed with people in a night procession: you feel the narcotic incense, it goes into your nose and leaves you dazed, and suddenly a smoky, oily smell of melting wax on the float (broom) overpowers it. Then a minimum sweetness of vanilla and deep, dry amber appears, and if you have a good nose, you even smell a mature woman’s lipstick (the iris). Few perfumes visualize a scene so vividly. I feel the resinous, dirty broom from the start, which suddenly releases the incense and powdery iris. The vanilla and patchouli are barely noticeable, overshadowed by the labdanum. There comes a moment when you feel thousands of lit candles, smelling pure aromatized wax. This is the goods! I’ve worn it for weeks, and it’s one of those perfumes that never disappoints. The notes are exquisite, the longevity is good, and the sillage is correct. The only problem is its low versatility: it’s neither masculine nor feminine, neither earthly nor lustful. It’s an experience in itself, between the diabolic and the divine. I don’t follow rules and perfume myself when I feel like it, so I use it in all situations, and it’s making me very happy.
In two words: Masterpiece. Thanks to Roxyfoxx I got to try it. I’m from southern Andalusia, and yesterday, Holy Wednesday, I wore it without knowing what I was getting into. The streets were full of people waiting for the procession, the Nazarenos with lit, smoking candles, filling everything with the scent of burnt wax. Near the float, two Nazarenos with thuribles moved the night with their smoky heat, blending with the blooming oranges passing by the brotherhood… and me with this sublime work. Wordless. Undoubtedly, it’s the best amber and incense perfume I’ve ever smelled. It’s gothic, opulent, and dense, yet sensual, making me think of the erotic tales of One Thousand and One Nights. The opening is magnificent, and the undisputed protagonist is the incense: rough, warm, resinous, and powdery as it develops. Longevity and trail are superlative; it never fails. A perfume for the night and cold climates.
In two words: Masterpiece. Thanks to Roxyfoxx for letting me try this perfume. I’m from Andalusia, and yesterday, Holy Wednesday, I wore it without realizing the impact. Streets full of people waiting for the procession, the Nazarenos with lit, smoking candles, everything soaked in burnt wax. Near the float, two Nazarenos moving hypnotically with censers, filling the night with smoky warmth, blending into the darkness with the blooming orange trees that always pass by the brotherhood… and me with this jewel. Wordless. Definitely, it’s the best incense-amber I’ve ever smelled. It’s gothic, opulent, and dense, yet sensual, making me think of erotic tales from One Thousand and One Nights. The opening is magnificent, and from the start, incense is the protagonist, becoming rough, warm, resinous, and even powdery as it evolves. Longevity and sillage are incredible; it never fails. A perfume for cold nights.
Annick Goutal, a French genius born in Aix in 1945 who moved to Paris in 1999 after 30 years battling cancer. She grew up surrounded by sweets made by her father in pretty boxes, which inspired her bottles. She learned piano as a child and won first prize at 16. With little more than 20, she left piano to become a model in swinging London of the 60s, strolling down Carnaby Street in miniskirts. In 1976, at 31, she changed course and went to Grasse to study perfumery. In 1981, she opened her first shop near the Quai D’Orsay and launched FOLAVRIL. Upon her death, she left 25 creations and her daughter Camille, along with Isabelle Doyen, who keep her legacy alive. Thank you, Annick, for existing and giving us such beautiful things; we need people like this and fewer toxic politicians. Camille and Isabelle launched LES ORIENTALISTES, with AMBRE FÉTICHE as the star. From the start, it mixes sweet amber and strong incense, but with vanilla and iris touches that make it smell Oriental yet with a Western character. It’s like being in Ottoman rooms, Nasrid palaces, or Versailles. Sometimes it sounds gourmand, almost edible, with subtle honey and cinnamon. Then it releases animal notes of civet and leather before returning to the powdery iris and patchouli dressing table. The composition is complex and multifaceted. It seems woody but changes and performs an Oriental dance, passing through a gourmand memory of Annick’s childhood sweets. Although it has synthetic or artificial components, it doesn’t smell like them; it smells totally natural and top-quality. I could smell AMBRE FÉTICHE forever, or beyond.
