Men
Croxatto Oud
Acordes principales
Descripción
Croxatto Oud by Andres Croxatto is a leather fragrance for men and women. This creation, launched in 2025, was designed by Chris Maurice and Andres Croxatto. Its opening features Calabrian bergamot, citrus, and blackcurrants for a vibrant start. The heart reveals an intense combination of oud wood, cassia, tobacco, and leather. To finish, the base notes unfold with Indian oud, Indian woods, and marine notes.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
-
Salida
Calabrian Bergamot
-
Corazón
oud wood
-
Base
Indian Oud
Comunidad
168 votos
- Positivo 63%
- Negativo 35%
- Neutral 2.4%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Croxatto Oud y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
Ver en Amazon
eBay
Más opcionesMás opciones de precio, formatos y vendedores.
Útil para comparar alternativas antes de decidir.
Ver en eBay
Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
Para dejar una reseña necesitas iniciar sesión.
23 reseñas
Mostrando las más recientes primero.
Category:
This is my first perfume review, but I think it’s really worth it. I clarify that I’m not a notes specialist, but I have many perfumes and several niche ones. I received the perfume this Tuesday, 02nd, and in the afternoon I opened it and applied it on a paper while in my bedroom, and I must admit the opening is somewhat challenging, but my daughter walked past my bedroom and commented ‘It smells like Leather’ without her knowing I had applied an atomization on a paper. After that somewhat challenging opening, the perfume is ‘excellent’, smells high-class, and lasts hours. It’s a Top Niche Perfume 10/10.
CROXATTO OUD — The perfume that doesn’t seek to please, but to transcend. There are perfumes launched to please the masses. And there are others born to mark a limit. Croxatto Oud isn’t carried; it confronts. It’s not a fragrance; it’s a declaration. From the first contact, the air changes. The density of superior-grade oud—in a concentration few dare to use—overflows everything you’ve tried before. There are no shortcuts. No friendly opening notes. Here, the mysticism begins from the very second. And then the mystery appears: Croton Eluteria. An oil so rare and challenging, from the quinine bark, so little used that its mere presence in this formula already supposes a rebellion against industry standards. But here there is no timidity: its presence is intense, its purpose clear. Multiplied by ten compared to any other perfume on the market. Its evolution? Don’t expect a linear story. This perfume doesn’t tell a story; it throws you inside it. Sometimes it’s earthy, almost medicinal; other times, enveloping like dry, elegant incense. The oud becomes warm, spiritual, but never loses its edge. The trail it leaves isn’t just aroma… it’s authority. For real collectors, not for curious ones. Croxatto Oud isn’t for everyone. And that’s part of its charm. Those looking for perfumes to ‘look good’ or to ‘please’ won’t survive its complexity. This perfume is a collection piece, a bottled act of rebellion. It’s a luxury assumed with full consciousness, not with levity. And here is the paradox: despite its exquisite ingredients and production cost, it sells for half of what market logic dictates. Because it’s not found in stores. No mass distribution. Only direct access, no intermediaries. Whoever has it… knows. It’s not an impulse buy. It’s an olfactory choice that defines character. If the oud has left you indifferent, stay away. But if you’ve been looking for something authentic, untamed, and brutally honest for a while, then it’s no coincidence you’re reading this.
Croxatto Oud was a highly anticipated launch, and although some have rated it without trying it, here is an objective analysis. The opening presents an animalic profile that immediately recalls Rasasi Asrar Indonesia, with that characteristic fusion of oud and citrus. From the start, a good quality oud is perceived, with a marked but balanced character. Regarding performance, the projection is more contained than expected; it stays in a close aura, more in the form of a ‘bubble’ than an expansive trail. This could be considered a downside for those seeking a more dazzling perfume, although it favors those who prefer an elegant, non-invasive oud. The olfactory experience is rich and well-constructed. My wife perceived it superior to Rasasi in terms of refinement, confirming its appeal across different user profiles. I will continue testing it to evaluate the evolution of its base notes in greater detail, but for now, it appears as a solid, well-crafted oud with a more sophisticated than explosive approach. In this context, the low ratings seen so far don’t seem to respond to an objective analysis of its real quality.
