Men
Arabian Nights Eau de Parfum
Acordes principales
Descripción
Arabian Nights Eau de Parfum by Jesús Del Pozo is a woody oriental fragrance for men. Launched in 2010, this composition features rose and thyme in the top notes; saffron, sandalwood, guaiac wood, patchouli, vetiver, and Virginia cedar in the heart; and oud wood, amber, musk, and French labdanum in the base.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
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Uso recomendado
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Características
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Estela
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Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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Someone smelled it and was so impressed that I want to get it.
What a shame that the Spanish designer is putting obstacles in the way of buying it in his own country.
This is Oud at the highest level in designer perfumes. Oud, rose, and guaiac wood. It leaves a lot of incense, probably due to the mix of guaiac with sandalwood and thyme. Intense, long-lasting, and very noticeable. It’s probably the one I’ve worn the longest (more than 24 hours). I wouldn’t recommend it without trying it several times because the opening isn’t easy, especially if you’re not used to Oud. The first few times it reminded me of olives with Arab seasonings, market spices, incense… until I reached its true scent. Anyone who tries it should do so. The pity is that it’s not easy to find because Jesús del Pozo distributes it for the UAE, but that makes it more coveted.
Does anyone know where to buy this perfume in Paris? I’m dying to try it and add it to my collection.
This perfume became famous on Spanish-language perfume forums thanks to my review right when it was just hitting the shelves. It smells very Arab and dry, just like YSL’s M7. A Moroccan girl told me her father used something similar, so it must have quality if it’s trying to represent that concept. It gets a shower of compliments.
I bought a 2 mL sample and I must say I didn’t like it. It smells very Arab; that is, it’s clear that when you buy a perfume called Arabian Nights it’s going to smell Arab, but I expected something more. A combination a bit more floral that would give a touch of sober elegance when mixing with the oud and base woods. To be clear: its scent reminds me too much of the Moroccans you might cross on the street here in Spain.
Arabian Nights seems like an excellent, very masculine proposal from the Spanish designer, and I say Spanish because you perfectly detect that ethnic mix from southern Spain where the best of East and West converge. Excellent taste for a product with a marked Arab character and at the same time very refined. The opening feels floral and spicy; the rose maintains a dominant note, nothing heavy and controlled, never falling into feminine or soapy territory. Soon the woody notes appear, here the Oud controls the situation, highlighted, with a slight dirty touch, also medicinal, but very natural and not embarrassing. It’s true that the rest of the woods mix very well, they’re felt, adding a dry, floral touch with a balsamic point, without being dense. Perhaps, the most beautiful part of the fragrance’s development. I would have liked the fragrance to have a bit more power, it could have been excellent. The dry-down moves away from this Arab point and heads toward the musky, clean, more European side of a Spanish-tasting oud that I loved; for me, one of the best Ouds I’ve tested. Rating: 7.5
Arabian Nights is an excellent masculine proposal from the Spanish designer, and I say Spanish because you can feel that ethnic mix of the South where East and West converge. Excellent taste for a product with an Arab character and very refined. The opening is floral and spicy; the rose is dominant but nothing heavy or soapy. Soon the woods appear, here the Oud takes charge, highlighted, with a slight dirty and medicinal touch but natural and shameless. It’s true that the rest of the woods mix well, they are felt, adding something dry, floral, with a balsamic point, without being dense. Maybe the most beautiful part of the development. I would have liked more power, it would have been excellent. The drydown moves away from the Arab side and goes for a musky, clean, more European vibe, an Oud with a Spanish flavor that I loved, for me one of the best Ouds tried. Rating: 7.5
Finally got it. I agree with those who say it blends Eastern and Western flavors. Well-structured, the oud is clearly perceptible and persistent. I find a point similar to Zara’s Ambre Noble, is that possible?
Finally I got it. I agree with whoever said it mixes East and West flavors. Well achieved structurally, the Oud is clearly perceived and it’s persistent. I find a point similar to Zara’s Ambre Noble, is it possible?
