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Eau Parfumee au The Vert

Marca
Bvlgari
4.03 de 5
2,384 votos

Acordes principales

Descripción

Bvlgari Eau Parfumée au Thé Vert is an aromatic citrus fragrance for men and women. Launched in 1992, this composition was created by nose Jean-Claude Ellena. The top notes include bergamot, cardamom, lemon, coriander, orange blossom, and mandarin; the heart features jasmine, lily of the valley, and Bulgarian rose; while the base reveals green tea, musk, cedar, sandalwood, precious woods, and amber.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 4.7%
  • Primavera 40%
  • Verano 46%
  • Otoño 10%
  • Día 89%
  • Noche 11%

Notas clave

Comunidad

2,384 votos

  • Positivo 82%
  • Negativo 11%
  • Neutral 6.9%

Pirámide olfativa

Estructura completa de la fragancia: de la salida al fondo.

Comunidad

Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.

Propiedad

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Uso recomendado

Estación y momento del día con más votos.

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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27 reseñas

Mostrando las más recientes primero.

  • Smells like fresh brewed tea with a hint of lemon, perfect for anyone wanting to feel clean and impeccable. It feels astringent and relaxing to me.

  • Annabel Lee

    Totally agree with azuriiita’s review! Eau Parfumee au Thé Vert smells like green tea with a hint of lemon, and in my case, also woods and roses… what roses! A delight. Based on the notes, I expected something super fresh, and yes, it is, but I didn’t think it would feel so feminine on my skin. It’s the same with CK One; even though it’s unisex, I’m lucky that the floral notes really stand out on me. This Bvlgari is straight to my wishlist 🙂 Update: I wrote this review based on a sample I received, but now that I own it, I honestly perceive it differently. I barely detect the roses I loved so much. I still agree with azuriiita about the freshness, and now also about the astringent quality of the scent. Definitely unisex; I’d love to smell it on a man.

  • Annabel Lee

    I totally agree with azuriiita! Eau Parfumee au Thé Vert smells like green tea with lemon, and in my case, also woods and roses… what roses! A delight. Based on the notes, I expected something super fresh, and yes, it is, but I didn’t think it would be so feminine on my skin. It’s the same thing that happens with CK One; although it’s unisex, floral notes stand out a lot on me. This Bvlgari is straight to my wishlist 🙂 Update: I wrote this review with a sample, but now that I own it, I perceive it differently. I barely detect the roses I loved so much anymore. I still agree with azuriiita on the freshness, and now also on the astringent quality of the scent. Definitely unisex, I’d love to smell it on a man.

  • I love it! It’s fresh, clean, and wonderful. I think I’d buy it in bulk if they sold it that way. A classic that never goes out of style.

  • oloralluviadeverano

    Totally agree, it smells like green tea with lemon. It’s fresh, but for my taste, it’s missing something; it reminds me of body mists and I don’t feel entirely comfortable… I wouldn’t buy it.

  • oloralluviadeverano

    I totally agree, it smells like green tea with lemon. It’s fresh, but in my opinion, it’s missing something. It reminds me of body mists and I don’t feel entirely comfortable wearing it… I wouldn’t buy it.

  • KEEP CALM & Relax… is an olfactory oasis, fresh but not citrusy or cold. If tranquility had a scent, it would be The Vert de Bvlgari… it brings immediate well-being. The green tea base dominates, with a touch of neroli or orange blossom typical of baby perfumes… it always maintains a pleasant, decent, kind, and comforting profile. While perfect for formal or mature women, it lacks complex or heavy notes. It’s harmless, clean, and very easy to wear. USAGE: All year round / day only / ideal for daily wear / formal and informal / cosmopolitan or rural settings. Perfect for escaping stress during fast-paced times. BOTTLE: A 6. The faceted top reminds me of a cut stem or raw quartz, considering Bvlgari is jewelry. It’s a simple bottle, fitting for the concept, but a bit generic.

  • Monsieur Paon

    A pure delight for the nose. Subtle, elegant, fresh, and relaxing. I still remember my trip to Italy and only wore Eau du Thé Vert. Incredible.

  • Monsieur Paon

    Simply an exquisite treat for the nose. Subtle, elegant, yet fresh and relaxing. I still remember my trip to Italy, where I only used Eau du Thé Vert. Absolutely wonderful.

  • Cleanliness and freshness, based on green tea and lemon, and you can even feel the unmistakable scent of lime. Elegant, sophisticated, imposing, with a lot of personality, nothing scandalous, and leaves a very good trail… for me, undoubtedly the best of the Bvlgari line… Ideal for a summer teak night.

