Men
Goldea The Roman Night
Acordes principales
Descripción
Goldea The Roman Night by Bvlgari is a floral chypre fragrance for women. Launched in 2017, the nose behind this composition is Alberto Morillas. The top notes are blackberry, black pepper, and bergamot; the heart features night jasmine, peony, neroli, and rose; while the base consists of black musk, patchouli, vetiver, and moss.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
- Salida Blackberries
- Corazón Night Jasmine
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Base
Black Musk
Comunidad
1,401 votos
- Positivo 77%
- Negativo 15%
- Neutral 8.4%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Goldea The Roman Night y elige según envío, precio o disponibilidad.
Amazon
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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19 reseñas
Mostrando las más recientes primero.
Category:
A complete and very interesting perfume. Bvlgari didn’t miss with this Goldea; it’s complex, has many notes, but they’re all perceived and coexist in harmony, giving a great result. What I notice most is the jasmine, blackberries, neroli, and peony. It feels like an opulent, charming, and sophisticated scent. It’s balanced and satisfies the woman who wants to be beautiful, feminine, and enchanting all at once.
A complete and very interesting perfume. Bvlgari didn’t fail with this Goldea; it’s complex, has many notes, but they are all perceived and coexist in harmony, giving a great result. What I notice most is the jasmine, blackberries, neroli, and peony. It feels like an opulent, charming, and caché aroma. It’s balanced, satisfying the woman who wants to be beautiful, feminine, and charming all at once.
Although it has a night focus, it lacks presence. Maybe it’s due to fatigue or failing to capture the musk well, because it’s a bit short and I’m not the only one who notices. In the dry-down, where it loses the sweet berry scent, it raises doubts; it sounds a bit generic and forced, perhaps due to the musk or the chypre base. It’s a shame because the opening of fruits and flowers is good, in the balsamic line of Morillas without being loud. The night-blooming jasmine isn’t clearly noticeable; that flower between jasmine and vanilla. I prefer classic jasmine, even though many love the night-blooming kind. I agree with the pyramid: lightly musky blackberry over a soft floral base and chypre dry-down. EDIT: The opening is a bit alcoholic; it should improve that.
From the moment I apply it until it dries down, the neroli is in full splendor. It’s nothing innovative or special, but honestly, I keep getting compliments. It’s made to please everyone. It’s not my favorite, but when I don’t know what to wear, I go with Goldea The Roman Night, and someone always comes up asking what smells so exquisite.
From the moment I put it on until it dries, the neroli is in full bloom. It’s nothing innovative or special, but honestly, I never stop getting compliments. It’s made to please everyone. It’s not my favorite, but when I don’t know what to wear, I go with Goldea The Roman Night, and someone always approaches asking what smells so exquisite.
Years ago, in a moment of madness, I moved to Rome. I wanted adventure, so I grabbed the first flight without knowing a word of Italian, navigating streets that felt like mazes in the rain. For two weeks, I thought I’d failed, but then, amidst TV, newspapers, and cappuccinos, I finally let go. Time changed, I met people, and I started going out. The Roman night is a whole other world: from the semi-touristy iconic neighborhoods to San Lorenzo with its rock and smoke, or spots pretending at Italian glamour. For me, that night was always magical. Goldea Roman Night caught my eye with its black bottle and name, so I tried it. I expected smells of old stone, bitter Aperol, dinner oregano, and the elegant clothes of the vain. But no. It’s a sweet, milky floral, charming, but not nocturnal. If it were transparent, no one would wear it at night. It’s tender and very fleeting, so I reapply it often to make it last. I absolutely love it; I feel great wearing it. Even though it doesn’t smell exactly like Rome, it evokes that Latin nonchalance, the people’s passion, and how Italian women dress up: a little of everything, but without overdoing it. It’s an elastic memory of my life there, something that doesn’t define me but represents me and makes me feel.
This is one of the most beautiful scents I have ever smelled in my life. It smells like a blackberry with vanilla, jasmine, and vetiver. It’s elegant, feminine, and delicious.
This is one of the most beautiful scents I’ve ever smelled. It smells like blackberry with vanilla, jasmine, and vetiver. It’s elegant, feminine, and delicious.
I have to make an effort for it to show up on my skin after a few minutes. I’m so frustrated! I’m not asking a cologne for this, it’s an EDP… I really love how it smells at first and I’ve wanted a nighttime perfume with blackberries for a long time. I asked another person and it wasn’t just my impression; it really only projects at skin level. I’ll see how to boost it with some base oils or if it works better in the middle of summer. For now, it’s the same as nothing 😔
I have to make an effort to find it on my skin after a few minutes. I’m so frustrated! I’m not asking for a cologne, it’s an EDP… Because I really like how it smells at first and I’ve wanted a night perfume with blackberries for a long time. I asked another person and it wasn’t just my impression; it really only feels close to the skin. I’ll see how I can boost it with a base oil or if it works better in the middle of summer. For now, it’s the same as nothing.
