Men
Eau de Campagne
Acordes principales
Descripción
Sisley's Eau de Campagne is a chypre floral fragrance for men and women. Launched in 1976, the nose behind this composition is Jean-Claude Ellena.
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Comunidad
2,049 votos
- Positivo 82%
- Negativo 12%
- Neutral 5.5%
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Características
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Longevidad
Escasa
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Estela
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Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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A Sisley gem signed by J.C. Ellena, very much in his style. It smells green and juicy, with tomato as the star, mixed with citrus, jasmine, valley lily, and geranium. It closes softly with oakmoss and patchouli. It’s classic, fresh, and natural, perfect for Hermès’ ‘A Jardin’ collection. The longevity is typical of Ellena: just enough. If you’re into this style, it’s a hit.
A Sisley gem signed by J.C. Ellena, very much in his style. It smells green and juicy, with tomato as the star, mixed with citrus, jasmine, valley lily, and geranium. It closes softly with oakmoss and patchouli. It’s classic, fresh, and natural, ideal for Hermès’ ‘Un Jardin’ collection. The longevity is typical of Ellena: just enough. If you’re into this style, it’s a hit.
Green, fresh, and relaxing, with a floral touch that smells super natural. I tried it before and thought it felt a bit dated at the time, but now it doesn’t feel that way to me. It’s unisex, though it leans more masculine. It’s pricey, but worth every euro; Jean-Clude Ellena did a luxury job here.
The same thing happened to me with this fragrance as with Baiser volé and Un jardin sur le Nile: I thought, how can it smell so natural? It has an aroma that I personally like a lot, fresh grass. It smells, as its name indicates, of the countryside: a field recently rained upon with a spring breeze. Fresh and sophisticated. The only flaw is that I do find it somewhat masculine for a woman; perhaps it lacks floral notes. But it’s good for summer or informal situations.
At first, it hits with the scent of a greenhouse full of tomato plants, but soon it becomes boring for me, plus I have to say that the tomato leaf scent isn’t my favorite. Performance is regular, it seems.
They say that the Comtes d’Ornano, founders of Sisley in the mid-70s, to celebrate the birth of their house, commissioned a perfume. It wouldn’t be just any perfume, since those young aristocrats, like in a story, insisted on trapping in a bottle the breeze that swept through their countryside gardens in summer, to delight in that aroma at any time and place. For this, they counted on a Jean-Claude Ellena, then a beginner. The result is the wonderful Eau de Campagne. Its aroma is fresh, citrusy, very green, and extremely natural, with a very distinct tomato leaf note. In the base, there is oakmoss and vetiver, which gives it maturity and depth, something not usual in this type of fragrance. Eau de Campagne would fit perfectly in Hermès’ Jardin collection. Its performance is more than sufficient for an aroma of such ethereal character. Timeless and unparalleled. Note: 8/10.
Eau de Campagne was living nature, well cared for and ready to grow with the sun’s rays. Years ago, we had a garden cared for by my dad with lots of love, everything watered, no weeds, pure life, and we had tomato plants, the rarest in my opinion, climbing up canes to catch the sun. I would run around the garden grabbing everything like a little bird, climbing fruit trees and eating happily. My obsession was smelling everything: every plant, every fruit with flavor and scent, and each had its little bug. The rose bushes were the ones that most fascinated me; it’s rare that I don’t like roses in perfumery so much now, when as a child I would pick their petals and rub them in my hands to see their pure, intense color and smell. In one of my leaf-crushing sessions, I reached the tomato plants, giants that grew too high and that I didn’t like much… but what a smell, by God, what a beautiful smell from their rough leaves, even stinging a bit on my tender hands. After many years without my dad being at a Sisley stand, when I smelled Campagne, I instantly landed in those tall plants surrounding me, in that astringent, dry, green, and sunny scent. This perfume was a marvel; it aimed for the virtue of nature and succeeded, giving strength to citrus that never poked and a moss that was pure poetry. It returned me to that little bird fluttering through the gardens looking for fruit in my childhood, and I fell in love. But I wasn’t able to take it home; to this day, it remains too much fantasy, too much reality that no longer exists. It’s a beautiful perfume for whoever can enjoy it; I don’t know how it is these days, but in it there is nothing synthetic or prepared; it smells alive, like people who enjoy pure love for the things that grow.
Eau de Campagne was living nature, tended and bathed in the sun. It reminds me of my father’s garden, full of life and our strange climbing tomato vines. I used to run around there, smelling every plant and fruit, up to those giant tomato plants with rough leaves that gave me a little sting. When I smelled this perfume years later, I was suddenly transported back to that astringent, dry, green, and sunny scent. It’s a wonder that captures the virtue of nature with soft citrus and a poetic moss. It brought me back to that childhood of searching for fruit, leaving me captivated. Although today it’s a fantasy and reality that no longer exists, it’s precious for anyone who can enjoy it. It smells alive, like people who love what grows.