  • To feel fresh and/or relaxed, for a day at the beach or leisure anywhere. A relaxing fragrance and as refreshing as a delicious lemon iced tea with a light layer of musk. It’s one of those fragrances you don’t fear over-applying, as it softens considerably after 30 minutes of application, staying almost skin-close, but your olfactory senses will still perceive it for at least 4 hours.

  • Geno Guerrero

    Clean fragrance, performs very well in hot climates or tropical environments. I love green tea, but this performs equally well with cardamomo, so in my opinion it leans towards the masculine side. Acceptable longevity and good sillage.

  • With Thé Vert de Bvlgari, the house launched that saga which it later revived by adding new members. This is an institution: back in the mid-90s, they realized you could sharpen up familiar colognes simply by enhancing them with more refined notes and putting them in a pretty bottle to make them look expensive and sophisticated. And that’s exactly what they did. Bvlgari’s Green Tea was a costly, refined product that endures like those items that outlast any trend and become classics. I admit I have a love/hate relationship with it. I like it, it’s amusing, but I wish I liked it even more. The culprit is that impressionist, Provencal brushstroke by Ellena, that watercolor taste of vivid colors—the same one that later unified his Jardins for Hermès, a line I detest. With Bvlgari, twelve years earlier, in the pure, hard years of the 90s, when perfumery in general wasn’t paying much attention to quality colognes beyond Roger & Gallet, it seems he was already hinting at what he’d later develop at Hermès, his master touch: a slimy, vinegary, fruity, and spiced finish. Those exact same chords I find in the Jardins seem to nest here, accompanying the tea. Bvlgari’s tea actually carries tea—the green, revitalizing kind that lifts your spirits and comforts you, the same tea used on demand around the millennium change that seemed to illustrate with its scent that the 21st century had already arrived. It’s an absolutely unisex note, and the turn of the century was very androgynous. I can’t help but think it suits a man better, but I’m sure I’m influenced by what comes before; in truth, it’s an ingredient with no gender at all. As I said, there’s green tea here, unoxidized, with the fresh leaf green, but it’s not your solitary green tea with its fair dose of coughiness and sweetness; this is accompanied by a super-yellow lemon in the opening, to the point where you wonder if this should be called Thé, Citronella, or Verbena. When the lemon lowers its flag, that’s when the green tea shines, the kind we all know and have used at some point in our lives, whether in an expensive version or a supermarket body fresh. It’s a pretty tea, refined, as natural as it can get because it’s a note I usually find slightly artificial, same with mint and basil; this one is set in fine citrus with very notable spicy chords, a certain comfortable exoticism, coriander and cardamomo. There’s also an evident verdifloral harmony, cool and muguet-like, plus a tangerine/orange that seems very low in general perception but sits high on my nose. Is it ugly? No, it’s a very pretty tea, seems to lean feminine, then reminds you of a man; in the end, it’s a fragrance of very rich cleanliness suitable for both sexes. Bvlgari’s tea is a summer refresher made with tea, obviously, but also with many sparkling, sulfurous spices and seeds, varied citrus peels, and a current of freshly unpeeled white flowers. A scheppes of tea with more things. At the time, it was very novel, and I perfectly understand why it sold like hotcakes: because it smelled new, modern, cosmopolitan, and exquisite. Plus, you could wear it daily. Now comes the reason why I don’t fully enjoy it… it nauseates me. And watch out, it’s not an absolutely cloying perfume, but it also has a very dated finish that tries to remotely associate it with a popular cologne sold by the liter in Spain, Coty’s Chanson d’Eau. When I look for green tea, in my opinion, I want green tea. And it takes guts to prefer the tea Dana released in the late 90s in its Herbissimo line for a thousand pesetas, which was marvelous and exactly the kind of tea I like—one with memories of cisterns and dampness, private orchards covered in lichens and irrigation ditches, a mystical tea that made me think of something monastic, sheltered from the world, and very spiritual, before this one, five times more expensive. So my appreciation of this fragrance is only influenced by my personal taste, where I already catch a glimpse of the Ellena seal, that luminous, slimy, grating brushstroke that makes me want to run away on all fours. I say it loud and clear: I prefer the entire Roger & Gallet line by the liter, with its rough, refreshing, revitalizing quality, a well-understood sweetness, before everything Ellena signed for Hermès, those sticky, spiced-fruity citrus waters with a horrible acidic sweetness for my taste. It definitely deserves its fame. P.S. Arden has the more affordable option, Green Tea; I don’t like it at all, I find it super artificial, and it’s not a money issue because I use colognes cheaper by the gallon. P.S. II. Long live Herbissimo’s tea; if you see it, don’t hesitate, it was a green tea of exquisite austerity, the tea Santa Teresa de Jesús or any young, weary writer could have used, one who, at twenty, clearly knew this world is a mess thrown at us to suffer through.

