Men
Unutamam
Acordes principales
Descripción
Unutamam by Nishane is an oriental fougère fragrance for men and women. Launched in 2019, this composition features the olfactory signature of Miguel Matos. The top notes unfold with rosemary, mint, juniper, and lavender; the heart reveals oregano, patchouli, amber, jasmine, and carnation; while the base notes close the structure with castoreum, oakmoss, labdanum, and caramel.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Unutamam y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
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eBay
Más opcionesMás opciones de precio, formatos y vendedores.
Útil para comparar alternativas antes de decidir.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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16 reseñas
Mostrando las más recientes primero.
Category:
First impression: green, foresty, humid, smoky, burnt, and a slight sweetness. The opening reminded me of a mix of Ralph Lauren’s Polo Green and Serge Lutens’ Fille en Anguilles, quite dense. Evolution: at 4 hours a sweet smokiness stands out, perhaps from the caramel. I sense an unmentioned tobacco note: a sweet, dense, dark tobacco, like smoking a pipe in a dark forest with fog. At 7 hours it leaves a faint sweetness, with oakmoss and a floral note I suppose is clove and jasmine. Conclusion: it wasn’t as dense as speculated, it’s a serious, dense, and elegant scent. Ideal over 30 years old and only in cold seasons. Use it at night, it will work better for you. Longevity and trail: heavy. No more than 2 sprays, or they’ll tell you you fell in a puddle of mud and mold. Pleasant aroma, totally recommended.
Greetings. It’s a 30 ml extract. Unutamam means ‘I cannot forget’. On my skin, I detect castoreum, moss, and caramel, giving a serious and dark vibe that’s totally wearable. I don’t feel it’s a projection bomb, maybe due to my skin; it requires character. You won’t receive compliments, but if you wear it, you’re not looking for acceptance from others anyway.
Greetings, I highlight that it is a perfume extract in a 30 ml presentation. Unutamam, from Turkey, means ‘I cannot forget’. In my nose, the castoreum, moss, and caramel stand out, giving a serious and dark sensation. It’s completely wearable, I don’t feel it as a projection bomb (I think it’s due to my skin). It requires a certain character to wear; I don’t think you’ll receive compliments, but if you use it, I don’t think you’re looking for others’ acceptance.
First Impression: Green, woody, wet, smoky, and burnt with a sweet touch. The opening feels like a dense mix between Polo Green and Fille en Anguilles. After 4 hours, a sweet smokiness stands out, perhaps from the caramel; I detect a dense, dark tobacco not listed in the notes, like smoking a pipe in a dark, misty forest. At 7 hours, a faint sweetness remains with oakmoss and flowers, likely carnation and jasmine. Conclusion: It’s not as dense as people say; it’s a serious, elegant scent, perfect for someone over 30 and in cooler weather. Wear it at night. Projection and sillage are heavy—just 2 sprays or you’ll look like you’re standing in a mud puddle. Highly recommended.
Greetings, this is a personality perfume. You won’t use it for a date or in warm weather. It’s a humid, woody scent and sometimes with something of tobacco (not declared). Super potent and confusing opening, but evolves quickly, like walking through a forest after the rain. It’s a dark juice that can stain clothes: I suggest applying it directly to skin and max 2 sprays.
An antiperspirant. Someday I want it in the collection just to keep a memory of the pretentious squabbles of indie or niche perfumery. The opening is a bitter, smoky, aromatic load of oregano, with a feeling of old leather from castoreum and something camphoraceous that seemed like moss, but those close by said it was mint. The evolution is slow; the oregano yields the spotlight to mint and a plastic jasmine, without leaving entirely. The initial potency seems to want to hide the lack of nuances, losing its ‘beast mode’ fame near the fifth hour, when it remains in a heavy green aura with the mark of oregano and some labdanum, but it no longer projects or leaves a trail. I didn’t feel the caramel, patchouli, or clove, and the castoreum seems more in the opening than when drying. I don’t think it has standout quality, neither in ingredients nor composition. If it seems conceptual or artistic, in my opinion it’s noisy, as if in an orchestra everyone is playing loudly. I don’t think it has use other than those spaces between fans who want to wear the strangest things. It has more of Cyprus than Fougère, without reaching the grace of Antaeus or Nishane’s Afrika Olifant, and it’s far below Interlude in the use of oregano.
An anti-perfume. At some point, I’d keep it just to remember the pretentious squabbles of indie or niche perfumery. Heavy, bitter, smoky, and aromatic opening with oregano, a feeling of aged leather from castoreum, and a slight camphoraceous note others identified as mint. Slow development: the oregano gives way to mint and a plastic jasmine, though not entirely. The initial power seems to hide a lack of nuance, losing its ‘beast mode’ character by the fifth hour, settling into a heavy green aura marked by oregano and some labdanum, with no projection or sillage. I never detected caramel, patchouli, or clove; the castoreum is stronger at the start. It doesn’t seem to have standout quality in ingredients or composition. If it’s conceptual, it’s loud, like an orchestra where everyone is shouting. I don’t think it has uses outside of spaces between enthusiasts who want the strangest things. It has more of a Cyprus vibe than a Fougère, failing to reach the grace of Antaeus or Nishane’s Afrika Olifant, and is far below Interlude in its use of oregano.
