Fahrenheit Absolute by Dior
Men 2009
Description
Fahrenheit Absolute by Dior is a woody musky floral fragrance for men. Launched in 2009, it was created by perfumer François Demachy.
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When to wear it (votes)
- Winter 43%
- Spring 13%
- Summer 5.8%
- Autumn 38%
- Day 29%
- Night 71%
Key notes
-
Notes
incense
Community
2,278 votes
- Positive 87%
- Negative 12%
- Neutral 1.8%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
5,909 votes
What do you think?
Leading answer Love it
2,278 votes
Season
Choose severalLeading answer Winter
2,007 votes
Time of day
Choose severalLeading answer Night
1,267 votes
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Fragrance profile
About Fahrenheit Absolute
Fahrenheit Absolute by Dior is a woody musky floral fragrance for men. Launched in 2009, it was created by perfumer François Demachy.
Woods and mosses Resins and balsams Flowers
It may remind you of
Ranked by what the community voted.
More from Dior
Related editions
More from François Demachy
How it wears
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Longevity
Leading answer Long-lasting
1,008 votes
Sillage
Leading answer Strong
1,145 votes
Character
Leading answer Traditionally masculine
325 votes
Value perception
Leading answer Fair price
274 votes
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Community reviews
40 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
You can call me crazy, but I haven’t owned Fahrenheit Absolute in years. Yesterday I tried the Antonio Banderas Icon (the blue one) and in the first few minutes it reminded me of it so much. Yes, Fahrenheit was like that throughout its development, but AB only keeps that memory alive between minute 1 and 5, then it’s gone.
Amazing perfume! Very different from the classic Fahrenheit, but in a good way. It was a smoky bomb with incense and oud from start to finish, and the myrrh gave it an exquisite resinous touch. What a pity they discontinued it to promote the Parfum, which is just another sweet mix.
Amazing perfume! It has practically nothing to do with the Fahrenheit EDT. It only shares the great projection and longevity, where oud and incense are the stars. There’s not much more to say because it’s discontinued and I treat this bottle like a child. It’s crazy that they stopped production. In my opinion, it could easily be in Dior’s top 3 alongside Homme Parfum and Sauvage Elixir. Sometimes I don’t understand the criteria of these guys… or maybe they do.
It possesses great magic, a sense of class and style. It has excellent projection and on my skin it lasts more than 8 hours. Sensationally great.
This is my first review and I’m not going to talk about notes, but about sensations: it’s a perfume that embraces, gives warmth on cold days. Maybe it doesn’t have great projection (one arm’s length), but it has longevity; it lasts over 10 hours on my skin. It’s an aroma that wraps around and captures you, my girlfriend’s favorite along with Oud Wood.
Almost completely detached from the DNA of its predecessor. I bought two bottles of this dark but delicious fragrance that moves away from the initial Fahrenheit and adds dark notes like oriental incense, very sweet myrrh, and an oud that is present but not the protagonist. Definitely for cold climates; it achieved something its predecessor couldn’t: wearing it with few sprays in the office without overwhelming anyone (if you calculate well). It has its magic. But like any heavy perfume, its versatility is compromised; it falls into the love/hate category, especially the hate if misused. Scent: 7, Quality: 5 (quite expensive here in Argentina), Longevity: 8, Projection: 8, Versatility: 4.
I don’t know about you, but I know the great fragrance by Annick Goutal called Myrrhe Ardente without beeswax. For me, this is a hybrid between the classic Fahrenheit by Dior and that fragrance. I had the fortune to try this delight. I won’t say much; I agree with several previous reviews, especially the one by Josesan. The opening on my skin was very noticeable myrrh, of very good quality. As time went on, it fluctuated between the smell of the classic Fahrenheit due to the violet and the myrrh. It’s a special, mysterious, and exotic perfume, but in a good way. It has medium trail for the first hour and then stays close to the skin for about 9 hours. Preferably for night use, or during the day in cold seasons. Unfortunately, it’s very hard to find in my country. Such fragrances shouldn’t be discontinued. For me, it’s a work of art and a collector’s oriental. Rating: Quality 9.5/10, Longevity 7.5/10, Trail 7.0/10, Total 8.0/10.
