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Coco Mademoiselle L’Eau Privée
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Descripción
Coco Mademoiselle L'Eau Privée by Chanel is an oriental floral fragrance for women. Launched in 2020, this composition features the olfactory signature of Olivier Polge. The top note presents the freshness of mandarin, while the heart reveals the delicacy of rose and jasmine, closing with the warmth of white musk in the base.
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Comunidad
1,290 votos
- Positivo 77%
- Neutral 14%
- Negativo 9.1%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
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Estela
Suave
Moderada
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Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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11 reseñas
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A marvel. It’s a delicate fragrance with musky notes that make it super sensual and elegant. It doesn’t lose the essence of traditional Coco Mademoiselle, but I’d say it reminds me a lot of the Intense version too. Plus, it has the wonderful ability to apply it to your hair without drying it out. It’s night water, but I’ll use it for everyday wear too since it has good longevity on my skin. I consider it an excellent purchase and I’m delighted!
It feels like a complete rip-off. This watery version of Coco Mademoiselle, strategically released to avoid losing sales this Christmas during the pandemic and to not look foolish in sweatpants while wearing a perfume fit for a major evening event, would be perfect if it cost half as much as a hair mist. The moment you spray it, the scent disappears, identical to Mademoiselle but almost completely diluted, leaving only a faint trace of tangerine, even lighter than rubbing a slice against your wrist. Of course, there’s no trace of musk. It’s the worst thing I’ve tried this season, a huge joke, a disappointment bordering on anger.
It’s a total rip-off. This watery version of Coco Mademoiselle, strategically designed to not lose sales this Christmas, in pandemic times, and to not look like idiots in sweatpants while smelling like you’re going to the event of the year, would be perfect if it cost half as much, like a hair mist. The minute you spray it, the scent disappears, identical to Mademoiselle but almost completely diluted, leaving only a faint trail of tangerine, even fainter than rubbing a slice on your wrist. Of course, no trace of musk. It’s the worst I’ve tried this season, a huge joke, a disappointment bordering on anger.
This one, along with Olympéa Aqua by Paco Rabanne, is a fragrance balanced between fresh floral and sweet, that lasts and projects well. I think it’s a delicious perfume for a woman.
Obviously, it carries more notes: I detect a potent patchouli alongside rose and a hint of licorice. It’s a delight that starts off very strong, reminiscent of scents like Miracle, but then transforms radically into something elegant and soft. A classic of classics, with a citrusy touch that slightly recalls Cacharel’s Amor Amor, though I wouldn’t dare compare them directly; for me, it still has its own spark. I sense hints of coriander that come and go, yet it remains the same. It’s feminine and sweet, perfect for winter and cozy. It’s not childish or overwhelming. It might seem generic at first, but it’s anything but… It falls along the fresh winter line of Black Opium, yet they bear no resemblance. Finally, I must say it will never go out of style; if you see it, don’t hesitate to try it. Unfortunately, I don’t own it yet, but it will soon be part of my Coco Mademoiselle collection.
Obviously, it carries more notes. I detect a potent patchouli alongside rose and a hint of licorice. A delight that starts out very strong, reminiscent of Miracle, but then changes radically to become elegant and soft. A classic of classics, with a citrus note that slightly recalls Amour de Cacharel (though I wouldn’t dare compare them), it has a spark. I sense touches of cilantro that come and go, but it remains the same. Feminine, sweet, wintry, and cozy. It’s not childish, it’s not annoying. It might seem generic, but it’s not. It follows the fresh winter line of Black Opium, but they are nothing alike. Finally, I just say this: it will never go out of style. If you see it, don’t hesitate to try it. Unfortunately, I don’t have it yet, but it will soon be in my collection.
Jo, Chanel, please, don’t fall into the trend of releasing endless flankers with ‘Intense’ versions or derivatives. Not you, please. Coco Mademoiselle is already intense, wonderful, elegant, and of exquisite class with wood, roses, and exquisitely refined patchouli, the house’s signature. Chance was born with versions like Fraîche, Tendre, and Vive that adapt to diverse tastes. But this smells like pure economic strategy. You define your ability to create perfumes that go down in history; don’t do this. It seems this version adds nothing new, just shoots the messenger and discredits you.
What a disappointing perfume. I bought a 50 ml bottle, and it doesn’t last at all on the skin, even less on clothes; at best, an hour, it feels like cheap cologne.
What a disappointment. I bought a 50 ml bottle of Coco Mademoiselle, and it lasts nothing on the body; on clothes, maybe an hour at best. It smells like cheap cologne.
It delivers on its promise: a fragrance for going to sleep and waking up fresh. The citrus notes are loud and overwhelm me; with one or two sprays, it doesn’t last at all, and by morning, there’s nothing left. It’s a Chanel flanker (which aren’t cheap) where I invested, and it was just ‘meh’. I’ll finish the bottle but won’t buy it again.
Short and sweet: it’s gorgeous, simple, and keeps the DNA of the original, though I didn’t notice it at first. Then it emerged—a shy base with roses, very subtle and delicate. Lasts max 3-5 hours. I think it’s a flanker that could have been better and isn’t worth the price.