How to avoid inaccurate reviews? A standard user visits this domain expecting an overview of the perfume in question, but with this perfume, like others, it’s not representative. Let this rating serve those seeking an impartial criterion. Portentous opening, radiant animal profile in the chemical spectrum, but not industrial chemical, rather wild/natural. This is where the Croton Eluteria comes into action, demonstrating its ostentation. Dries into a marine-woody note. The balance is noticeable; it’s not just any perfume. Average projection, average longevity, but all under an elitist aura. Maurice does not disappoint, exceeding himself in every work he touches. One can feel Andrés’ evolution. Where will he go. A shame for those not among the selected first batches. Waiting for raw materials for a second batch.
Andrés Croxatto didn’t just make a perfume; he forged a legend. My first encounter wasn’t a spray, it was a hard punch. It doesn’t ask for permission; it takes command with an authority bordering on insolence. On my skin, this isn’t evolution; it’s a war of elements. The opening is a brilliant lie: a flash of freshly squeezed limes over wet grass that disarms you, before the beast emerges: an animalic oud, potent, echoing a thoroughbred stable exhaling an almost profane opulence. Followed by dense leather, the soul of a jacket that’s seen a thousand battles, fused with the earthy sweetness of tobacco curing in the dark. And when you think you’ve understood the brutality, it sets an ambush. The dry down is a salty truce, like the air of a dense forest on the edge of a stormy sea. This rawness has an explanation, a declaration of war against sterile perfumery: its ‘Unfiltered’ status. Croxatto refuses to purify his work, preserving the heavy oils and impurities that give it life. This perfume isn’t dead; it evolves in the bottle, it breathes, and it can generate sediment. It’s a radical act of rebellion against synthetic perfection. My verdict: a YES, but with scars. This isn’t for beginners. It’s an overwhelmingly masculine manifesto for the initiated, the man over 30 who doesn’t seek compliments, but respect. A beast for closed-in nights and cold climates. You don’t wear Croxatto Oud… you survive it, and if you manage that, you’re crowned a king.
This perfume opens with strong oud, which can scare you if you’re not used to it. It reminded me a lot of Hayat by Kemi in the first phase. Then it becomes more woody and soft; here it reminds me of Creed Royal Oud.
Out of everything I’ve tested, this is the most unique one I own. As Andrés would say, spectacular. The opening is very strong; you can feel that stable-like animalic oud; it’s not for everyone. After 15 minutes, the oud turns woody, the bark is noticeable, the citrus fits perfectly, and it closes with a salty dry-down. Without a doubt, it’s becoming my favorite. The trail at two minutes covers at least one person; the first two hours fade but remain present on the skin, easily noticeable around me. The longevity on my skin is a minimum of 12 hours; on clothes, it’s another story—it’s a beast. Impossible to apply more than 5 sprays without getting intoxicated. I repeat, it’s not for everyone, but it’s something you want to own for special occasions, corporate parties, meetings, etc.
I’ve tried hundreds of perfumes, from cheap Arab bombs that project like cannons to untouchable niche scents. This is the best I’ve tried in years. Deep, clean oud, of a quality impossible outside of artisanal distilleries. Longevity exceeds 8 hours. Notes: Indian oud, citrus, woods, spiced and mineral character, among countless nuances. I think there are cheaper options, but for me, only a minority demonstrate real quality. Scent and quality 10/10, longevity 8 hours, average projection of 1.5 meters, smells like natural oud until the next day.
Snatched 5 ML from a Telegram group. Strong, animalic Oud, not very long-lasting. There are better and more durable options at half the price in the same style. It’s not worth the cost. As for the scent? Well, it’s not scary bad, but it doesn’t surprise anywhere, honestly. Not recommended, unless it’s under 50 euros. If they don’t lower the price, don’t buy a Croxatto.
PerfumerIApodcast hahaha, it’s not a perfume, it’s an 8K short film. No thanks.
First review and it’s already worth it. I’m not an expert on notes, but I own many perfumes, several niche ones. I received it on Tuesday, opened it in the afternoon, and sprayed it on a paper in the bedroom. The opening is a bit challenging, but my daughter walked by and said it smelled like leather without even knowing it was an atomization. After that intense opening, it’s fantastic—smells high-class and lasts for hours. This is a true niche perfume, 10/10.