I have other houses I like more than Dior (Guerlain or Loewe, among others), but I recognize that Dior is possibly the best designer house right now (RIP Gucci and YSL), and proof of this is this Absolute version. For a designer house to create a domesticated oriental perfume for the general public and achieve such a masterpiece is praiseworthy. They’ve already done it with other perfumes with mastery, achieving not just acceptance but devotion: Dior Homme Parfum, Eau Sauvage Parfum, Sauvage Parfum, and Fahrenheit Parfum. Without a doubt, it’s the house that has taken the most risks and reaped the most successes. Little to add to previous comments: it’s like mixing an Amouage with Fahrenheit and getting something extremely oriental but nothing rough that offends anyone. The trail is lower than the EDT and Parfum, but it’s not a problem; the important thing is to smell its evolution. There are hypes I’ll never understand, but I think in this case they are justified, beyond being a rare, discontinued, and different perfume. It’s of great quality and, for the mistakes paid for a Creed or a Marly, I haven’t minded paying the price they asked for this bottle.
I like it. Opening with an incensed violet that becomes resinous thanks to the myrrh and has a woody-soiled base of oud. It has a slight vanilla touch. It’s a darker fragrance than the original and Le Parfum, which I like more. It could be Le Parfum with reduced vanilla and increased incense. Quite linear, masculine, and with good performance, although I expected more trail. For autumn and winter, for night. Long-lasting longevity, moderate trail.
Absolute is a look at the world of true orientals from a Western vision, achieved and refined as I have rarely experienced. I saw it two months ago in a local store and resisted due to comments about body odor. At least, in this one that reached my hands, it is simply superb. There is no such impression; there is an intense accord of myrrh, incense, and iris. I rejoiced in the metaphors of the forum users and saw myself reflected in all of them. This Fahrenheit is the darkest and ‘sober’ side of the soul of this historical icon. The myrrh rests on a sweet, dry, and fleshy iris incense, with a lip balm connotation, a sweet and oriental, compact one, resting on a very balanced dark oud that turns the composition towards the masculine with a sweet, slightly medicinal, and fleeting but high-quality twist, from where a ‘hint’ of polished leather emerges to close the composition. It is vibrant, positive, and at the same time dark. It is always in motion, it is kinetic, and at every moment it expresses a living identity as few perfumes manage to do today. If that weren’t enough, its advertising is beautiful; all images of its identity are in tune not only with the concepts but with the scent. Mr. François Demachy… Destiny allowed me to score this great goal thanks to you. I know it has detractors, but as long as it surprises us like it did with this Absolute, at least with me, I guarantee you my friendship. Utterly my best purchase of 2018.
Out of my entire collection, this ranks in the top three. The scent is a shocker—unique and incredibly potent. It reminds me of Fahrenheit and 32, but it’s the strongest of the three. The projection is brutal; after just four sprays, it’s everywhere. I’d recommend it for any age; I wore it at 19 and it always got me dates. Insane longevity: I put it on at 8 PM and at 10 PM, right before my shower, it was still detectable. 10/10 for scent, 8/10 for projection, 8/10 for longevity. Best for those over 25.
Absolute is a look into the world of true orientals from a Western perspective, achieved and refined as rarely as I’ve experienced it. I saw it two months ago in a local store and hesitated due to comments about body odor, but the bottle I ended up with is simply superb. There’s no such impression; instead, there’s an intense accord of myrrh, frankincense, and iris. I rejoiced in the forumers’ metaphors and saw myself reflected in all of them. This Fahrenheit is the darkest and ‘sober’ side of this icon’s soul. The myrrh rests on a frankincense that is sweet, dry, and fleshy iris, with a lip balm connotation—one sweet and oriental, also contracty, resting on a very balanced dark oud that turns the composition masculine with a sweet, slightly medicinal, fleeting but high-quality twist, from which emerges a ‘hint’ of polished leather that closes the composition. It’s vibrant, positive, and yet dark. It’s always in motion, kinetic, and expresses a living identity at every moment, as few perfumes manage today. If that weren’t enough, its advertising is beautiful; all images of its identity are in tune with both the concepts and the scent. Mr. Francois Demachy… Destiny allowed me to score this goal thanks to you. I know it has detractors, but as long as it surprises us like it did with this Absolute, at least with me, I guarantee friendship. Hands down, my best purchase of 2018.
What can I say about this gothic floral incense? Only that a man gave it to me because he was repulsed by it, while I loved it. A masterpiece or a diamond is only enjoyed if you know it. This incense is the central phase of an eclipse ritual where creatures as black as obsidian dwell. Its aroma is fire veiled by a dark cloth—hot and strong. Not for infants. This perfume is the signature of a pharaoh with a priestly spirit, responsible and clean. I feel a violet growing within the knots of burning oud wood alongside incense and myrrh stones. He grasped his older brother, and this is the one I associate with the eclipse because it even eclipses Dior Homme Intense.
