First by Van Cleef & Arpels
Women 1976
Main accords
Description
First by Van Cleef & Arpels is a floral aldehydic fragrance for women. Launched in 1976, this composition was created by nose Jean-Claude Ellena. Upon release, aldehydes, bergamot, blackcurrant, peach, mandarin, and raspberry deliver a vibrant, fruity opening. The heart reveals a complex floral bouquet featuring narcissus, hyacinth, jasmine, valley lily, carnation, ylang-ylang, lily root, neroli, Turkish rose, and orchid.…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
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In the collection
Leading answer I own it
8,501 votes
What do you think?
Leading answer Like it
3,506 votes
Season
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2,515 votes
Time of day
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1,557 votes
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Fragrance profile
About First
First by Van Cleef & Arpels is a floral aldehydic fragrance for women. Launched in 1976, this composition was created by nose Jean-Claude Ellena. Upon release, aldehydes, bergamot, blackcurrant, peach, mandarin, and raspberry deliver a vibrant, fruity opening. The heart reveals a complex floral bouquet featuring narcissus, hyacinth, jasmine, valley lily, carnation, ylang-ylang, lily root, neroli, Turkish rose, and orchid. The base settles on algalia, oakmoss, honey, amber, musk, sandalwood, vetiver, tonka bean, and vanilla, closing the structure with a warm, woody sweetness.
Fruits, vegetables and nuts Flowers White flowers Woods and mosses Sweet and gourmand Musk, amber and animalic Spices
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More from Van Cleef & Arpels
Related editions
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How it wears
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Longevity
Leading answer Long-lasting
1,025 votes
Sillage
Leading answer Moderate
1,217 votes
Character
Leading answer Traditionally feminine
494 votes
Value perception
Leading answer Fair price
429 votes
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Community reviews
39 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
I have the Eau de Parfum and it is super elegant, perfect for high-society ladies. You really need to have class from a young age to truly appreciate it.
Eau de Toilette Review: First is a sophisticated, elegant, and pristine beauty. It opens with a huge bouquet of white flowers, jasmine, and tender lilies, with the stem and sun highlighting the scent. The aldehydes are well-crafted and give it an airy feel; as it dries down, it becomes clean, musky, and slightly green. It smells like a real perfume, like a vase of flowers in a shady corner. I’d wear it on sunny days, especially in spring and autumn with sunshine. It doesn’t smell like anything similar, not like No. 5 or Arpège; it’s unmatched. It has good projection, lasts long on clothes, and the first day I wore it, I received many compliments. Duration: over 11-12 hours… unfortunately, it was discontinued two weeks ago, but you can still find it.
This smells very similar to Y by Yves Saint Laurent and the recent version of Givenchy III. It’s green, aldehydic, and fresh; what predominates is oakmoss, vetiver, and sandalwood. The civet in the new version is well-balanced, not invasive, and wearable. Lasts 4 hours with a soft trail. If you have Y by YSL, Givenchy III, or Miss Dior, you don’t need this, but if you loved them and can’t find them anymore, you can opt for this. It has elegance, it’s not a beast, it’s a calm EDT that softens down to become green, timeless, and different. Plus, it has a good price, so if it’s more accessible, you can buy it. It’s a good perfume, not artificial, smells natural, and doesn’t feel synthetic. Its dry-down on clothes is very pleasant; on skin, it doesn’t last long, but I have the EDT of the new version, I don’t know if the EDP lasts longer.
What a beautiful perfume and memories… Upon smelling it, the mental image is black velvet elegance with perfect cuts that frame the female figure. It’s pristine and undoubtedly a lady’s perfume, but not by gender, rather by a woman with sophistication in her DNA, a Hollywood diva of the past. You can tell it comes from the past; it was very popular in the 90s when my mother had it, and I, at 14, sometimes wore it because I’ve always liked clean, powdery florals. It’s a scent that calms and makes you sigh. The aldehydes are well-presented along with various flowers and animalic amber (unfortunately), very Chanel No. 5 style. Something I remember is that it wasn’t very long-lasting on me, but it made me want to have it again or at least feel its aroma, close my eyes, and travel back in time to my childhood…
I’m not surprised Lady Diana wore it daily. It has an air of ‘Chanel No. 5’, ‘White Diamonds’, and D&G’s ‘Sicily’. It’s an intense scent where aldehydes are the protagonists. I don’t detect the peach, but I do smell the jasmine, lilies, and that carnation from VW’s ‘Boudoir’. It’s clean, elegant, classy, generates compliments and well-being, it’s long-lasting, addictive, and has an iconic bottle that doesn’t go unnoticed. A classic that evokes confidence, familiarity, warmth, and loyalty. 🕯️ 10/10.🔥
Since I was a child, fragrances, their trails, and their intensities caught my attention. My family couldn’t afford to buy perfume, so I satisfied my interest by collecting empty perfume bottles that were given to me. I don’t remember how this First ended up in my hands, but it was my favorite. The bottle was beautiful, I loved the cap, but mostly I loved the fragrance. I attributed a personality to every bottle in my collection, and First was a mature, sophisticated, and elegant woman. Does anyone know if First is still available? I would love to smell this scent again.
