Or Black 2014 by Pascal Morabito
Men 2014
Main accords
Description
Or Black 2014 by Pascal Morabito is an oriental fougère fragrance for men. Launched in 2014, the nose behind this composition is Vincent Ricord.
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When to wear it (votes)
Key notes
Community
122 votes
- Positive 87%
- Negative 9.0%
- Neutral 4.1%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
308 votes
What do you think?
Leading answer Love it
122 votes
Season
Choose severalLeading answer Autumn
134 votes
Time of day
Choose severalLeading answer Day
70 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Or Black 2014
Or Black 2014 by Pascal Morabito is an oriental fougère fragrance for men. Launched in 2014, the nose behind this composition is Vincent Ricord.
Flowers Green, herbal and fougère Woods and mosses Spices
It may remind you of
Ranked by what the community voted.
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How it wears
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Longevity
Leading answer Long-lasting
67 votes
Sillage
Leading answer Moderate
93 votes
Character
Leading answer Traditionally masculine
33 votes
Value perception
Leading answer Excellent value
27 votes
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Community reviews
3 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
I asked Luca Turin on Substack which of the four fougères he praised he would choose today. He replied: ‘But… I don’t have to choose.’ I laughed, exactly right. I mentioned I found a bottle of the 2014 reissue of Or Black. Turin, who speaks of the 1981 original, said it’s the driest and darkest perfume he’s ever smelled, even more so than Djedi. Since I’ve never tried the original, I suspect this reformulated version is less dark. It opens with aniseed violet, green and creamy, slightly greasy and medicinal. Resinous rosemary and stinging artemisia mixed with lavender give off a Barbasol-style shaving cream vibe. As it dries, the violet becomes musky and leather emerges. It’s a dark fougère with chypre touches, with a subtle petroleum scent reminiscent of Fahrenheit. The greenness doesn’t turn smoky like Turin’s Earl Grey; instead, it stays fresh but bitter. I absolutely love this juice; I always discover something new. Fantastic.
Too much. It’s not herbal; it’s like plunging your vein into a cauldron of fennel and boiled plastics soaked in poison. This new Or Black is the kind of vintage scent I hate, steeped in gummy vapors, like sticking your head in a pot where someone is stewing all the world’s misfortunes. Curiously, it has nothing to do with the classic Or Black by Sieuzac, a hidden gem, delicate and fierce, with beautiful leather and herbal notes. This is something else: a rough, milky chop of herbs and turpentine, not the pretty or sensual kind, but herbs boiled in bulk. The artemisia note is unbearable, meaty, raw, and gummy like a condom. There’s a sticky, unpleasant cider note. The violet kills me; I only smell lettuce-like accords of rubber and green gum. I’m surprised they didn’t list oakmoss, which is noticeable. The final trail is a patchouli that smells like celery. Unbearable. I tested it at work and had to wash my hands; even while typing on the computer, waves of tarred milk, rotten and cracked rubber made me sick. The potency is so high I can’t tell if the packaging is good or bad. P.S. 1: Van Cleef pour Homme and Yatagan by Caron are delicacies for very particular palates, like a relative who eats raw anchovies. I don’t know anyone who does it unless they truly enjoy it. P.S. 2: The website notes don’t add up. I smell a lot of oakmoss and it’s not listed; they list violet and I don’t detect it. Today, Pascal Morabito doesn’t say much; in the seventies, they were avant-garde jewels with encapsulated diamonds, but time has devoured them, and current quality is low.
I like it. At first, I perceive a subtle bergamot, a vegetal touch that gives cleanliness, and lavender. Over time, the lavender takes the lead alongside a woody note. In the dry-down, I sense a musky woody note. I’ve really liked it. In the heart phase, it becomes very floral with the lavender, but unlike others where it bothers me, here it’s very well balanced. It’s quite versatile: for autumn, winter, and spring, for daytime. Longevity is lasting and sillage is moderate.