  • Espartaco

    With Bvlgari’s Thé Vert, the house kicked off that successful saga which would later expand years down the line. This is a classic: back in the nineties, they figured out that familiar colognes could be given a finer touch, put in a pretty bottle to look expensive and refined. And they were. Bvlgari’s Green Tea was pricey and sophisticated, plus it lasts like those products that outlast trends and become classics. I have a love-hate relationship with it. I like it, it’s funny, but I wish I liked it more. The culprit is that impressionist, Provençal touch by Ellena, that vivid watercolor flavor that later unified his Jardins for Hermès—a line I hate. With Bvlgari, twelve years earlier, in the hard nineties, with a perfumery that wasn’t paying attention to quality colognes beyond Roger & Gallet, it seems like he was already hinting at what he’d later develop at Hermès, his master touch: a slimy, vinegary, fruity, and spiced finish. Those are exactly the chords I find in the Jardins, seeming to nest here accompanying the tea. Bvlgari’s tea actually has tea—the green, revitalizing kind that lifts your spirits and comforts you, the same tea used on demand around the millennium change that seemed to illustrate that the 21st century was already here. It’s an absolutely unisex note, and the century change was very androgynous. I can’t help but think it looks better on a man, but I’m sure I’m influenced by what comes before, and truly it’s a genderless ingredient. As I said, there’s green tea, the unoxidized kind with fresh leaf greenery, but it’s not your solitary green tea with its proper dose of coughiness and sweetness; this one comes accompanied by a super-yellow lemon in the opening, to the point where you wonder if this should be called Thé, Citronella, or Verbena. When the lemon fades, the green tea shines through, the kind we all know and have used at some point, whether in a pricey version or a supermarket body fresh. It’s a pretty tea, refined, as natural as it can get because it’s a note I always find something artificial about, same with mint and basil; it’s a tea set in fine citrus with very noticeable spice chords with a certain comfortable exoticism, coriander and cardamom. There’s also an obvious verdifloral harmony, cool and muguet-like, and a tangerine/orange that I see very low in general perception, but on my nose it sits quite high. Is it ugly? No, it’s a very pretty tea, seems inclined to be feminine, then reminds you of a man; in the end, it’s a fragrance with very rich cleanliness suitable for both sexes. Bvlgari’s tea is a summer refreshment made with tea, obviously, but also with many sparkling, sulfurous spices and seeds, varied citrus peels, and a current of freshly unpeeled white flowers. A scoop of tea with more things. At the time, it was very novel, and I perfectly understand why it sold like hotcakes: because it smelled like something new, modern, cosmopolitan, and exquisite. Plus, you could wear it daily. And now comes the reason why I don’t fully enjoy it… it disgusts me. And watch out, it’s not an absolutely cloying perfume, but it also has a very dated finish that tries to remotely associate it with a popular cologne sold by the liter in Spain, Coty’s Chanson d’Eau. When I search for green tea, in my opinion, I want green tea. And damn, I prefer the tea Dana released at the end of the nineties in their Herbissimo line for a thousand pesetas that was marvelous and exactly the kind of tea I like, one with memories of peaks and dampness, of private orchards covered in lichens and irrigation ditches, a mystical tea that made me think of something monastic, sheltered from the world and very spiritual, before this one, five times more expensive. So my appreciation of this fragrance is only influenced by my personal taste, where I already catch a glimpse of the Ellena stamp, that luminous, slimy, squeaky brushstroke I’d run away from if I had legs. I say it loud and clear: I prefer the entire Roger & Gallet line by the liter, with its rough, refreshing, revitalizing thing, a well-understood sweetness, before everything Ellena signed for Hermès, those sticky, spiced-fruity citrus waters with a horrible acidic sweetness for my taste. It definitely deserves its fame. P.S. Arden has the more affordable option, Green Tea, I don’t like it at all, I find it super artificial, and it’s not a money issue because I use colognes cheaper by the gallon. P.S. II. Long live Herbissimo’s tea, if you see it don’t hesitate, it was a green tea of exquisite austerity, the tea Santa Teresa de Jesús or any young writer could have used, an old soul who by twenty already knew this world is a mess we’re thrown into to suffer.

  • One of my summer favorites, very fresh. I feel like the scent doesn’t last long; I wish it were more long-lasting.

  • One of my favorites for summer, very refreshing. I feel the scent doesn’t last long on me; I wish it were more enduring.

  • This fragrance was the gateway to my romances with green tea scents, seriously, I love them! This particular one presented itself very elegantly and fragrantly, with that necessary freshness to feel comfortable and a bottle so simple and beautifully colored that I couldn’t resist. I must admit it was a gift because in my country it’s extremely expensive for my meager wallet. I haven’t owned it in a long time, and I truly would love to have it back to enjoy it like that time. I accept that its longevity was very light, but its magical blend makes me dream of it and remember it with great passion.