Absolutely sensational, especially in the vintage version. Not much more to say…
Annick Goutal was a great French perfumer born in Aix-en-Provence in 1945 and passed away in Paris in 1999 at 53 after a 30-year battle with cancer. She grew up surrounded by fine pastries at her father’s bakery, with those delicate jars. From a young age she studied piano, winning first prize at the Versailles Conservatory at 16 and performing across Europe. In her early twenties she quit the piano, moved to swinging London in the 60s, worked as a top model, and was the one who popularized Mary Quant’s miniskirts. In 1976, at 31, she changed direction, moved to Grasse, and studied perfumery for four years. In 1981 she opened her first shop near the Quai d’Orsay and launched her first perfume: Folavril. When she died, she left behind 25 creations, her daughter Camille Goutal, and Isabelle Doyen, who keep her memory alive. Wherever you are, Annick, thank you for existing and for everything you’ve gifted us. We need more people like you and fewer politicians and fundamentalists. Camille and Isabelle launched the LES ORIENTALISTES series, one of which is AMBRE FÉTICHE. Since its release, the blend of sweet amber and potent incense has been the star. As a masterpiece, its formula is complex, featuring vanilla and iris tones that make it oriental yet with a Western character. It’s a mix of Ottoman rooms, Nasrid palaces, and the Versailles court. Sometimes it’s gourmand, almost edible, with notes of honey and cinnamon. Then it releases animalistic bursts of civet and leather before returning to a powdery dressing room with iris and patchouli. The composition is complex and multifaceted. It seems woody at first, but then it dances an oriental pas de deux, passing through a gourmand memory of Annick’s childhood sweets. Although it surely contains synthetics, it doesn’t smell like them. Even with hydrocarbons, you can’t tell. AMBRE FÉTICHE smells totally natural and uses top-tier raw materials. I could wear it forever… and even beyond.
It’s a bookish oriental, a French niche style scaled up. The notes convey naturalness and feature surprising phases. It’s elegant and sensual, with an enormous trail and longevity. Very esoteric and made for the night.
I don’t care for it; I neither love nor hate it. It opens with a heavy amber and labdanum accord that makes it feel ancient, while the incense adds a smoky touch. Vanilla and benzoin sweeten it, with a hint of patchouli in the base. It’s high quality, but that resinous, smoky, slightly dirty vibe gets tiring after a while. Undeniably well-made, it’s perfect for autumn and winter nights. Lasts all night with a moderate trail.
I love it, smells like Holy Week; like the early morning of Good Friday in Seville.
Thanks to my buddy Darkbeat I was able to sniff this masterpiece. I’m from a town in Sierra Morena, Córdoba, where broom (jara) is abundant. Upon applying it, the first flash was a trip to the past: walking as a kid through the countryside in spring, with the sun burning and full of insects, crossing broom areas that stuck to clothes and smelled for miles. Talking to Dark, I commented that it didn’t smell like amber or incense, but like “dirty” broom, something more wild and less refined than Ambre Aurea. He told me what I smelled was myrrh, the perfumery name for broom. A very good fragrance, not for everyone. I’ll enjoy it personally, I don’t think I’ll find many occasions to wear it. Thanks, crack Dark!!.
Thanks to my friend Darkbeat for letting me smell this wonder. I’m from a town in the Sierra Morena of Córdoba, where broom (jara) with its white flowers is abundant. Upon applying it, the first impact was a trip to the past: walking as a kid through the countryside in spring, with the sun stinging and us covered in insects, crossing broom patches that were sticky on the clothes and smelled for miles. I told Dark it didn’t smell like amber or incense, but like ‘dirty’ broom, something similar to Ambre Aurea but wilder and less refined. He told me it was labdanum, the perfumery name for broom. A good fragrance, not suitable for everyone. In my case, I’ll enjoy it personally, as I don’t think I’ll find many occasions to wear it. Thanks, crack Dark.