Perfume for lovers of Oud. This is an animalic Oud, bordering on fecal. An Oud that feels ‘natural’, potent, and challenging, requiring experience to be appreciated. It blends perfectly with citrus top notes and mineral base notes, giving it stature and charisma. Here, you can’t talk about notes like someone separating straw from barley; you speak of olfactory experience. It’s like going to a classical music concert; you have to let yourself be carried by the full instrumental ensemble, not trying to listen to violins or double basses separately. If you don’t like animalic Oud, I don’t recommend buying it blindly, but don’t feel bad: Oud in this category is an acquired taste. Carbonnel, as always, shines with his work; his way of handling Oud I knew from Xerjoff, but especially in the Kemi Blending Magic collection. For special occasions, where you want to demonstrate authority, I don’t see it in anything other than a suit and tie (let’s say formal). Andrés and Carbonnel redeemed themselves with honors in this delivery, very bold, risky, and, why not say it, already applauded. 10/10
Of all the perfumes I’ve tried in my life, this is undoubtedly the most unique I’ve ever had… spectacular, as Andrés would say. The opening is very strong; you feel that animalic stable oud; it’s definitely not for everyone. After about 15 minutes, that animalic oud turns woody; you definitely feel the quinine bark, a perfect citrus proposition, and a salty finish. Undoubtedly, it becomes my favorite. The trail for me, within 1 meter around you for at least the first 2 hours, then it decreases but remains very present on the skin, easily detectable around you. The longevity, on my skin, is easily a minimum of 12 hours; on clothes, no talking about it, it’s a beast. Don’t apply more than 5 sprays of this or you’ll die intoxicated. I repeat, it’s not for everyone, but it’s definitely a perfume you want in your collection for very special occasions, like a company party or meetings.
For oud lovers. It’s an animalic oud, bordering on fecal, very natural, potent, and challenging, requiring experience to appreciate. It blends perfectly with citrus top notes and mineral base notes, giving it gravitas and charisma. Here, you don’t separate the wheat from the chaff; it’s about olfactory experience. It’s like a classical music concert; you appreciate the whole, not individual instruments. If you don’t like animalic oud, don’t buy it blindly, but don’t feel bad: it’s an acquired taste. Carbonnel always shines; I met him at Xerjoff and Kemi Blending Magic. For special occasions where you want to show authority, wear it with a suit and tie. Andrés and Carbonnel redeemed themselves with honors—very bold, risky, and applauded. 10/10.
I’ve tried hundreds of perfumes in my life, from Arab perfumes at 30 that project like cannons to untouchable niches. This is the best perfume I’ve tried in years. Deep, clean Oud, and of a quality impossible to find outside of artisanal distilleries. Longevity is superior to 8 hours. Notes I perceive: Indian Oud, citrus, woods, general spicy and mineral character. Among a myriad of nuances. I believe there are dozens of cheaper options in the market that fulfill the promise. But, for me, only a tiny minority demonstrates real quality. – Aroma and Quality 10/10 – Longevity 8 hours. – Average Projection 1.5 meters. – Natural Oud scent until the next day.
ChatGPT isn’t doing too bad at reviewing… but honestly, you can tell it’s an AI.
Croxatto Oud: As an Oud fragrance, it delivers, but it features a very complex construction, as it tries to be marine at times and citrus seems to be dancing an arrhythmic song at others. It has its merits and can certainly attract attention more out of curiosity than for its scent. It’s not bad, but not great in the sense of being a top-tier perfume. To make matters worse, it has one of the worst cost-to-performance ratios in the entire perfume world, which makes sense given it demands huge amounts of marketing, logistics, and fieldwork by many people, all of whom get paid. Frankly, I think Andrés channels a bold, different taste very true to his style: contemporary, authentic, and masculine. I insist, for my taste, it’s not bad, but it doesn’t convince me enough to buy it at that price; from first impression, it lacks magic and some punch, though I admit I’ll need to test it much more to expand my opinion, which is difficult since I only have a decant. We must acknowledge that Andrés has achieved his dream, and he surely poured in lots of drive, time, effort, money, and dedication, as it’s clear this Croxatto Oud was made with passion. But in the end, for us common mortals, this perfume has an almost inaccessible price, and generally, with much less money, there are options that can offer better performance. Anyway, I wish Andrés all the luck, hoping he finds a formula that allows him to lower prices so we can access these perfumes and his dream flows to benefit many people. If you have the cash, why not? Let the fun begin! It’s not a bad perfume, absolutely. Nor is it an easy one. It’s extravagant. Scent: 9.0 Projection: Average (2 hours). Longevity: 5 Hours. I can’t recommend something I can hardly afford.