Along with Chanel No. 5, this is one of my favorites: an intense scent, you can feel the aldehyde, the lily of the valley, jasmine, carnation, and narcissus. Very long-lasting on both skin and clothes.
Jean-Claude Ellena’s admirers usually divide between those who marvel at his current creations (aquatic, transparent, light) and those who believe his peak was in the 70s, when he composed more substantial, dirty, and prominent fragrances like Eau de Campagne for Sisley and First for Van Cleef & Arpels. Personally, I prefer his strong, fleshy creations with a touch of dirt that adds sensuality and balance, rather than the newer, warmer proposals. The vintage version of First is simply amazing. You can smell the entire floral symphony with a 3D movie effect. But that’s not even the best part. The dry-down is where it reveals its total beauty: soft, powdery sandalwood that appears after a long journey, aldehydes with a resplendent shine, overlaid with warm amber, earthy vetiver, and a delicate musk, plus go-go civet. This fragrance looks elegant and classy, but it wasn’t created only for high-society ladies and is used on many occasions, even all seasons. It’s fresh and warm at the same time, floral and woody, innocent and mischievous, bright and dark. It always has the power to draw attention because not everyone dares to dress in such a vintage style. A word about the current version: it holds up quite well in trail and longevity (try it on the subway, train, or car with windows closed): the current version has lost the balance and the arrogant density of the old one. The aldehydes are translucent. It improves as it dries, but the lack of real sandalwood and muted flowers are noticeable. It’s not bad and seems ideal for women who want to approach a classic without running away, but I consider it a 2D image of a sculpture admired in person.
It’s a fresh and calm aldehydic scent, without harshness. It has that classic fragrance touch of soap 🧼 that at the same time remains current thanks to the fine synthesis of so many ingredients. It’s as if so many diverse notes of flowers, lily root, woods, and aldehydes got married and summarized their essence into a simpler scent, without being linear or homogeneous. Maybe Ellena’s formulation explains it; the perfumer of ‘less is more’. Here he takes many ingredients and instead of designing a baroque scent, he creates a clean and minimalist one, unexpected and precious.
I love it. I remember the old bottle that had a kind of interwoven gold/bronze casing, a marvel.
The aldehydes in this EDT instantly relax and refresh me. I bought it recently and it’s sublime, plus the price is fair. Even though the longevity is short (2-3 hours) and the projection fades quickly, it’s a 70s classic that sounds like a fresh take today. If you dare to try it, it’s 100% recommended.
I loved it! I tried it at the perfumerie and fell in love. It smells like talc, super personal and exquisite. The average longevity is about 5 hours.
Van Cleef’s First is a gem we’re lucky to have available. It’s a discontinued scent from the house, what more could you ask for? Thanks to an alert, I searched desperately until I found it. On my skin, the opening is a gorgeous, bossy bergamot and divine jasmine. The narcissus and hyacinth are very noticeable; it’s an exuberant compendium of majestic flowers and aldehydes. It reminds me of Jardins de Bagatelle but much more affordable. I don’t detect civet, which is great. It’s vital, full of energy, and elegant. Perfect for spring or summer, though it might be short in winter. It suits elegant and poised dressing. Don’t buy it blindly because of the aldehydes, but if you like Chanel No. 5, you’ll adore it. It’s more dynamic and less ‘creamy’.
My mom used to wear it and I loved it. The bottle is a jewel, like a pendant. It has a lot of presence and personality; it’s elegant and sophisticated, not really for young people. I wouldn’t wear it in summer, but yes for a special event.