Dior’s Fahrenheit was a masterpiece of the 90s, and Absolute recalls it with original twists. The scent of the original is etched into my soul: I knew someone who bathed in it, effectively walking around as a 75kg bottle of perfume. As they passed, a cloud of smoky, asphaltic violets laced with Iso E Super would roll by. Yes, I know this now. I never heard anyone say the original contained Iso E Super, but now that I know, that’s exactly what it smells like. It also hints at vetiverol. I was obsessed with the original; I only had remnants of a gifted bottle back then because I was a penniless kid with my nose pressed against display windows and fancy patisseries (though I’ve since made it). Absolute takes the original’s idea and transports you to the Oriental world of Judean palaces and the Hanging Gardens of Babylon. The initial violets remain, but darker and smokier, as if they grew under moonlight breathing candle smoke. It’s one of those gothic, nocturnal, mysterious scents that I adore so much. The smoky violets, with their terpenic aroma, are dyed with ceremonial gum resins, transforming into a ritual oil for exalted purposes. As it dries, you notice the animalic touch of the oud, handled with delicacy and mastery. The trail sporadically rises from its ashes, like any fragrance with Iso E Super. The longevity is prolonged, a constant patina of warm, enchanting Oriental effluvia. I must emphasize its singularity: when it keeps you at the feet of an altar wrapped in Judean vapors of incense and myrrh, suddenly the smoky, vetivered violets of the flanker return, and I feel like I’m passing by that person who bathed in Fahrenheit again. A few minutes later, it retreats into its pagan temples of ointments to resume the primal 90s aroma. Absolute fluctuates between two worlds: the 1990s and 600 BC. It’s a perfume to savor in the shadow, under the glow of a twilight fireplace, in the intimacy of a shroud of memories, at the border between love and death, Eros and Thanatos, the petite mort de la mort absolue. Dellamorte Dellamore.
A masterpiece born of darkness: dark, mysterious, and gloomy. An excellent incense and myrrh proposal that smells creamy from afar, but up close, it greets you with a liturgical scent, like a Botafumeiro. It’s not a projection bomb; it transmits its power discreetly but constantly, which fits a scent this dark perfectly. Designed for the night, ideal for underground or suburban settings. It doesn’t match any color but black. Many thanks to Darkbeat for the recommendation; you’re a pro.
The angry, dark version of Fahrenheit. It’s like entering a dragon’s den with a flaming sword ready for battle. The addition of myrrh, oud, and saffron makes it one of the best interpretations of Fahrenheit. A very special fragrance, though not for everyone; it’s a perfume every fragrance lover should experience. Undoubtedly, very woody and mysterious.
Exceptional fragrance: incense and violet wrapped in potent oud wood that doesn’t go unnoticed. For those who love Fahrenheit, this dark, mysterious, and aggressive version was sublime. But, damn it! Dior falling into the routine of all perfume houses, initiating the massification of its icon, releasing flanker after flanker. Acqua Fahrenheit, Fahrenheit Parfum—they’re all the same, boring, and add nothing, while discontinuing fragrances with personality and real contributions. Fahrenheit Absolute was that: another interpretation of the original, for those who wanted to feel in a cloud of mystery and sensuality. A pity it’s no longer found in stores.
For years, it was the winter perfume, but now I reserve it for very special occasions. Except at the start, where it briefly reminds me of the original Fahrenheit, it’s a different scent that doesn’t recall other essences. Original and of very high quality. It’s opulent, nocturnal, warm, and projects very well. In my opinion, it could be perfectly unisex, perhaps due to that talc-like violet that persists throughout the development. A marvel that I keep like gold in a casket.
It feels very powerful and suffocating, intoxicating. Like an opiate. It smells like a luxury Emirati market filled with balms. I’m not used to Orientals and find it hard to digest. The violet is very present from the start, somewhat citrusy. The incense and myrrh abruptly take over the development, with impressions of leather and some spices, bitter at moments before turning sweet. After six hours, it still projects a lot and has a trail, becoming more woody with a slightly talc-like violet. Absolute certainly gives more than one would expect from an Eau de Toilette. They gave it to me when it launched, but I gave it to my mother, who returned it to me practically unused today. A good (re)discovery for next winter. 8/10. I just mixed it with the reformulated Fahrenheit, and voilà! I have that intense, tarred, muddy violet full of nutmeg from the 90s Fahrenheit on my wrist.
The darkest and earthier version than the original, with a dominant violet and a sweet myrrh, with soft leather notes. On my skin, moderate projection and good longevity.
Pity they discontinued it.
