Men

Dunhill for Men

4.22 de 5
445 votos

Acordes principales

Descripción

Alfred Dunhill Dunhill for Men is a spicy woody fragrance for men. Launched in 1934, this composition features top notes of Amalfi lemon, Amalfi lime, lavender, geranium, and nutmeg. The heart unfolds with carnation, woody notes, iris, rose, and jasmine, while the base reveals leather, oakmoss, vetiver, sandalwood, Virginia cedar, and tonka bean.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 25%
  • Primavera 26%
  • Verano 15%
  • Otoño 34%
  • Día 64%
  • Noche 36%

Notas clave

Comunidad

445 votos

  • Positivo 85%
  • Negativo 9.0%
  • Neutral 6.1%

Pirámide olfativa

Estructura completa de la fragancia: de la salida al fondo.

Comunidad

Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.

Propiedad

¿La tienen, la tuvieron o la quieren?

Uso recomendado

Estación y momento del día con más votos.

Dónde comprar

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Amazon

Amazon

Envío rápido

Entrega rápida y política de devoluciones conocida.

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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13 reseñas

Mostrando las más recientes primero.

  • priethcallas

    If 1934 still smells like it did yesterday, it’s because it has class. It opens fresh and natural with soft lavender and geranium, but nutmeg is the star. In the heart, I detected rose, jasmine, and carnation, though I didn’t notice the iris; that’s where the soft woods kick in. The drydown smells powdery patchouli, but it’s really the vetiver, tonka bean, oakmoss, and florals doing the work. It’s floral yet balanced, held together by a soft lemon and that nutmeg. Very masculine, classic, English, and stately in its discretion, even though it’s French. Reminded me of a more natural version of Halston Z-14, without those harsh citrus notes. They share eight notes and almost the entire base, so it’s obvious that Halston and others were inspired by this Dunhill. My bottle is from the 90s, and they say the recent reformulation wasn’t great. Ideal for formal events or soft elegance in the office, for any season except crazy summers. For mature tastes, around 35 or 40 years old. The trail is moderate and lasted over fifteen hours on me, though by the end it stays closer to the skin.

  • priethcallas

    For a fragrance created in 1934 according to Fragrantica, I still feel it’s current in a mature style, of course. The opening is a soft, natural citrus, with classic florals like lavender and geranium, also moderate, but nutmeg stands out. In the mid-notes, I didn’t perceive the iris, but I did the rose, jasmine, carnation, and soft woody notes. The dry-down is very beautiful and gives the impression of a powdery patchouli, but in this case, it must be due to the combination of vetiver, soft tonka bean, oakmoss, and the mid-florals. If you notice, it’s quite a floral fragrance but extremely balanced with a few notes acting as counterweights: a soft lemon, a more prominent nutmeg, and a fairly solid base, which makes this fragrance very masculine and classic in its conception, very English and stately in its discretion (although it’s made in France). Some phases and the dry-down reminded me a lot of a softened, more natural version of Halston Z-14, without the strident citrus of the latter. In fact, they share 8 notes, and almost all of the Dunhill’s base notes are in Halston, so it’s evident that Halston and similar fragrances must have been inspired by this Dunhill. My version is from the 90s, and they say (as usual) the recently reformulated version is unfortunate. Clearly for formal events or for soft elegance in the office, for the day, and suitable for all seasons except a very hot summer. For mature tastes, of course, over 35 or 40 years old. The sillage is moderate, and the longevity on me exceeded fifteen hours, although the final notes feel closer to the skin.

  • It’s a wonderful, complex, and classic fragrance. It dates back to 1934. I love this type of fragrance because it feels like a bit of that era. It’s like there’s a door connecting the present to interwar London, as if you could feel a bit of Victoria Station or Hyde Park, people dressed in other ways, trains with wooden seats, and flower stalls on the streets. How many fragrances from that era endure today? Simply the best ones, and this is one of them.

