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Balahe by Leonard

Women 1983

Brand
Leonard
Perfumer
Daniel Moliere

Description

Balahe by Leonard is an oriental floral fragrance for women. Launched in 1983, the nose behind this composition is Daniel Molière. The top notes include plum, aldehydes, statice, cilantro, anise, pineapple, mandarin, and bergamot; the heart notes are formed by neroli, orchid, lily root, ylang-ylang, iris, rose, jasmine, and orange blossom; and the base notes are galbanum (civet), opoponax, vanilla,…

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Quick summary

When to wear it (votes)

  • Winter 43%
  • Spring 12%
  • Summer 8.0%
  • Autumn 38%
  • Day 35%
  • Night 65%

Key notes

Community

521 votes

  • Positive 87%
  • Negative 11%
  • Neutral 2.1%
positive reviews 521 community votes
LongevityLong-lasting SillageModerate Best momentNight CharacterUnisex

The olfactory pyramid

A guide to the opening, heart and lasting trail of the fragrance.

The community speaks

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In the collection

Leading answer I own it

1,594 votes

Season

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Leading answer Winter

301 votes

Time of day

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Leading answer Night

205 votes

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Fragrance profile

About Balahe

Main accord sweet Year 1983 Gender Women Perfumer Daniel Moliere

Balahe by Leonard is an oriental floral fragrance for women. Launched in 1983, the nose behind this composition is Daniel Molière. The top notes include plum, aldehydes, statice, cilantro, anise, pineapple, mandarin, and bergamot; the heart notes are formed by neroli, orchid, lily root, ylang-ylang, iris, rose, jasmine, and orange blossom; and the base notes are galbanum (civet), opoponax, vanilla, sandalwood, musk, and vetiver.

Fruits, vegetables and nuts Green, herbal and fougère Spices White flowers Flowers Woods and mosses

How it wears

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Longevity

Leading answer Long-lasting

141 votes

Sillage

Leading answer Moderate

172 votes

Character

Leading answer Balanced

66 votes

Value perception

Leading answer Fair price

51 votes

Community reviews

3 reviews

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  1. OmarRubiano

    A real man’s perfume, made for women 30 and up. Unique and different. At first application, it smells a bit sweet, almost cloying, but once it dries down, it smells like a millionaire.

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  2. Janus1980

    My mom used to wear this fragrance and I never liked it. My dad gifted it to her first, then I bought it for Mother’s Day because she absolutely loved it; to me, it felt very heavy, suffocating, and overly sweet. I was just a kid back then and didn’t understand these things, but it’s a scent I would never gift to anyone. My olfactory memory recalls it as something unpleasant. I’m not saying it’s a bad perfume—I’m still a newbie in this world—but it simply didn’t agree with me then, and I doubt it will if I smell it again.

    Reply
  3. Anyone else not see a review for this? Remember that legendary quartet from the mid-80s featuring tuberose, incense, sandalwood, and plum? Think Dior Poison or Cacharel’s Lou Lou. Those animalic, dirty perfumes with flashes of fresh, crisp fruit, like mixing a censer with a fruity floral cleaner. Balahe was a precursor to that baroque, cold trend. The key thing is its two-faced development; the drydown is vastly different from the opening, like wearing two perfumes at once. The opening is a fresh, sexy, smooth, androgynous plum, evoking an adolescent body without cellulite or flab. It’s woody plum, narcotic from neroli, ultra-sexual from algalia, and treacherous from the incense. Balahe sports that classic Dior Poison clash between something overdressed and libidinous and luminous notes. While Dior’s mix stays relatively consistent, Balahe keeps that dizzying woody fruity floral but introduces resinous sweetness that turns the drydown into a distant cousin of Shalimar or Habanita, thanks to vanilla and opoponax with its tobacco-like, honeyed sweetness. If I had to nitpick, it feels a bit artificial and raspy; the finish isn’t entirely refined, especially at first, with an insidious throat hit that eventually fades once the olfactory pyramid settles. But hey, it’s not a disaster. The bottle is a masterpiece: an irregular black rock with a red velvet ribbon and a stopper that looks like an Oriental pagoda. Balahe is an exotic, ultra-narcotic, eccentric, flamboyant, loud, and vulgar jewel like no other. I recommend it to lovers of those woody oriental florals from the 80s—cold perfumes packed with hypnotic notes. With eyes closed, anyone who enjoys Dior Poison, Cacharel’s Lou Lou, Loewe’s Gala, or Joop Femme will appreciate its ambiguity and grandeur. P.S. Seeing its creator, Daniel Molière, it’s no surprise it’s a wild fragrance (Insensé, Eau de Givenchy, Santos, Guy Laroche Clandestine). P.S. I think I tried the Miss Balahe flanker in the 90s; it was a cool perfume, with vanilla-citrus, dry, and wild notes with hints of bitter, animalic sweetness.

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