Hard? Maybe, but every time I wear it, I end up dragging myself everywhere. Even though it’s not one of my favorites, I have to acknowledge its mastery.
Dior didn’t settle for its male icon; they launched this magnificent flanker. It keeps the Fahrenheit DNA but has its own identity. With just four notes, they achieve something complex and refined: violet anchoring the family, mystical myrrh, warm oud, and smoky incense. They create an olfactory emancipation with powdery, spicy, and sweet touches not listed on the bottle. It’s dense, classic yet modern, and doesn’t age poorly. Moderate trail, good longevity. Ideal for nightlife or formal events. Feels somewhere between EDT and EDP. Not versatile, but it does exactly what it wants. Designed for 30+, but interesting for visionary young ones. François Demachy, bravo! Scent: 9.5/10, Longevity: 9/10, Projection: 8/10, Versatility: 8/10. Price: N/A (discontinued).
I had it among my exotic picks… and it is. A fully oriental scent dominated by myrrh and incense. The floral note stands out, of course, alongside the oud wood. I recall spicy notes in the blend. Balsamic, warm, powdery, with great longevity and trail. An exotic perfume, similar to the Parfum in some ways.
What a shame they discontinued it! I feel powerless when they pull unique fragrances like this. There must be logical reasons. Fahrenheit Absolute differs quite a bit from the original; they share the powdery character but are distinct. It’s complex and dark, I catch a lot of smoke from its notes. When I tried it, it pleasantly surprised me. I hope they bring it back, it deserves it.
The weight of burnt wood smoke falls over the Fahrenheit seal to create this absolute: a fascinating haze of incense, dense balsams, and a very bold powdery touch of violet, as if they wanted to see who could make better smoke than Interlude. The original Fahrenheit fades into a soft background nuance. The quality is undeniable; it just lacks a bit more longevity, and while woods are present, the oud doesn’t really appear. Pity it’s discontinued. Intriguing, mysterious, and fascinating. Rating: 7.5.
François Demachy has surprised me once again. Many of his works, for men or women, are essential to understanding modern perfumery. Fahrenheit Absolute is one of those fragrances I always wanted to carry with me.
Fahrenheit Absolute is one of Dior’s great perfumes, but more for the scent, since contrary to what several say, I find it deficient in performance. The aroma is very interesting: it has a backbone of myrrh, frankincense, and oud, but it’s hardly smoky or oriental in the classic style. It is, but little and to a just degree, very balanced and refined. In fact, part of its interesting and mysterious character is a certain sweet tenor (balanced) that I perceive clearly (seems to carry some undeclared note of Benzoin or a pinch of tonka), enveloping the fragrance in a halo of warm, seductive depth that nuances but respects and accompanies without diluting the potent aspect of the classic resinous oriental line. This nuance is perhaps what was sought when creating it and cataloging it as woody-floral musk. Only in the heart does the smoky character lift a bit more before attenuating again in the dry down, which nonetheless crystallizes with powdery hints. FA is a special perfume for preferential winter and nighttime use. Scent: 8/10 Sillage: 5/10 Longevity: 5/10 Versatility: 5/10
Fahrenheit Absolute is one of Dior’s greats, especially for the scent. Contrary to what others say, I find it lacking in performance. The scent is interesting: a backbone of myrrh, incense, and oud, but almost no smoky or classic oriental vibe. It is, but little, in a balanced and fine degree. Part of its mystery is a certain sweet tenor (balanced) that I perceive clearly (seems to carry an undeclared benzoin or a hint of tonka), wrapping the fragrance in a warm, seductive halo that respects the resinous oriental line. This nuance might have been sought to categorize it as a woody musk floral. Only in the heart does the smoky character emerge to fade in the dry-down, which crystallizes with powdery hints. FA is special; I use it in winter and at night. Scent: 8/10, Trail: 5/10, Longevity: 5/10, Versatility: 5/10.
Hello everyone, for me this is a work of art in every sense: bottle, details, and a distinctive yet captivating scent like its progenitor Fahrenheit. I mean distinctive in a good way, of course… This is class, elegance, etc. In my personal use, it’s for summer and spring nights, romantic dates; these are the fragrances where you get lost, just like maybe the person you want to spend a good time with gets wrapped in that penetrating, exquisite scent that only Absolute offers, made perfectly. Performance: 9/10, lasts more than 12 hours on my skin. Moderate trail 8/10, but the scent itself is 10/10. The notes blend perfectly. Without a doubt in my top 5 men’s fragrances I know. The best from Dior, followed by Dior Homme Intense.