It’s an Interlude reduced or light version with an animal touch. Good longevity and medium projection.
A perfume with Miguel Matos’ signature, challenging and avant-garde. Very dark, earthy green, with a hint of burnt truck oil, which some interpret as rubber or leather. Unusual, especially in the opening. In the heart (starting from the first hour), notes of carnation, oregano, amber, and patchouli emerge, leaving a dark green sensation reminiscent of Amouage’s Memoir, though Nishane is more intense due to its animalic notes. In the dry down, it becomes sweeter and woodier, dominated by amber, lavender, mint, and castoreum. I bought it to complete my collection, but it created an addiction. It has immense character, unique and extravagant. You won’t get compliments, but people will ask what you’re wearing. Timeless, but requires personality. Not for extreme heat. A mature fragrance, more masculine. A great discovery. Love it or hate it. Scent 10/10, Sillage 9/10, Projection 9/10, Longevity 8/10.
A perfume with the Miguel Matos seal, challenging and avant-garde. Very dark, green, and earthy, with a point almost of burnt truck oil; one interprets it as rubber or leather. It’s not usual to feel this scent, especially the opening. In the heart, starting from the hour, notes of clove, oregano, amber, and patchouli emerge, leaving a dark green sensation reminiscent of Memoir by Amouage, although Nishane is more intense due to its animal notes. At the end, it becomes sweeter and woody, faintly, with amber, lavender, mint, and castoreum predominating. I bought it to complete the collection, but it created a great addiction. It has a lot of character, it’s unique, extravagant, and pleasant. They won’t give you compliments, but they will ask what you’re wearing. Timeless, to use anywhere if you have the personality. Not for extreme heat. Mature fragrance, more masculine. For me, a great discovery. You love it or you hate it.
I have it and it seems like a wild ride. I’ve used it 4 times because I have a huge variety, but I think I’ll keep using it for specific moments, to mark territory. It smells like ‘Wild West tough guy’: Clint Eastwood, John Ford, John Wayne.
What a piece of perfume. Upon smelling it, first gasoline, then wondering if it’s gasoline or varnish… I don’t know what to say, but it smells like a mechanic’s garage. What I like is how dirty it is: it brings to mind a disgusting puddle reflecting in the sun, just like the dried varnish from an old pot that smells awful, nothing like Leroy Merlin. What impressed me most is that it’s very wearable, I can’t believe it. An olfactory experience worth it, laugh at the brutality of Fahrenheit.
This is Jägermeister in spray form. If it came in a green glass bottle with a stag on it and was called Eau de Jagger, you’d believe it. It’s nuclear: one spray and you pray it distributes evenly without ruining your white clothes (it stains). Matos doesn’t disappoint, especially compared to Nishane. 5-star uniqueness and longevity, 4-star sillage. Low versatility, average presentation, few compliments, and poor quality-to-price ratio. Best for office or night wear. Use in cold weather or at night. Target: adult men. Unisex level: men. Ideal atomization: medium. In short: ‘Jagger in spray’. Occasion: intimate. Alternative: The Black Knight by Frederic Malle. Blind buy? Yes, absolutely.
For me, an exquisite and unique scent. It’s aggressive with dark herbal notes. At first, an overwhelming opening of tar and gasoline… delicious. It projects like a beast; no one will tell you compliments, but everyone will know you’ve arrived. It’s like shouting: ‘Hello, I’m Batman and I’m here.’ Perhaps one of the hardest scents I’ve tried, on par with The Night by Frédéric Malle or Ajmal Mukhallat Shams.
This smells like Jägermeister in a spray. If it had the stag, came in green glass (which it already does), and was called Eau de Jagger, you’d believe it. It’s nuclear: one spray and you pray you don’t get white clothes, it stains. Matos doesn’t disappoint, and if mixed with Nishane, even less so. Uniqueness and a ten-meter trail. Versatility and presentation, well, another story. Price-quality, well, let’s leave it at that. In short: ‘Jagger in a spray’. Occasion: intimate enjoyment. Alternative: The Black Knight by FB. Blind buy? Absolutely.
To me, an exquisite and different scent. Challenging and aggressive with dark herbal notes. An overwhelming opening of tar and gasoline… delicious. Projects like a beast. No one will compliment you, but everyone will know you’ve arrived. ‘Hi, I’m Batman and I’m here.’ Perhaps one of the most difficult, on par with The Night by Frederic Malle or Ajmal Mukhallat Shams.