A Jesús del Pozo fragrance that has nothing to envy from Rasasi or Al Haramain from Dubai, experts in producing oriental perfumes with oud notes. I haven’t been able to try the ouds from ROJA, BY KILIAN, HIND AL OUD, or any other niche brand due to their exorbitant prices. Clearly, all the ouds I can try are synthetic, since agarwood resin is so prohibitively expensive and likely controlled by IFRA, so only Arab sheikhs have access to it. Nevertheless, I recognize that familiarity that reminds me of a stand of heavily spiced black olives mixed with a completely cloying rose, saffron, pepper, incense, and a touch of various aged woods. These are aromas you have to get used to little by little, as they have nothing to do with any other perfume sold in Western stores today, but if you find the right spot, they transport you to Andalusian palaces adorned with Persian carpets, incense burners, trays with rose petals, natural silk curtains, and intricate ceilings in gold, jet, indigo, emerald, and purple; with the background sound of fountain water, ponds, and birdsong. Sherezade whispers her thousand and one nights. AROMA: 9 SILLAGE: 8 LONGEVITY: 9 PERFORMANCE: 9
Literally a ‘Rose Oud’ made in Spain with mastery and good quality. Olfactorily it’s very similar to Armani’s Oud Royal, Kilian’s Incense Oud, or Moresque’s Oroluna; they all share the soul of rose and Oud, they differ by nuances but in general lines they are unified. From the start, you feel the rose and spices, a very balanced rose, nothing feminine, adorned with spices and a tiny sweet note that I love. Soon the Oud is noticed, finishing rounding off the opening with its slight dirty and medicinal nuances, of extraordinary beauty. This is the pillar; from here on, the mix of rose and Oud evolves with patchouli, musk, amber, and labdanum, making the scent sometimes dry and warm, other times resinous, warm, and clean. A perfume that prints the thousand and one stories of the East. The performance is good, not exaggerated, about 7 hours on skin, high projection at the start that drops to moderate afterwards, which isn’t bad either, and if we look at the price, the performance/cost is notable. I tried the EDT; I suppose those who tried the EDP had more performance, but for the EDT, this is what there is. Fragrance for cold or mild climates and for night, although it wouldn’t be out of place on a winter morning. Highly recommended for those starting to explore Arab scents, not Oriental ones, moderate price, good quality, and Spanish signature.
Literally a Spanish ‘Rose Oud,’ executed with mastery and very high quality. Olfactorily, it’s very similar to Armani’s Oud Royal, By Kilian’s Incense Oud, or even Moresque’s Oroluna; they all share their rose and oud soul, differing only in supporting nuances, but generally unified by their rose and oud conjunction. From the start, you feel the rose and spices, a very balanced rose, nothing feminine, adorned with spices and a tiny sweet spot that I love. Soon, the oud kicks in, rounding off the initial aroma with its slight dirty and medicinal nuances, of extraordinary beauty. This is the fundamental pillar; from here, this rose and oud accord evolves with countless nuances acquired by patchouli, musk, amber, and labdanum notes, making the scent sometimes dry and warm, other times resinous, warm, and clean. A perfume that perfectly prints the thousand and one stories that come to us from the East. Performance is good, though not exaggerated, about 7 hours on skin, with moderate-to-high projection at the start, then decaying to moderate dry-down, which isn’t bad either. If you look at the price, the performance-to-cost ratio is notable. I tried the EDT; I suppose users who tried the EDP version got better longevity, but for the EDT, this is what there is. A fragrance for cold or temperate climates and for nighttime, though it wouldn’t be out of place on a fresh winter morning. Highly recommended for those starting to explore this world of Arab (not Oriental) scents: moderate price, good quality, and a Spanish seal.