  • This fragrance was the gateway to my love affair with green tea scents, seriously… I adore them! This particular one felt very elegant and rich, with that necessary freshness to make me feel comfortable, plus that simple yet beautiful bottle made it impossible to resist. I must admit it was a gift because, at least in my country, it’s extremely expensive for my tight budget. I haven’t owned it in a long time, and I truly wish I could have it back and enjoy it like that time. I have to admit its longevity was very light, but its magical blend makes me dream about it and remember it vividly.

  • It has everything I love and more: it’s fresh, green, citrusy, crisp, clean, and tranquil. I notice it has something special; I let my boyfriend, who prefers very sweet scents, smell it, and he still liked it. It transports me to a sunny day in a beautiful green field.

  • I used to wear this fragrance when my mom did during my teenage years; I remember that particular green color of the glass and its distinctive cap, but above all its unmistakable scent. I think it’s very hard to capture the purity, freshness, and that sense of tranquility that inhabits nature. To create Bvlgari Au the Vert, Jean-Claude Ellena wanted to play with the ‘green tea notes’. As soon as I spray it, I feel soft muguet/jasmine tones mixed with a shy bergamot. Everything is restrained; the notes aren’t suppressed but show their delicate and subtle side. There’s a prominence of citrus, but without being sharp. Ellena twists the composition so the notes wander between powdery, fresh, and clean. It advances until one of the perfect green tea notes in perfumery emerges, with millimeter-precise touches of cardamom and coriander that are skillfully tamed here. The orange blossom is more perceptible than the rose, but neither takes the throne from the tea’s verdancy. The musk, in just the right dose, makes it more authentic. The soft woods sparkle at the end, wrapped in that creaminess of the tea and florals. It’s so well-engineered that all the notes form a perfect unity. Nothing is dominant; everything is a ‘whole’. It’s for a summer or winter day, so versatile that any gender can wear it. Projection is moderate to light and it settles quickly close to the skin, with correct longevity. Review based on a 90s miniature. Stepping out into nature with it generates suspicion among the plants, amazed that something chemical could capture their attention. A work of art.

  • It’s a pleasant, well-crafted unisex fragrance that smells like luxury hotel soap. I’ve smelled it a thousand times, but I can’t remember where. On my skin, the main notes are green tea with a bit of coriander, and at the end, musk. It’s very soft, unisex, better suited for hot months, and perfect for the office or casual occasions. That said, it’s not very long-lasting and barely projects. Pleasant: 6/10 Interesting: 6/10 Versatile: 9/10 Original: 5/10

  • So rich and pleasant!! I really liked it; it comforted me and cheered me up when I felt it on my skin. It feels distinguished and softly polished. I was ready to buy it, but it didn’t last long enough to justify the price.

  • I bought it while pregnant because I couldn’t stand strong scents anymore, then used it after my son was born and it worked well. It’s a very soft perfume, one of those that doesn’t bother anyone. It’s a fresh green tea, but not citrusy; rather, powdery, with a touch of sophistication. The downside is the longevity, which is very short at 2 to 3 hours, and the trail is extremely soft, staying close to the skin.

  • It’s one of the most elegant fragrances I’ve ever encountered. I discovered it because the owner of a luxury resort in the Caribbean was wearing it. It’s fresh but has a special aura of green tea with a milky touch. It’s ideal for summer, though you can wear it year-round. The key is to combine it with the full range it offers: body wash, lotion, and deodorant. That way, you smell amazing. It’s clean, fresh, and has a trail. It’s not sensual, but it gives you great personal power, highly recognized among women.

  • Silviavivi

    I searched for this The Vert de Bvlgari for so long until I finally found it at a famous perfumery in Córdoba, right on the shelf with baby fragrances (almost died of laughter). I’ll admit it doesn’t have much projection and stays close to the skin, but I love its beauty. It makes me feel elegant. I enjoy the finely talcum-dusted green tea, a soft fresh rose, and a spicy, woody air. On my skin, it doesn’t evolve much and stays consistent until the end. By chance, I smelled a local fragrance called Viajera de Cardón that seems like the rebellious version of this: same opening of tea, spice, and wood, but with a creamy lavender heart. It projects more, reacts to heat, and lasts until the next day. For the price, I can use it every day without anything envying the Bvlgari.

  • Daniel Henderson 77

    I’ll confess with a little blush that I only recently discovered this fragrance. Although it’s been on the market for years, my 18-year-old daughter found it during a recent trip and let me try it. What an exquisite scent… soft, delicate, fresh, and even seductive. I loved it so much that we ended up buying it; she adores it, and I love wearing it too.