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Les Exclusifs de Chanel No 22

Marca
Chanel
Ernest Beaux
Perfumista
Ernest Beaux
4.23 de 5
1,272 votos

Acordes principales

Descripción

Chanel Les Exclusifs de Chanel No 22 is an aldehydic floral fragrance for women. Launched in 2007, the nose behind this creation is Ernest Beaux. The top notes are aldehydes, neroli, and lily of the valley (spotted orchid); the heart notes are ylang-ylang, jasmine, rose, and neroli; and the base notes are vanilla and vetiver.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 25%
  • Primavera 31%
  • Verano 17%
  • Otoño 27%
  • Día 65%
  • Noche 35%

Notas clave

Comunidad

1,272 votos

  • Positivo 84%
  • Negativo 13%
  • Neutral 2.8%

Pirámide olfativa

Estructura completa de la fragancia: de la salida al fondo.

Corazón 4 notas
Fondo 2 notas

Comunidad

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Propiedad

¿La tienen, la tuvieron o la quieren?

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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5 reseñas

Mostrando las más recientes primero.

  • When I tried it, it reminded me a lot of Chanel No. 5 Eau Première (2015 version), but with a much sharper musk.

  • FranSeatJones.

    Beautiful. I have no words to describe it. Super sparkling aldehydes, with a creamy and addictive ylang-ylang. Although it shares notes with Chanel No. 5 and was born as a variation of it, I don’t find any resemblance; it depends on each person’s sense of smell 😊. Chanel No. 22 feels slightly powdery when it dries, and once settled, some very sweet and strong nardos come out. Although I try to perceive the rose, I don’t feel it anywhere. For me, Chanel No. 22 is like if in 2087 they tried to recreate a futuristic perfume based on old-school notes. Knock knock! Warning to nerdo lovers: even if your style isn’t vintage, this is a must-try. Be careful, as it seems delicate but has great longevity and can be overpowering if you overapply. Chanel No. 22 is a dream in a bottle.

  • What a beautiful composition. I love aldehydes and the Neroli in the opening more every day. Once that floral sensation settles, it’s impressive how it always accompanies the vetiver and vanilla. Special mention to that elegant ylang-ylang, along with the jasmine, rose, and neroli ❤️

  • Mr. Baskerville

    It’s special to me. Recently, I read about Gustav Klimt and his painting ‘The Kiss’. What interested me was the image of the kissed woman and how she transcends time. I realized that a woman is beautiful, interesting, and from an aesthetic point of view, can evoke other forms of beauty. I haven’t tried the original No. 22, but I did test Chanel Les Exclusifs No. 22, and it gave me the abstract image of a woman’s beauty, not a specific woman. I love aldehydes because they ‘ground’ the wearer, turning them into a flesh-and-blood being, not just a flower carrier. Ironically, they make you think that when you like someone, the best perfume is their own scent, and searching for that scent under perfumes like this is very stimulating. For me, Chanel Les Exclusifs No. 22 is a great complement for a woman to feel beautiful, because she is. That’s why I highly recommend trying it.

  • Sometimes I feel Chanel’s No. 22 wasn’t my choice, but theirs. It chose me, as if an ancient genetic code connected me to women who love mystery and discreet elegance. It doesn’t smell like the past; it smells like mine, but revealed from within, like a vintage negative photo. I went to the Serrano boutique for a Les Exclusifs presentation, looking for something else, but this No. 22 truly captivated me. It wasn’t a whim; it was something deep, a silent love that felt like it already knew me. The aldehydic opening has that 80s lacquer touch and a floral soap accord, like those from old vanity tables. It reminds me of a woman from another era who saved up for sheer stockings and used carmine as provocation, living without fuss but with immense inner elegance. Born in 1922, a year after No. 5, as if coming to complete its revolution. While No. 5 was the modern, abstract rupture, No. 22 is its spiritual sibling: whiter, brighter, with an idealistic heart of jasmine, neroli, lily, and rose. Born in the 20s with women’s liberation and Art Deco, evoking untethered femininity. Wearing it is being a black-and-white woman who already knows what’s coming: independence and desire. It’s the perfume you don’t just wear; you keep on your skin like an inherited secret. 🍀 If it were music, it would sound like this: https://youtu.be/iihmHyDpk2o?feature=shared