  • A perfume for collectors and fragrance lovers. It’s high quality with an elegant scent, but its longevity and projection are weak. Its charm lies in its historical value, so it requires a refined nose. Apply it generously at first, then add two or three more sprays every three hours; consider it more of a cologne than a bath oil. It smells elegant but soft. If it had stronger fixatives and lasted six hours with a good trail, it would be five stars, but that’s what it is: a VERY VALUABLE historical piece. If you buy it with that expectation, you’ll enjoy perfumery as an art with history.

  • A perfume for collectors and perfume lovers. It’s of high quality and elegant aroma, but with weak longevity and projection. Its charm lies in its historical value, so it requires a perfume lover and a refined sense of smell. Apply it generously and reapply every three hours modestly, two or three sprays; consider it more of a cologne than a bathwater. Its scent is elegant but soft. If it had stronger fixatives and six hours of performance with strong sillage, it would be a five-star perfume, but that’s what it is: a VERY VALUABLE historical piece for collectors and perfume lovers. If bought with this expectation, it’s greatly enjoyed as perfume art with historical development.

  • A few days ago I was at a country house with some friends, and among a huge pile of empty Guerlain bottles and old Avon colognes, I found this one, which must be quite old because it even stained my skin when I applied it. It’s not my style at all, but I like to try everything and stick with it until the end to see if it surprises me. What caught my attention was that two days later I remembered it, and when I checked the launch date, it seemed strange that it was from 1934. Because it doesn’t smell like anything from that era at all. Upon trying it, I thought it might be a men’s cologne launched between the sixties and late seventies… Dunhill for Men is a cross between Versace L’Homme (1986) and the floral and spicy barbershop lotions that preceded it; Yves Saint Laurent Pour Homme could be one. It’s a bit sweeter than a Chanel Pour Monsieur, but that’s the direction it’s going. In this case, lavender, lemon, carnation, and geranium are the notes I capture most; they give it a more than woody, leathery touch. Looking for information since I didn’t know much, I saw that on some blogs it was compared to Tabac. They don’t resemble each other at all; I love Tabac, it’s nebulous, powdery, marble-like, whereas this Dunhill is much spicier and warmer. Mandatory to try for lovers of ferns and classic perfumes. P.S.: I read several reviews saying the current version is a crime with no sillage or longevity, but hey, we’re used to it by now.

  • A classic perfume with lavender as the dominant note. Perhaps years ago it was a beast in terms of sillage and longevity. Today it’s just another in this regard, as proof of how badly the current perfume industry treats classics with reformulations. A formal-cut perfume to wear to the office and business meetings.

  • jerry drake

    I walk through my house and marvel at how many fragrances I’ve accumulated, preserved, and considered necessary over the years. I know everything has its time, and I wonder how long I can defend this passion or if one day I’ll have to give up, start saying goodbye to them, and give part of myself and my memories to others, and if so, to whom. Perfumes, all those that marked an era, the lived experiences, those bought or gifted by those who are no longer with us or were only for a short time, constitute a wealth that speaks of love. Olfactorily, this vintage Dunhill for Men Cologne is excellent. Do you live in the neighborhood, right? Paula was almost 35 that day I met her. Entrepreneurial, extremely sexy; every time I passed by, there was a magical scent in the air, an intense and enveloping floral fragrance. Sometimes a breeze would move her hair, making her even more fascinating. I was just turning 20, with little experience. Thanks to a friend who gave me the push, I signed up (coincidentally) for her gym and got to know her a bit more; she let me. I liked her smile, clear as a sunny day, her irony; I was impressed by the importance of her work, plus I liked you… viscerally, so feminine and unreachable that it awakened my most primitive instincts. One beautiful day she invited me for a drink (at that moment my heart skipped a beat) and for a walk; I had long hair, and she owned a chain of hair salons, fitting perfectly. And you liked my Dunhill for Men, and asked how a young person like me could know such a perfume. If you have the chance to try the vintage, it’s something that opens the door to a completely different world and time. It’s an harmoniously conceived scent and very wearable, wonderfully antique (in the best sense), suitable for guys looking for extraordinary classics that last hours. A perceptible lemon surrounded by cloves opens the fragrance. Energizing, masculine, green, slightly floral, with a fine lavender. However, it’s particularly interesting for its base with a leather note that rounds out with cedar and vetiver, scents I appreciate greatly. A more serious rose, actually recommended for men (dry), forms a recognizable trail in the heart phase: wonderfully tense and charismatic. It’s a scent with which I felt secure, and I even wore it out at the club at night. I couldn’t believe it was already day and night with you. I discovered she was also nice, fun, not the perfect robot everyone imagines. There was an alchemy between us; I wanted you to hug and kiss me, and maybe you did too. And you did, in your house; afterwards, two bodies accompanied by their souls that merged, and I got lost completely in you, in one of the most intense nights of my life. Perhaps I was just a game or an adventure for you, but you were a dream come true and a breath of fresh air.