Casablanca77… my review isn’t about the perfume; it’s for you. Your memories and imagination are the closest thing to the scent of this fragrance I just bought without a second thought. It’s a delight reading your story—entertaining and making you wish the ending was buying it, which would have been my happy ending. However, I’m even more drawn to your melancholic ending, longing for those childhood memories learned through smell and touch. It doesn’t matter what the perfume is; what matters is the life you give your memories with so many scents and flavors. Sending you a Tecate hug from Mexico.
Casablanca77… my review isn’t for the perfume, it’s for you. Your memories and imagination are the closest thing to the scent of this fragrance I just bought today without a doubt. I loved reading your review; it seems like a well-told, entertaining story, eager for your ending to be ‘buy the fragrance’; that would have been my happy ending. However, I’m more attracted to your melancholic ending full of nostalgia for so many memories, of course that childhood from which you learned so much with your sense of smell and touch. It doesn’t matter what the perfume is; what matters is the life you give your memories with so many scents and flavors. Sending you a hug from Tecate, Mexico.
The scent makes me happy.
A well-balanced and harmonious citrus chypre. When it launched, it was feminine, but today it’s totally unisex, even more masculine than feminine, just as perfumery has evolved. It’s green, smelling of plant sap (the tomato leaf was included to add originality), and has a very well-constructed adult aroma. Fresh start, aromatic with woody bergamot and lemon (not juicy citrus or gourmand), quickly moving to a green, freshly cut plant sap scent that is very pleasant. It’s an adult perfume with a certain vintage touch, looking good on men and women with classic, traditional style. French perfumery tradition with the Ellena seal, a friend of making dry, non-sweet, adult fragrances. A phyto perfume that still smells very natural today. Daytime, classic, and with personality.
It caught me by surprise because I didn’t expect so many phases. After the initial hit of freshly cut grass, which relaxes significantly after five minutes, it smells like fresh lemon—not especially pleasant, but not bad. Then it keeps improving; I can’t distinguish the notes anymore, but I’m liking it more and more. Although it’s unisex, on my skin it feels more masculine than feminine. In fact, after 2 or 3 hours, it reminded me a lot of a men’s fragrance I love (saving distances and risking you kill me): KOUROS, in the ultra-light version, of course. Although it doesn’t have great projection, it has brutal longevity (I can still smell it after 8 hours).
This is pure paradise for green lovers! If you like Ninfeo Mio, Eau du Sud, Annick Goutal’s Neroli Cologne, the dark side of Antaeus, Magie Noire, or Aramis (forgetting the leather), this is a safe buy. What a marvel! I didn’t expect so much. I received a sample when I bought two bottles of Sisley, and it makes me understand their reputation. It’s sparkling and vital at the start, but it doesn’t fade in the dry-down; it loses the fresh grass brightness to consolidate into a body that’s slightly woody, mossy, sweet, and shadowy. I love this type of aroma and will keep testing it, but the first impression is total love; if it weren’t so expensive, I’d buy it without hesitation.
This is heaven for green perfume lovers! If you like Ninfeo Mio, Eau du Sud, Annick Goutal’s Neroli Cologne, the dark green side of Antaeus drying down, Magie Noire, or Aramis, this is a blind buy. What a wonder! I didn’t expect this much and found it. Sisley sent me a sample when I ordered two bottles, and it makes me understand their reputation. It’s sparkling and vital at first, but as it dries down, it doesn’t fade; it consolidates with body, becoming slightly woody, mossy, sweet, and shadowy. I love this type of aroma; the first impression is total love. If it weren’t so expensive in my country, I’d buy it without hesitation.
Totally unisex, I gave it to my dad as an original gift that I absolutely love. It smells like freshly cut wet grass, tomato leaves, and bergamot, with hints of musk, patchouli, and valley lily. It’s wild—it awakens the senses and transports you to a green field, disconnecting you from the chaotic city. Not only would my dad repurchase it, but I would too. I’d wear it in spring and summer, or whenever I need to reconnect with nature. It has great longevity and moderate sillage. Would I buy it again? An emphatic yes!
This perfume is totally unisex; I gifted it to my dad and thought it was a great, original choice. I love the scent for its fresh, distinct notes: freshly cut wet grass, tomato leaves, with a clear bergamot, and you can detect the musk, patchouli, and lily of the valley. It’s wild—it awakens the senses and transports you to an open, green field. It connects you with nature, letting me disconnect for a few seconds from the chaotic city where I live. No need to say how much I like it; not only would my dad repurchase it, but I would buy it for myself too. I’d wear it especially in spring and summer, but also whenever I need to reconnect with nature. It has great longevity and moderate sillage. Would I buy it again? An emphatic YES ❤️❤️❤️
Something very strange happened to me with this fragrance. At first, I loved that bitter touch after the cut grass; it reminded me a bit of the glutamate in brewer’s yeast. Something totally unique. However, when I discovered that the tomato leaf was responsible, when I could ‘isolate’ the note in my mind, I found it uncomfortable in its dryness. I suppose I had confused it with brewer’s yeast because both foods share a umami flavor. Maybe I’ll be able to get over it, maybe not. Regardless, it’s a beautiful and bold composition, much more than just cut grass, though it does have a lot of cut grass.