I bought this fragrance based on reviews, but this is very subjective. The notes I smell most are amber, incense, leather, benzoin, and myrrh. It opens with a strong resemblance to Armani Code Man, but more noticeable and improved, like a vintage version without as much anise. It lasted 4 hours with medium-low trail, then faded and the powdery incense became more noticeable, remotely reminding me of WONDERWOOD. Later, the amber stood out again for another 4 hours before disappearing. Is it good? Yes, but it’s not opulent nor a masterpiece. Two points: 1. The scent isn’t unique; Armaf Oud is similar and has better performance, projects more, lasts longer, and isn’t as boring or bland. 2. Its performance, while longevity is good, the projection is only medium; with 3 ml I only get a medium trail. It’s expensive (120-140 USD for 100 ml), while Armaf is almost the same price but costs 1/4. Over time it tends to get tiring and boring. It has quality but the aroma doesn’t convince me; the ingredients aren’t synthetic nor of extremely high quality. To not offend the fanboys, that’s all. For over 30s, formal/semi-formal wear, and cool climates. For some it’s a masterpiece, for others not so much. I’ll do an end-of-year giveaway and will send minis so you can try them.
I bought this fragrance based on the previous reviews, but this is very subjective: what one person likes, another might not. The notes I feel most are amber, incense, leather, benzoin, and labdanum; I didn’t catch the others. At first, it smells a lot like Opium Homme, but improved and vintage, without that strong anise touch. It lasted 4 hours with medium-low sillage, then another 4 hours with low sillage and more incense, remotely reminding me of Wonderwood for that powdery incense. After that, the sillage dropped further, and the amber was noticeable for another 4 hours before disappearing. Is it good? Yes, but it’s not opulent or a masterpiece. Two points: 1.- The scent isn’t unique; there are similar ones with better performance, like Oud by Armaf, which projects more, lasts longer, and smells more exclusive, although this isn’t bad, it’s a bit boring. 2.- The performance: although the longevity is good, the projection is only medium; with 3 ml, I only got medium sillage. The price is around 120-140 USD for 100 ml, while the Armaf costs 1/4 and has better performance. Also, over time, it tends to get tiring. It has quality, but its ingredients don’t feel synthetic or of extremely high quality. To not offend the fans, that’s all. Recommended for over 30s, formal or semi-formal use, and cool climates. For some it’s a wonder, for others not so much. Happy holidays and good luck with the contest I’ll do with miniatures!
Smells great, like the air in Andalusia on a Holy Week night. This Ambre Fétiche is a perfume bomb, expensive but very good and worth it, though it’s for nightwear; for the day, I’d use Loewe 7.
Ambre Fétiche is different from most because the typical amber doesn’t dominate; all ingredients are on equal footing. The opening surprises me with a veil of powdery cocoa, delicious. Notable blend of patchouli and iris, with a fleeting touch of leather that adds roughness and elegance. What really makes it top-tier is that smoky incense mixed with the amber; I know it from visits to a relative’s fireplace in the countryside in winter. It’s a layer of smoke woven while the warmth of the amber embraces you. The incense shines until it melts into a soft vanilla amber. It has an uncommon nature, with a powerful opening and perfect dry-down. It’s like putting on a pearl necklace and then gifting a handful of stars. Courtesy of Darkbeat.
Incredible incense smell, wonderful. It brings back memories of Holy Week in Seville, and above all, it lasts and lasts. At school, my classmates were thrilled when I wore it and I received countless compliments. It’s a treasure.
One of my best ambers. I adore it: dark, sensual, powerful, and dense. The incense takes you by the hand and leads you to unknown places. Regarding the controversy with Armaf Niche Oud… honestly, I don’t see it. I’ve smelled the Armaf one, and they are definitely not the same.
Honestly, out of all the incense scents I’ve tried, this is the one that reminds me most of the Three Kings. Interlude smells nice, but it’s too balsamic and I don’t see that blue beast. Any Etat Libre d’Orange? Before smelling this masterpiece (Ambre Fétiche), it was my incense go-to; it transported me to burning frankincense sticks and others. Soon I’ll get a decant of Lattafa Raghba Wood Intense, which I suspect will be more wild, less serious, but you have to try everything to find the new gem.
Reformulated?????? 🗣️ THEY’RE RUINING IT ALL!!!!!!!!
Smells like Ambre Aurea but lighter and less churchy. It has that resinous, incense base, but it’s much more wearable; neither is versatile, but this one feels more relaxed and intense. It evokes cold, spiritual days of personal enjoyment. It doesn’t last as long as Aurea with less projection and longevity, but it’s so good. I should try them side by side to decide, because owning both would be redundant.