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Flower’s Barrow by Lush

Men Women 2012

Brand
Lush

Description

Flower's Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.

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Quick summary

When to wear it (votes)

  • Winter 14%
  • Spring 32%
  • Summer 24%
  • Autumn 30%
  • Day 72%
  • Night 28%

Key notes

Community

288 votes

  • Positive 82%
  • Negative 13%
  • Neutral 5.9%
positive reviews 288 community votes
LongevityModerate SillageModerate Best momentDay CharacterUnisex

The olfactory pyramid

A guide to the opening, heart and lasting trail of the fragrance.

The community speaks

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In the collection

Leading answer I own it

728 votes

Season

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Leading answer Spring

206 votes

Time of day

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Leading answer Day

119 votes

Each question has its own vote count. You can choose several seasons.

Fragrance profile

About Flower’s Barrow

Main accord aromatic Year 2012 Gender Men · Women Perfumer Mark Constantine · Simon Constantine

Flower’s Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.

Flowers Green, herbal and fougère

How it wears

Compare the results and tap an answer to add your vote.

Longevity

Leading answer Moderate

109 votes

Sillage

Leading answer Moderate

126 votes

Character

Leading answer Balanced

55 votes

Value perception

Leading answer Fair price

50 votes

Have you worn Flower’s Barrow?

Tell us how it opens, how it settles on your skin, how long it lasts and when you wear it.

  1. WaterLula Von Hooligan

    Smells like dried flowers, rotting vegetation, and spectral flora; the name screams it, even though I didn’t catch it at first: Tomb of Flowers, or better yet, Flower of the Tomb. It’s the goziest perfume I’ve ever tried, and I confess, I use it compulsively despite some base notes that repel me. Repulsions work like ugliness: a few (very few) instead of repelling actually attract. It’s not pleasant to the nose, but it is incredibly sophisticated; you can’t expect anything less from a conceptual fragrance. Called Flower of the Tomb and smelling of rose, geranium, sage, thyme, and black currants, yes, but dead. Jean-Baptiste Grenouille would praise what was achieved, though he’d undoubtedly synthesize it better; however, he would understand, without a doubt, the intent of its creators. It’s decadent and vampiric, and while sinister, it excites the senses. In its brighter moments, it smells a bit like potting soil (probably the geranium), and in its dips, like moldy flowers. A delicacy for off-kilter noses who enjoy polymorphic and amoral scents. Lestat would wear this perfume, and so would Felicity Blanc. Chapeau.