First: the dirtiest of soaps. Comparisons with No. 5 are inevitable, but where Chanel is more abstract and luminous, First is much dirtier without losing its soapy essence. It’s a gem, a seventy-day-day perfume, rich, humid, luxurious, and full of noble notes evoking nature and aldehydes close to the city and work. It’s a perfect blend of country and city for clean, professional women. It doesn’t smell like opera or a gala, but like the hustle of a Monday in a city from the past. A woody, mossy background stands out, with a fecal tone thanks to civet and narcissus. It’s so well mixed with aldehydes, carnation, ylang, jasmine, and iris that it doesn’t smell indolic. It’s so well made that neither the ethereal nor the fecal parts dominate alone. It’s nailed down to not define itself. The cleanest of the dirty or the dirtiest of the clean. It has a narcotic, disturbing drug point. A masterpiece.
First: the dirtiest of the soapy ones. Even though it’s compared to No. 5, here the aldehydic talc is much ‘dirtier’ without losing its essence. It’s a 70s treasure: rich, humid, luxurious, and evocative of the city and work. It’s a perfect blend of country and city for clean, professional women. It smells like the hustle of a Monday in a past city. It has a delicious woody-mossy background and a fecal tone from the civet and narcissus that blends perfectly with the aldehydes and flowers. It’s spot-on and a masterpiece with an amazing narcotic touch.
A true classic from the 90s First collection, but I recently bought the 2010 reformulation and it was a letdown: it bears no resemblance to the original. What a shame.
First has a lot of charm and soapy floral elegance. On my skin, it features a softened hyacinth accented by a fresh, springtime rose, like petals dampened by morning dew. It never had great longevity or sillage, with moderate projection, but it shines for the quality of its ingredients. It’s not for mature women; a young woman can wear it without issue. It’s daytime, ideal for executives in charge, leaving a soft trail in offices. It has a great memory effect. It’s not sensual or for night, but rather for morning and personal enjoyment. A true survivor. Abstain if you love sweet gourmands. Great work by J.C. Ellena.
An interesting retro fragrance. Among many notes, aldehydes, civet, moss, woods, and a floral touch dominate. It reminds me of Halston but softer and better balanced. It’s sober, elegant, and formal. I like it for women 35+, though some might get annoyed by the age association; that’s just my take. You probably recognize it because your mom or grandma used to wear it. It was a great perfume, but not for me at this stage in my life, as we all evolve and so does our sense of smell.
First Van Cleef & Arpels exudes class, elegance, and glamour, very much in the style of Chanel No. 5, though I think it has a slightly more herbal touch. It smells like a beautiful bouquet of flowers touched by the sun, fragrant. If the powdery narcissus in the bouquet stands out, it has a slight fruity touch, and here the moss is very noticeable. In the background comes that delicious aroma of sandalwood, tonka bean, vanilla, amber, and musk; the civet isn’t distinct, so I can’t say if it’s a standout note as many claim, but I’m captivated. I love aldehyde fragrances for that soapy, clean touch, but First goes much further: it’s complex, opulent, and overwhelmingly elegant. Its longevity is about 8 hours, moderate sillage. I met it through a decant and already have it on my wishlist. For those of us who love classic aromas, you can’t miss First.
Van Cleef & Arpels First exudes class, elegance, and glamour, very much in the style of Chanel No. 5 but with a more herbal twist. It smells like sun-kissed flowers, highlighting an aldehydized narcissus with a slight fruity note and plenty of herbal moss. In the dry down, there’s a delicious sandalwood, tonka bean, vanilla, amber, and musk; I don’t detect the civet. I’m captivated because I love aldehydes for that soapy, clean touch, but First goes way beyond: it’s complex, opulent, and overwhelmingly elegant. Longevity is about 8 hours with moderate sillage. I found it via decant and already want a bottle. A must for classic lovers, don’t miss it.
First is a classic, mature, and formal feminine creation. Olfactorily, it’s very aldehydic and floral. It can be overwhelming at first, but it gradually tames itself. It’s like those intimidating-looking ladies who turn out to be friendly when you talk to them; it’s not for everyone, but perfect for those who grew up with old-school fragrances. It’s a dense, penetrating aromatic potion, with a floral blend of rose, neroli, and carnation, bolstered by tonka bean, amber, honey, and musk. A touch of animalic notes adds fierceness, giving it a physiological background. Van Cleef always delivers quality. Young girls should abstain. Fragrance: 8.5/10, Longevity: 9.5/10, Projection: 9/10, Versatility: 5/10.