It’s not all about longevity. Context: I’ve had this perfume for almost a month, full bottle, 1st batch, thoroughly tested. I own hundreds of perfumes and decants, including some ouds. Let me state upfront that I find the review wars, friendships, and hatreds surrounding this and other launched perfumes quite pathetic. I don’t have the Croxatto Man, but I decided to buy this out of curiosity regarding the combination of Indian Oud and Bahamian Croton. Review: A powerful opening of high-quality oud; I don’t detect any citrus. After about 20 minutes, tobacco, leather, and especially the nutmeg emerge, giving it a very special touch. Finally, it settles into a woody tone with omnipresent nutmeg and subtle marine notes in the background. The oud persists throughout but becomes very subdued, adding body to the other notes. The scent is refined, elegant, and addictive; you can smell a lot of quality, and it doesn’t smell like anything I’ve smelled before. Longevity is average—not terrible, 5-6 hours on skin and much longer on clothes. Should it last longer given the price? Probably, but there are iconic perfumes that last less than desired and aren’t great compositions for that reason. For me, the perceived quality more than justifies its cost, which is obviously expensive; we won’t deny that. The problem is we associate Oud with heavy, long-lasting perfumes, but this isn’t what was intended. Instead, you simply appreciate the effort to create something different, elegant, and highly personal. I plan to enjoy it even more. Scent: 9.5/10 Projection: 6/10 Longevity: 7/10
I don’t know where to start to explain this proposal, rather, this work of art, that Andrés provides us on his path to perfumery excellence. Finally, I managed to get one of his precious bottles, difficult, scarce, and very expensive. Now I’ll tell you if it was worth it. It opens with a sparkling citrus in which emerges as a loud slap an exquisite fecal oud, stopping at its nuances of manure, smoking dung on a sunny morning, ultra-realistic, as if you had rolled in a pile of cow dung and were ready to live life. This masculine aroma, charming, underscored by the citrus, as if after the roll you had taken a shower with Nenuco, catches attention. Not to mention, the other day I entered the subway and everyone looked at me and even moved aside; I could guess they were trying to appreciate the nuances of my perfume better. Then it relaxes and on the skin it leaves a rather accorded perfume, moving between fresh and earthy, undoubtedly charming. This is the best moment of Croxatto’s Oud, I assure you that despite everything the projection is incredible; my wife knew I was coming home when I was chopping from the doorman’s post. And longevity… as long as you don’t shower, you’ll have it on your skin, and that’s me, three days without passing by the bathroom to prolong this olfactory work of art; besides, I think the own body scent helps to enhance the virtues of Croxatto. With this perfume, Andrés Croxatto demonstrates that he is not just that well-off family’s son whose abilities were not understood and had to seek his life in another country; he demonstrates that he is a true connoisseur of the highest level perfumery. This perfume is worth around 350 euros, but it could easily cost 600, 1000, 1200… that’s where its quality reaches. Because art, friends, has no price. A great BRAVO for this perfume by Mr. Croxatto.
If we make a didactic caricature, Croxatto Oud is basically mixing a citrus-aquatic perfume (ADN Acqua Di Gio or Polo Blue) with an Indian oud of a milky, slightly fecal, stable facet, but not unpleasant. I’m talking about ouds like Bortnikoff, Rania J, Rasasi, or Spirit of Dubai, for those who like these aromas and have experience. This perfume seems like Andrés’s personal fetish that he has confessed in more than one video, highlighting Acqua Di Gio (used in his wedding) and The Night, which he finds sublime. In the opening, you perceive sparkling citrus, similar to Rasasi Indonesian, with the aquatic part in the background and the oud resonating. After half an hour, the citrus fades, the oud softens its astringent part, and an attractive mixture is generated between the oud and the aquatic phase. After an hour, the leather and tobacco appear, reinforcing the woody part of the oud, without losing the aquatic essence. This duality makes it versatile for the season; it could even be used in summer with moderation. It’s not a beast mode perfume but has good longevity on skin. About the hype, is it worth trying? I’d say yes, but forget expectations like The Night, which is a spiced rose with cranberries. Here there are no spiced roses, here is the proposal of someone who experimented with mixing a classic aquatic ADN with an Indian oud that stands out. If the mixture works or not, buy a decant and judge for yourself. Don’t let yourself be led by GPT or colluding reviewers.