My review is for the EDT version, the one with the electric blue lattice, which looks very nice with the black bottle. This is not an Arab Oriental perfume, nor even unisex; rather, the Oud with ammonia nuances turns it into a kind of digi-evolved fougère. At first there’s a masculine rose, rough like a scrubbing pad, balsamic and refreshing, with a minimum bird-like touch thanks to the thyme. When we change phases, the woods take over without losing the rose aftertaste: Oud, patchouli, sandalwood, vetiver, and guaiac with a marble nature, very cold, and an ammonia aftertaste in the style of Prada Amber Intense or L’Homme Prada Intense. I didn’t like it at all because the fougère vibe isn’t for me, but I thought it was of very good quality, like a fusion between the Spain of the Cid and another Spain of legends with exotic and magical airs, something like The Manuscript Found in Zaragoza. When I wore it, I thought of great Castilian furniture, crimson velvet drapes, Manises tiles, and some memory of a legendary East that arrived in Spain via the Mediterranean. When I showered and smelled my wrist again, I caught a very nice sandalwood note, but it’s not perceptible in the evolution. I see this Arabian Nights in the same range as Prada Amber Intense or L’Homme Intense, cold resins, a very virile rose, marble woods, and an expectorant tone, like modern evolutions of great men’s perfumes from the eighties, with a bit more mystery but without losing seriousness.
My review is based on the EDT version, the one with the electric blue lattice design, which by the way looks beautiful with the black bottle. This isn’t an Arab oriental perfume, nor even unisex; rather, the oud with ammonia nuances turns this fragrance into a sort of evolved fougère. At first, there’s a masculine rose, rough as a scouring pad, balsamic and refreshing, with a tiny bird-like touch thanks to thyme. When we move to the next phase, the woods take over the composition without losing the rose nuance: oud, patchouli, sandalwood, vetiver, and guaiac with a marble-like nature, very cold, and an ammonia tone similar to Prada Amber Intense or L’Homme Prada Intense. I didn’t like it because the fougère vibe isn’t for me, but it seemed like a very high-quality perfume, like a fusion between the Spain of the Cid and another Spain of legends with exotic and magical airs, something like ‘The Manuscript Found in Saragossa.’ When I wore it, I thought of great Castilian furniture, garnet velvet drapes, Manises tiles, and a faint memory of a legendary East arriving in Spain through the Mediterranean. When I showered and smelled my wrist again, I caught a beautiful sandalwood nuance, but it’s not perceptible in the perfume’s evolution. I see this Arabian Nights in the same range as Prada Amber Intense or Prada L’Homme Intense: cold resins, a very virile rose, marble woods, and an expectorant tone, like modern evolutions of great men’s perfumes from the eighties, with a bit more mystery but without losing seriousness.
I wore it today after a long time, and it’s one of the times I’ve received the most compliments on a perfume. Perfectly executed fragrance, pleasant sillage, and immense longevity; in fact, I washed my shirt and it still faintly lingers on the collar. A 10 in every way. Not suitable for people who wear fragrances from this latest era because they all smell the same.
A gorgeous pink-oud fragrance, very close to my nose to Rasasi Mubhatar with the silver cap. It used to be available at Málaga airport and at El Corte Inglés in Puerto Banús, Marbella; now it’s only in Marbella. Recommended.
Impressive! These are the perfumes that make you laugh and say ‘Wow, what phenomenal, my god!’ The opening is a creamy Oud, a soft smokiness that immediately accompanies it with a fermented orange aroma like Bulgari’s Wood Essence, then accompanies that scent when you dig into a conifer forest, the damp and earthy smell of a rainy forest, and the vetiver, but here it’s more fermented and wild, and the rose is a divine touch like Cartier’s Declaration d’un Soir. This is really directed at the Arab world… it’s impressive the quality J. Pozo played to impress the sheikhs… it smells like a millionaire, power, and status.
Impressive! It’s one of those perfumes that makes you laugh and say: ‘Wow, phenomenal, my goodness!’ The opening is a creamy oud, accompanied immediately by a soft smoky note reminiscent of fermented orange, like Bulgari’s Wood Essence. Then, when you dig deeper into the conifer forest, it smells of damp earth from a rainy woodland and vetiver, but here it’s more fermented and wild. The rose is a divine touch, similar to the one in Cartier’s Declaration d’un Soir. This is truly aimed at the Arab world… the quality J. Pozo put in to impress the sheikhs is mind-blowing. It smells like a millionaire, power, and status.
I picked this up in 2011 and it absolutely blew my mind. It’s a Jesús del Pozo oriental, that classic pink-oud combo, but don’t think it’s dispensable because of that. I still keep it tucked away; the bottle is just stunning.