I went hunting for ‘retro’ perfumes because I wanted the one from my year, 1976—and they aren’t actually that old, haha! I started with First and went blind, but I loved it so much. It smells like powder and dried flowers, with a strong dry-down and great longevity. Very autumnal and mature. It gives me good vibes, like someone from my childhood used to wear it, making it sound familiar for some reason I can’t quite place.
First is one of my favorite perfumes. Very ‘Parisian.’ I was gifted it about 20 years ago and fell in love at first sight. I own several bottles and always keep one in my closet. I wear it in autumn and winter, at night and in the evening. On gray, cold days, I can wear it all day: it comforts me. I’m not an expert on ingredients, but I’d define it as: ‘consistent yet subtle, mysterious, and elegant.’ If it were a landscape, it’d be an oasis in the desert; if it were a color, gold; if it were a dance, a waltz; if it were a celestial body, the sun. It projects beautifully and lasts a long time. Cheers.
I used to wear this perfume during my teenage years and absolutely loved it. It’s an elegant fragrance with a touch of powderiness.
I’ve read around that it’s rated as old-fashioned, for older women, smelling like a grandma… Which goddess is the grandma if First smells like this? It’s an extraordinary classic that deserves respect without meaning it’s out of style. If we compare it to what’s trendy today (synthetic sweet and fruity scents, all the same), it makes no sense; you only compare it to the greats of perfumery that endure over time, since today’s trends rarely last a few years, let alone decades like First. To wear it, you need personality, because it won’t go unnoticed. You could compare it to the No. 5 Eau de Parfum, but First is much more audacious and noticeable. I like both, but I wear First better, yes, even though I’m a man. Wearing a suit, it looks sumptuous, and more than one person has praised me and asked what I was wearing. Van Cleef has a few timeless jewels, and this is one of them.
A lady enters the salon in a black silk dress with three-carat diamonds in each ear; the crowd falls silent before her commanding presence. She remains as beautiful at fifty as she was at twenty, when she was a debutante; the years have refined her figure, casting a halo of mystery over the fragility of her adolescence. She crosses the room, the lights dim, and the piano begins to play under the virtuosity of her hands… the beauty of her art floats above the heads and floods everything. Once the diva is the center of all gazes… First, Van Cleef’s first perfume and an important milestone in Ellena’s career, is a fragrance impossible to ignore; it marks an era when perfumery was a luxury object and every detail was cared for like a work of art, from the juices to the bottles. The aldehyde notes define its essence from start to finish, but unlike Rive Gauche, which it resembles a lot, or Chanel No. 5, these notes don’t settle into a dusty, antique touch like in Chanel, nor slightly milky like YSL, but rather green and dry, slightly bitter and vegetal. Side note: aldehyde-floral perfumes always end up smelling like Nivea cream to me. In its heart notes, an hour after application, the floral traits define themselves: primarily narcissus and ylang-ylang, then a shy rose and a slightly sweet jasmine. At the end, when the diva closes the piano and the aldehydes exhale their last effluvia, traces of green and earthy notes follow, oakmoss (probably synthetic, the version I’m reviewing is from 2010) and sandalwood. Like a great lady, First is a work of art, beautiful, magnificent, and opulent. A powerful work of art misunderstood in today’s era of synthetic fruity-chic and trends… Could someone say: ‘La Traviata is the most horrible music I’ve ever heard’? Could someone say: ‘First is the most horrible perfume I’ve ever tried’? Of course they could, and liberties allow for that… however, the history, the ‘heritage’ as the French say, of First, is luxury craftsmanship representing the best of an era. A strong, potent, indolic, and deeply classic perfume that requires a woman with personality who knows she’s beautiful, regardless of her age.
A fragrance luxury: jasmine, rose, and the spice of blackcurrant… and a touch of vetiver that makes it wonderful. Despite its age, it’s a young perfume with a soapy touch. We young people shouldn’t have prejudices when trying aged perfumes; we should be bolder and risk trying little-publicized scents for us. They tell us how to dress, what to eat, how to have fun… do they also have to tell us which perfume is suitable for 20 or for 60? I like to change fragrances based on my mood or my volatile appetites. There are no premises or limits to the sense of smell. I can listen to Bach or Coldplay; I can smell like Shalimar (from the 1920s) or the groundbreaking Juliette Has a Gun…
As soon as I tested it, I asked the saleswoman if it had aldehydes and jasmine. The similarity to Chanel No. 5 was evident. It’s a bit softer than Coco’s classic, but its longevity is also shorter.
I love this fragrance; it’s very refined, ideal for a night party… extremely delicate. Although it has many years, it hasn’t gone out of style.