Diorissimo by Dior
Women 1956
Main accords
Description
Diorissimo by Dior is a floral fragrance for women. Launched in 1956, the nose behind this creation is Edmond Roudnitska. The top notes are green leaves and bergamot; the heart notes include valley lily, lilac, jasmine, lily of the valley, ylang-ylang, amaryllis, rosemary, and brown boronia; and the base notes are galbanum and sandalwood.
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When to wear it (votes)
- Winter 8.9%
- Spring 55%
- Summer 25%
- Autumn 11%
- Day 82%
- Night 18%
Key notes
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Top
green leaves
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Heart
lily of the valley
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Base
civet
Community
4,850 votes
- Positive 85%
- Negative 13%
- Neutral 2.7%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
11,665 votes
What do you think?
Leading answer Like it
4,850 votes
Season
Choose severalLeading answer Spring
3,094 votes
Time of day
Choose severalLeading answer Day
1,934 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Diorissimo
Diorissimo by Dior is a floral fragrance for women. Launched in 1956, the nose behind this creation is Edmond Roudnitska. The top notes are green leaves and bergamot; the heart notes include valley lily, lilac, jasmine, lily of the valley, ylang-ylang, amaryllis, rosemary, and brown boronia; and the base notes are galbanum and sandalwood.
Flowers White flowers Woods and mosses
It may remind you of
Ranked by what the community voted.
More from Dior
More from Edmond Roudnitska
How it wears
Compare the results and tap an answer to add your vote.
Longevity
Leading answer Moderate
1,176 votes
Sillage
Leading answer Moderate
1,380 votes
Character
Leading answer Traditionally feminine
551 votes
Value perception
Leading answer Fair price
445 votes
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Community reviews
38 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
What a joyous scent! I still have a vintage bottle I keep as precious as the apple of my eye, reserved for very special moments. It’s a flawless white floral, fresh and spring-like, where lily of the valley reigns supreme. So realistic, intense, and tender… It brings back memories of when Dior was synonymous with class and elegance. That’s what it exudes: the happiness of strolling on a pure, delicate April morning. Diorissimo set the standard and will be eternal, even if it doesn’t appeal to everyone today. I don’t know how they’ve changed it, but for now, I prefer not to try the new version and instead enjoy what remains of the original.
The most exciting scent, a natural jasmine, enveloping, powerful, and long-lasting. I love it; it’s for special occasions. I keep it like gold. I’m crazy about perfumes and own several, but none compare to Diorissimo.
Diorissimo smells exactly like the flower in nature. They say it’s jasmine, but to me, it sounds like those giant flowers in the garden beds in full summer. It has elegance but also simplicity, and it stands out among thousands, just like all the fragrances from that era. It’s one of my favorite florals.
My mother used to wear this in the 80s; I didn’t have money back then and was content just smelling it on her; it was exquisite and lasted all day, even soaking into her clothes. I bought one recently and the scent is the same, but the longevity is non-existent. I think Dior is ripping us off with reformulations, because the Fahrenheit I bought for my husband doesn’t last a breath either, and I remember my father’s lasted a long time. Of the recent ones, I tried a Blooming bouquet, and it doesn’t last an hour. It’s a rip-off for the price you pay to this brand.
I was searching for a long time for a scent that captured the naturalness of the white flower. A few weeks ago, I saw this small but elegant bottle on the very last shelf of the perfumery, and no one from the staff asked me anything. I picked it up and sprayed it on my arm; it was impressive. It’s like feeling a delicate bouquet with wet green stems; that’s what Diorissimo smells like. It seems simple, but it’s the most realistic perfume I’ve ever felt, even aquatic with those wet flowers. Unfortunately, it lasted a breath, but I wouldn’t deny it as part of my collection.
My perfume. I’ve tried changing, but no, I always come back to it. Delicious jasmine, ten out of ten for sillage and longevity. People passing by say, ‘That’s so good, smells like jasmine, where does it come from?’. I only switched when Versace Blonde came out, which I don’t know why is no longer produced. Diorissimo is delicate, persistent, and elegant, pleasant for oneself and for others. A jewel, for now irreplaceable.
I’m rewriting my opinion. When I was little, I played a lot at my friend’s house. In her yard, there was always a jasmine tree, and I loved smelling her flowers. When I smell Diorissimo, I remember those days… Although it’s not a scent I like to wear on me. Diorissimo is a very classic floral bomb, yet delicate. I’d say it has a certain level of elegance, but it ends up overwhelming me.
I’m rewriting my review. When I was little, I played a lot at a friend’s house. In her yard, there was always a jasmine bush, and I loved smelling the flowers. When I smell Diorissimo, I remember those days… Although it’s not a scent I like to wear myself. It’s a classic delicate floral bomb with a certain level of elegance, but it can be overwhelming for me.