  • I own the Boucheron Pour Homme Eau de Parfum, and it shares about a 70% similarity with the Dunhill Pour Homme (also known as Dunhill Brown). Here, the Dunhill brings aromatic lemon, an exquisite carnation, and rose that aren’t muddled. In contrast, the Boucheron features a sharp bergamot, followed by something very muddled and earthy, with great longevity. Both are powerful fragrances, fougères featuring moss, sharp bergamot, then rose, and a brand-new shoe leather note that adorn this hidden gem. If you like Azzaro Pour Homme or Versace Pour Homme, this is your blind buy.

  • A definite must-have. Great quality and magnificent aroma. In my opinion, it’s one of the good fougères and the classic of the Loewe line. Fantastic citrus notes accompanied by spices, geranium, and woods that give it a dry yet supremely refreshing vibe. Intense upon application, no nonsense—this is incredibly elegant. Wow, just wow. Unfortunately, things like this aren’t made anymore; what a shame. It lasts just enough, five or six hours with effort, but it’s an absolute delight, a little gem that is well worth enjoying.

  • giorgiovlach

    Dunhill for Men is a classic that defines the elegant, sophisticated man. It opens with the freshness of Amalfi lemon, blending perfectly with the softness of lavender, geranium, and the spicy touch of nutmeg. In the heart, carnation and woods provide robust structure, while iris, rose, and jasmine add elegance and sophistication. The base is rich and seductive: leather for sensual depth, oakmoss for an earthy touch, and vetiver that intensifies the masculinity. Sandalwood, Virginia cedar, and tonka bean close it out with lasting warmth and elegance. It’s the perfect choice for anyone seeking freshness, sophistication, and classic masculinity, making this Dunhill (1934) an timeless and distinctive option.

  • giorgiovlach

    Dunhill for Men is a classic that captures the essence of the elegant, sophisticated man. Upon opening, Amalfi lemon gives a fresh citrus burst that blends perfectly with the aromatic softness of lavender, geranium, and the spicy warmth of nutmeg. In the heart, carnation and woods provide robust, masculine structure, while iris, rose, and jasmine add elegance, creating an enveloping harmony. The base is rich and seductive: leather for sensual depth, oakmoss for an earthy feel, and vetiver that intensifies the masculine character. Sandalwood, Virginia cedar, and tonka bean close it out with lasting warmth and elegance. Ideal for those seeking a balance between freshness, sophistication, and classic masculinity, making Dunhill for Men (1934) a timeless and distinctive choice.

  • For over 90 years, few fragrances have won me over quite like this. The refinement of its blend more than makes up for the drop in performance after so many reformulations. It’s a floral, citrus, and woody combination that delivers a sublime result: it smells like vintage barbershop soap, yet it’s not a fougère; citrusy without feeling summery, floral without being feminine. Elegant in its sobriety, with no pretensions or nouveau riche ostentation, enhanced by a touch of whimsy that the whiskey-glass-shaped crystal bottle reinforces visually. It’s not just Humphrey Bogart; you’d need Marlon Brando and Hemingway to fully describe it. Ideal for cool climates, though I dare to wear it in summer for work or serious dates. It requires maturity to avoid smelling like your grandfather’s perfume, and watch out: you need a conditioned nose. Why wouldn’t a kid enjoy unsweetened coffee? Because their palate is too calloused. The same goes here. If you own Strogger or Scandal, don’t buy it, don’t use it, and don’t make us suffer with reviews full of dismissals based on nostalgia.