This fragrance woke up memories of my childhood almost forgotten. That joyful, innocent illusion you live intensely when, at eight or nine years old, you’re told that your city cousins or your parents’ friends’ married couple with kids your own age are coming to stay. Days filled with anticipation pass. When they arrive, everything is joy and happiness, discovering they have different snacks, speak differently, wear cool clothes, and besides, everyone smells very good. Put in context, I’d say this perfume seems very personal and characterful, a bit vintage for these times, and when I wear it, I feel like I’m keeping a secret. The development is not linear at all; it has a pleasant evolution. It opens very herbal, slightly acrid, but only for the first few minutes; the freshly cut grass sensation settles, and a string of notes (tomato leaf, oakmoss, citrus, vetiver, etc.) start to emerge, becoming noticeable after an hour or so of application. Then you’re left with a hint of patchouli and musk, which makes the fragrance feel lasting. It reminds me, for moments, of Vert d’Encens by Tom Ford, also by Sisley, and L’Eau Rêvée d’Ikar for certain herbal notes and accords. It lasts 5 to 6 hours on me depending on the time of year, temperature, and humidity; the projection and sillage are acceptable without being suffocating. Recommended for nostalgic people who want to feel something different and bold, with undeniable personality, totally unisex, and especially for spring-summer. Try before buying, essential. A.C.R.
I love this perfume; every year I buy a small bottle to enjoy it in summer, but watch out, I only use it when I’m at my husband’s family home, which is in a mountain town. The nights here are spectacular and you can smell the night flowers and herbs. Well, this perfume smells like that: a summer night in the mountains, and it makes me feel great. On my skin, the basil stands out a lot, a plant my in-laws have on their terrace that we touch and rub on our bodies as a mosquito repellent. For me, this perfume is a delight and lasts quite a while. I think it’s very evocative and contextual.
This cologne smells very, very similar, I’d say identical to EAU de Orlane.
This perfume defines me. It’s herbal yet has the elegance of Sisley perfumery. It’s the countryside and the good vibes of nature in all its splendor.
This perfume transports me. From the first application, I felt a deep connection, as if I had smelled it before. It has something very nostalgic, as if a close relative had worn it once. It’s potent and unforgettable, with an elegance that commands presence. The opening is intense, even a bit overwhelming at first, but not in a negative way. It’s a green explosion, clean, with a classic air that catches attention. However, what’s truly special comes with the dry down: the fragrance softens, becomes more addictive, and gains depth and sophistication over time. For me, it’s a green, summery perfume with a vintage soul. It has a timeless character that fascinates me. I’m absolutely in love with this fragrance.
One of the best green perfumes ever created, as beautiful as its story (there’s an entire article on Fragrantica). It’s a light floral chypre, cologne-style. The opening is astringent and slightly bitter, shouting the tomato leaf, which is then soothed by the citrus, making it fresher and more summery. Quickly, everything blends together with mastery and elegance into an herbal accord (basil, patchouli, mint, etc.) with multiple difficult-to-decipher aromatic and floral nuances. It’s totally unisex and perfect for summer nights; the sillage is lovely and you can tell it’s high quality, but the performance leaves much to be desired: it fades to skin-level in under an hour and completely dilutes in about 4 hours. Before spending a fortune on other perfumes, try these old gems that are more than enough; although they aren’t the cheapest, you can find good deals online.
One of my favorites for summer. It’s a wonderful green, citrusy yet wild. Very herbal, but distinguished, even a bit solemn; it reminds me of a neglected but charming 19th-century garden. For me, this juice is health and life, a work of art. It has changed; it has been reformulated: now it’s more luminous, with less noticeable moss and more presence of basil, tomato leaf, and lemon. But it continues there, crisp like fresh vegetables. An absolute must-have for summer.
A wonderful scent… I don’t know how to review it as a perfume, so I won’t try. Seconding @Coloniafresca: it’s a scent that makes you happy! It smells like living nature, fresh grass, and a juicy garden. If there were forest fairies, they would smell like this… What a gem, what a work of art!
Smells like a field of wildflowers; if you walk through it, it blends into the surroundings and you stop noticing it. At first, I noticed a note that didn’t quite fit, something sour that felt out of place, but then everything settles into those herbal and natural notes. It feels very much like a typical herbal cologne; I get the sense that mixing a few different ones would create something similar. What surprises me is that it doesn’t contain rosemary or lavender; maybe it’s the basil mixed with other ingredients that gives it that vibe. Overall, I like it, and it lasts a few hours without much sillage, which I imagine is due to the notes, but I need to try it again to see what happens with that initial note.