A masterpiece of perfumery of all time. An explosion of white flowers, a drawing by René Gruau, a beautiful Dior dress. It has the particularity that it’s not for all latitudes. It was the perfume of my summers for years; for my place, Andalusia, Spain, it’s perfect; however, I wore it a long time ago in Galicia, and it didn’t work at all there. Years later, I was in Santorini, Greece, and it was a pure melody.
A work of art in perfumery for all time. An explosion of white flowers, a drawing by René Gruau, a beautiful Dior dress. Its particularity is that it’s not for all latitudes. It has been for years the perfume of my summers, and for where I live, Andalusia, Spain, it’s perfect; however, I wore it a long time ago on a vacation in Galicia and it didn’t work at all there. Years later, I was in Santorini, Greece, and it was a pure melody.
Literal floral perfume. The definition of a bouquet of white flowers in scent. It smells like all those declared herbal and natural flowers, like buying them at a florist and making juice to perfume yourself. Very good, pleasantly surprised. It’s a pure flower scent that should always exist. I feel bad about one thing: that this type of literal interpretation has been used in room fresheners over the last decades. It’s time to reverse that, and that’s where Diorissimo comes in, a small liquid florist filled to the brim with petals. Pure classic flowers.
What an authentic marvel! Smelling it is like smelling the jasmine flower directly. A woman who wears this automatically boosts her status and catches attention, because perfumes like this provide an aura of distinction, confidence, and, of course, exquisite taste. Ladies and young ladies: more Diorissimo and less of all those cloying, synthetic, and overly sweet proposals.
What an authentic marvel. Smelling it is like smelling the jasmine flower directly. A woman who wears this automatically levels up and catches attention, because perfumes like this provide a distinguished aura, confidence, and certainly exquisite taste. Ladies and young women, more Diorissimo and less of all those cloying, synthetic, and overly sweet proposals.
My grandmother used to wear this; she was obsessed with flowers, especially jasmine. I searched for it years later to feel her presence, though I hesitated at first because I remembered it as so dense. Now it’s a must-have: I feel its elegance, character, and sweetness. The blend of jasmine, bergamot, and muguet smells like a field where we could run wrapped in silk, with a spring breeze. I save it for special occasions; it’s overwhelming and perfect for making a romantic statement. Diorissimo is a jewel that transports you to Hollywood’s golden age, making you feel like Grace Kelly or Ava Gardner. It’s not for everyone, but for mature, complex women—fragile yet strong. An eternal classic, a true star.
My grandmother used to wear this perfume; I imagine because she was a lover of flowers, especially jasmine. Over the years, with the intention of keeping her with me in some way, I searched for it and bought it without much conviction, remembering it was something dense. Now I consider it a must-have and treasure it because I feel I’m soaked in her elegance, determination, and character, and at the same time in her sweetness and innocence. Its blend of jasmine, bergamot, and muguet creates an intense aroma that evokes a field of flowers where we could run naked, wrapped only in a silk cloth to the rhythm of the spring wind. That’s why I only use it on special occasions; it’s still overwhelming for me, ideal for romantic moments where you want to stand out and make an impact. Diorissimo is a jewel like few others, capable of transporting you to Hollywood’s golden age and making you feel as extraordinary as Grace Kelly, Ava Gardner, or Lana Turner. That’s why it’s not a scent for all women or for any moment; it seems more suited for somewhat mature women with personality, but who are ultimately just women, also fragile and vulnerable. Diorissimo evokes precisely our own complexity. Undoubtedly, it’s a classic that will never go out of style. It’s a star in the firmament!
I found it by chance in a clearance sale among men’s perfumes; it was an old 30ml bottle. Upon smelling it, a strong citrus note hit me, so I decided to try it—a great idea. It starts herbal, and after half an hour, the flowers emerge with muguet and lilacs, ending with a beautiful sandalwood. It reminds me of Kenzo DÈte but more elegant; Kenzo is bohemian and heavy, whereas Diorissimo is a spring garden in the rain—ethereal yet grounded by civet and sandalwood. After five hours, it sits right on the skin. It’s Galadriel’s perfume, drawn from her forest: ethereal and sensual.
It always caught my attention. Today I tried it, and it’s a green floral, very innocent, soft, and soapy. I really notice the lilacs and jasmine; it smells like a field of wildflowers. The longevity and sillage are moderate, but it’s rich and comforting. It’s not for those seeking powerful perfumes.
This week I tested Bouquet de La Reine by Floris alongside Diorissimo. They’re incredibly similar—floral and creamy, with a sophisticated bride vibe. However, I preferred Bouquet de La Reine for its oak and vanilla base, which adds sophistication, plus it lasts longer on my skin than Diorissimo.