Roman Night is an intriguing perfume. In my opinion, it’s not overwhelming; in fact, it’s quite conservative. However, it carries an extremely elegant touch that evokes a lady in the truest sense of the word: that one with presence and sobriety who inspires respect and chivalry. That’s how I feel when I wear it. It’s heavy if you over-spray, so a few sprays are more than enough. It’s ideal for cold or very fresh nights, and also for corporate events on days when used in small quantities.
I have never bought a perfume that disappointed me more than this one. It doesn’t last and doesn’t project; after 20 sprays and half an hour, it smelled like nothing. My husband could only smell something if he leaned in close to my neck, and after two hours, I couldn’t even smell a trace myself. I sprayed it on my clothes, and after an hour the scent was light, but by five hours it had completely disappeared. It smells good and elegant, but that stops mattering when you can’t perceive it. It’s not fake; I bought it at a perfumerie. Is it reformulated? I don’t know… I just advise checking the longevity before buying.
It’s a perfume of light and dark, with performance that depends entirely on each person’s pH and the climate (I don’t think it works well in humid and hot climates). If you’re looking for something elegant and discreet that gives you security, embraces you, and makes you feel modern yet sophisticated, so that those who get close feel embraced… well, this is a perfect option, as long as you’ve tested it on your skin first. Goldea Night is definitely not cheap, but in my case, it’s worth the quality because on my skin it lasts many hours and on clothes for weeks. However, it’s not a perfume with a trail or projection; if you expect everyone around you to smell it, it’s not for you. For me, it’s perfect because my job requires that I don’t overwhelm, bother, or interfere, but that I make a distinction and provide security. From that perspective, the options narrow down, and oil essences are more practical, though they tend to stain clothes. Goldea meets all the requirements and has long-lasting longevity on my skin, although on friends or colleagues it usually doesn’t perform the same way, so you have to test it beforehand and that’s probably why it results in disappointment for some, especially when retail has gotten us used to cloying, sweet perfumes with a wide trail. Goldea doesn’t meet those three requirements, but when you perceive it, there’s no doubt it’s of good quality.
It smells good at first, quite oriental and potent with the pepper and a juicy, acidic fruit, then it moves to a white floral that generates warmth, even though it doesn’t claim to have amber or incense, I can still sense something of that. It stays like this until it disappears. The trail is non-existent and it seems like a skin scent (or is it my post-Covid nose? I’ll try it again later).
Goldea Roman Night is very beautiful and elegant; it suits almost any woman and any occasion. I consider it appropriate for work, family celebrations, or elegant events. The white berries give an interesting acidity and joviality at the start, and then the white flowers and the musky/woody base combine divinely to create a feminine scent that highlights the woman without overpowering her with its opulence. I always say that the strength of Bvlgari is to complement a woman’s authenticity, not turn us into a perfumed mass. Without a doubt, I would buy it again.
What a divine perfume. I think the Goldea concept is spot on. It’s a jewel, a condensation of the sun and the serpent. The bottle and box match perfectly. When I tried it at the perfumerie, I told the saleswoman it was delicious and took it without hesitation. It opens with fine, sweet fruity notes, very pleasant, which shows the quality. It starts ethereal and intoxicating, then the intensity fades to give way to sweet but earthier florals. The bottle and the scent are two jewels. I think it shines most in the afternoon and evening, ideal for going out. Does it remind you of the dry-down of Lumiere Noire by Gres?
What a divine perfume. I think the Goldea concept is spot on: a jewel that condenses the sun and the serpent. The bottle and box fit the idea perfectly. When I tried it at the perfumerie, I told the sales assistant it was delicious and didn’t hesitate to take it home. It opens with fine, sweet fruits, very pleasant, letting you notice the quality. It starts ethereal and intoxicating, then the intensity drops to make way for sweet but more earthy flowers. The bottle and the scent are two jewels. I think it shines most in the afternoon and evening for an outing. Does it remind you of Lumiere Noire by Gres when it dries down?
At first, it smells of the acidity of bergamot and the sweetness of blackberry with pepper, something intriguing where a very dark rose timidly appears before taking over. Later, neroli and white flowers emerge, adding depth and an earthy touch. If you like Petit Robe Noire or Lolita Lempicka, this is your way. It’s intense, dark, sexy, elegant, and very unique. I love discovering designer fragrances that haven’t been mass-produced. Perfect for a vampire who loves this kind of beauty.
I bought it blind because I’m a fan of chypres and my family is too. It’s elegant and pretty, but on my skin it fades quickly. The good thing is it doesn’t smell like those heavy gourmands that are trendy right now. You can wear it all year round, day or night.