Balahe by Leonard
Women 1983
Main accords
Description
Balahe by Leonard is an oriental floral fragrance for women. Launched in 1983, the nose behind this composition is Daniel Molière. The top notes include plum, aldehydes, statice, cilantro, anise, pineapple, mandarin, and bergamot; the heart notes are formed by neroli, orchid, lily root, ylang-ylang, iris, rose, jasmine, and orange blossom; and the base notes are galbanum (civet), opoponax, vanilla,…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
1,594 votes
What do you think?
Leading answer Love it
521 votes
Season
Choose severalLeading answer Winter
301 votes
Time of day
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205 votes
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Fragrance profile
About Balahe
Balahe by Leonard is an oriental floral fragrance for women. Launched in 1983, the nose behind this composition is Daniel Molière. The top notes include plum, aldehydes, statice, cilantro, anise, pineapple, mandarin, and bergamot; the heart notes are formed by neroli, orchid, lily root, ylang-ylang, iris, rose, jasmine, and orange blossom; and the base notes are galbanum (civet), opoponax, vanilla, sandalwood, musk, and vetiver.
Fruits, vegetables and nuts Green, herbal and fougère Spices White flowers Flowers Woods and mosses
It may remind you of
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How it wears
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Longevity
Leading answer Long-lasting
141 votes
Sillage
Leading answer Moderate
172 votes
Character
Leading answer Balanced
66 votes
Value perception
Leading answer Fair price
51 votes
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Community reviews
3 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
A real man’s perfume, made for women 30 and up. Unique and different. At first application, it smells a bit sweet, almost cloying, but once it dries down, it smells like a millionaire.
My mom used to wear this fragrance and I never liked it. My dad gifted it to her first, then I bought it for Mother’s Day because she absolutely loved it; to me, it felt very heavy, suffocating, and overly sweet. I was just a kid back then and didn’t understand these things, but it’s a scent I would never gift to anyone. My olfactory memory recalls it as something unpleasant. I’m not saying it’s a bad perfume—I’m still a newbie in this world—but it simply didn’t agree with me then, and I doubt it will if I smell it again.
Anyone else not see a review for this? Remember that legendary quartet from the mid-80s featuring tuberose, incense, sandalwood, and plum? Think Dior Poison or Cacharel’s Lou Lou. Those animalic, dirty perfumes with flashes of fresh, crisp fruit, like mixing a censer with a fruity floral cleaner. Balahe was a precursor to that baroque, cold trend. The key thing is its two-faced development; the drydown is vastly different from the opening, like wearing two perfumes at once. The opening is a fresh, sexy, smooth, androgynous plum, evoking an adolescent body without cellulite or flab. It’s woody plum, narcotic from neroli, ultra-sexual from algalia, and treacherous from the incense. Balahe sports that classic Dior Poison clash between something overdressed and libidinous and luminous notes. While Dior’s mix stays relatively consistent, Balahe keeps that dizzying woody fruity floral but introduces resinous sweetness that turns the drydown into a distant cousin of Shalimar or Habanita, thanks to vanilla and opoponax with its tobacco-like, honeyed sweetness. If I had to nitpick, it feels a bit artificial and raspy; the finish isn’t entirely refined, especially at first, with an insidious throat hit that eventually fades once the olfactory pyramid settles. But hey, it’s not a disaster. The bottle is a masterpiece: an irregular black rock with a red velvet ribbon and a stopper that looks like an Oriental pagoda. Balahe is an exotic, ultra-narcotic, eccentric, flamboyant, loud, and vulgar jewel like no other. I recommend it to lovers of those woody oriental florals from the 80s—cold perfumes packed with hypnotic notes. With eyes closed, anyone who enjoys Dior Poison, Cacharel’s Lou Lou, Loewe’s Gala, or Joop Femme will appreciate its ambiguity and grandeur. P.S. Seeing its creator, Daniel Molière, it’s no surprise it’s a wild fragrance (Insensé, Eau de Givenchy, Santos, Guy Laroche Clandestine). P.S. I think I tried the Miss Balahe flanker in the 90s; it was a cool perfume, with vanilla-citrus, dry, and wild notes with hints of bitter, animalic sweetness.