Well gentlemen, the ‘What it reminds you of’ section clearly states it reminds many people of The Night, so there must be a reason. Why spend 500 euros on The Night when you can spend 350 on this delight by Andrés Croxatto? In this perfume smelling of cattle manure and lemon, Andrés has wanted to describe his personality. Wearing it is being a bit like him, transmitting his sense of elegant, dynamic, charming, and sparkling life. The moment you apply it, the first thing you say is ‘Ufffff PERFUME’ while nostalgically remembering the smell of sheep herds passing through your town. The lemon that appears shortly after could well be that clean scent of the cologne your uncle Aurelio wore under layers of wine and armpit odor, creating an unparalleled atmosphere of determined, cosmopolitan, and mischievous masculinity. When I wear this Croxatto Oud, I feel like I descend from a high-bourgeois family instead of a seamstress mother and a construction worker father. And although I’ve always had a pull with women, thanks to a handsome face, when I wear this perfume I literally feel like I’m being harassed. Don’t listen to the scrupulous haters who have only tried Lattafa because they can’t afford this little treasure, which is well worth the effort of saving for months or, in my case, asking my mother for money from her pension. They won’t be disappointed, because Andrés… he doesn’t sell perfumes, he sells magic.
My 300th review, and I just landed here. Tried it by chance. First: it has ABSOLUTELY nothing to do with Frederic Malle’s The Night, NOTHING, not even the oud, because everyone varies. Without expecting anything, I leave with little but not empty-handed. A typical Oud aroma, citrusy as the market is infested with it. Personally, I’m no longer surprised by anything with Oud, and this was no exception. Masculine, expensive, and with terrible performance; watch out, I don’t want to be cruel because it’s new and these oud perfumes need to be macerated to unlock their potential; with the previous one, it was all a mess. I don’t see bad quality, unlike the first perfume from this marketing master who sells bottled water. This one isn’t bad in raw materials, but for having oud, it’s weak. But it’s easy, it’s versatile, it’s not an invasive oud. Good option to start with oud. Anyway, it doesn’t smell bad, I think it learned from the first ENORME mistake. What I won’t forget is what they’ve done to this page to promote their perfumes. Watch out for the ‘Reminds me of…’ section: it doesn’t resemble anything above or the previous men’s fragrance LESS.
I couldn’t spray more than four times since it was a loaner, but this review is necessary: it genuinely excites me. Finally, I smelled one of Andrés’s perfumes and was captivated. I won’t say Fragrantica is lying, but let’s be clear: on my skin, undeclared nuances emerge. A dry, spicy accord between clove and cinnamon, peppery, warm, and austere. A hint of bitter chocolate or cocoa appears, with a ‘smoke and ash’ effect that gives a rough texture, almost tactile, like old paper or thick suede. It’s something uncommon. 100% masculine fragrance for men aged 28 to 55. With my limited experience, optimal performance is below 15°C; Indian oud and leather need the cold to ‘tame.’ In heat or humidity, the marine notes with tobacco and oud become piercing, generating a ‘metallic sweat’ or organic decomposition, frankly unpleasant. Its ideal moment is night, between 5:00 PM and 6:00 AM. It’s a fragrance of darkness. Using it in the morning is a tactical error: it’s invasive in enclosed spaces and inappropriate for the office. With three sprays, it lasted 11-14 hours on skin. Projection is high for the first two hours (about 2.5 meters) and leaves a heavy, persistent trail. Do women like it? It’s polarizing and problematic. It’s not a *crowd-pleaser*. For many, the oud and leather are rough, even ‘dirty.’ It doesn’t generate soft romantic attraction, but respect or distance. It seduces only those seeking raw, dark masculinity. For the rest, it can smell medicinal or too strong. Low versatility (2/10). It’s niche by nature. It fails in sports, conventional dates, heat, and daily use. Its success is only in formal night events or to mark hierarchy. Not a safe choice. High risk of rejection due to the animal character of the oud and the bitterness of the cascarilla. A fragrance that doesn’t ask for permission: it enters, imposes itself, and divides opinions.