It’s my favorite, the only one I wore for years. It’s floral but not cloying; it refreshes when you smell it and leaves an unforgettable trail in your memory. The notes I notice most are green leaves and bergamot, which make it fresh, followed by lily of the valley, jasmine, daffodils, and valley lilies. That bouquet is timeless, ageless. Despite being vintage, it remains relevant. I feel it as youthful, fresh, and delicious. I’ll love it forever.
A delicate lilac perfume, one of my favorites. Elegant and delicious, though pricey.
Finally, a perfume that smells like a garden of white flowers! At first, I thought it was strong, but instantly I discovered the jasmine, ylang-ylang, and hints of gardenia and orange blossom. It’s penetrating and intoxicating, and the best part is that the scent stays consistent for hours. I’m tired of perfumes that change their aroma; I prefer something simple and recognizable. That’s why this classic is my signature. I wear it all the time, even putting it on my pillow to sleep in a summer garden. Thank you, Dior.
Review of the current version. They say Dior was superstitious and wore muguet as an amulet, inherited from French tradition. With a passion for gardening and white flowers, he created this perfume with Edmond Roudnitska. The opening is a burst of bright white flowers, evoking a Dior bride in tulle skirts holding a bouquet of muguet. It highlights ylang-ylang and a flower I recall as neroli. But it’s not an innocent bride; it’s a Grace Kelly with a romantic baggage, trying to appear virginal. It has an animalic, slightly ammonia-like component from the aldehyde, which even I—who don’t reject anything—wouldn’t wear unless in intimacy as an olfactory exercise. It’s like KOUROS or NARCISO RODRIGUEZ FOR HER: interesting, but it doesn’t resonate with me. The current version remains potent and long-lasting. Recommended for those who love carnal white flowers and aren’t afraid of intrusive aromas. It’s for intense, sensual women who use perfume as a love potion. Think of Lana Turner wrapped in furs in ‘The Bad and the Beautiful’.
If elegance, class, and good taste had a scent, it would be Diorissimo.
I just bought it and loved it. Even though it’s an eau de toilette, it stays great. Saying classics smell ‘old’ is a lack of originality. It’s not just the brand or fashion that helps appreciate an excellent perfume; you need good taste and the courage to try. Highly recommended at 1000%. If you find it, don’t let it go.
I gifted this to my brother in a 100ml bottle at the perfumery where he works. The natural jasmine blended with other florals really stands out. I’m surprised that, despite being a classic floral, it doesn’t feel overpowering or annoying on my skin.
Diorissimo is so precious it reaches something sublime and ethereal. It’s an elegant, innocent, and soft green floral that evokes tenderness. Upon opening, notes of greenery and bergamot give way to floating flowers: lily of the valley, lilac, lilies, and jasmine, with ylang-ylang and sandalwood in the base. Wearing it feels like walking through a garden arrangement with the sun touching the blooms. It’s timeless; beauty knows no time or place.
Diorissimo is so beautiful it borders on the sublime and ethereal. It’s a very elegant, innocent, soft, and feminine green floral that evokes tenderness. In its opening, you feel its green notes a lot with a few drops of bergamot, and immediately the flowers start to float: the lily of the valley, lilacs, white lilies, and jasmine stand out, and in the background, you smell ylang ylang and sandalwood. Using Diorissimo gives you the experience of walking through a beautiful garden that is being arranged, and the sun’s rays touch its flowers, making them release their fragrance. It’s one of those beautiful perfumes that become timeless; beauty is like that, it doesn’t know of times or spaces.
Beautiful, spring-like, and full of green, astringent floral notes typical of muguet. The opening is green, like freshly cut grass stems and bergamot peel. A heart of lily of the valley and lilac adds a romantic spring touch, while milky jasmine and ylang-ylang enhance its delicate floral character. In the dry down, sandalwood and civet give it an old-world, aristocratic hint, yet it remains very soft. It’s floral, fresh, and not old-fashioned at all. Its flowers are perfect for a woman who wants to smell different from today’s sweet fruity scents. Moderate longevity: 5 hours on my wrist, strong only at the start. I tested a 90s version, which I assume is the most faithful to the original. I have a blog post dedicated to spring florals.
Totally romantic, innocent, and spring-like, like a pastel tea dress in the style of ‘Tea for Two’ from the sweet 50s. For me, it’s the best-executed floral alongside Carolina Herrera and Beautiful.
It wraps me in a full bouquet of flowers. To my taste, it’s too floral, but elegant and feminine. I love the soft notes and the musky trail. However, it doesn’t really grab me or give me pleasant sensations; in fact, it feels very nostalgic.