Terroni by Orto Parisi
Men Women 2017
Description
Terroni by Orto Parisi is an oriental woody fragrance for men and women. Launched in 2017, this composition was created by Alessandro Gualtieri. The top note is raspberry; the heart notes are birch, amber, and benzoin; and the base notes include guaiac wood, vetiver, cedar, musk, moss, patchouli, tonka bean, and vanilla.
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When to wear it (votes)
- Winter 44%
- Spring 12%
- Summer 5.6%
- Autumn 38%
- Day 30%
- Night 70%
Key notes
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Top
raspberry
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Heart
Birch
-
Base
guaiac wood
Community
4,983 votes
- Positive 80%
- Negative 11%
- Neutral 8.3%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I want it
19,104 votes
What do you think?
Leading answer Love it
4,983 votes
Season
Choose severalLeading answer Winter
6,120 votes
Time of day
Choose severalLeading answer Night
3,245 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Terroni
Terroni by Orto Parisi is an oriental woody fragrance for men and women. Launched in 2017, this composition was created by Alessandro Gualtieri. The top note is raspberry; the heart notes are birch, amber, and benzoin; and the base notes include guaiac wood, vetiver, cedar, musk, moss, patchouli, tonka bean, and vanilla.
Fruits, vegetables and nuts Woods and mosses Musk, amber and animalic Resins and balsams Spices
It may remind you of
Ranked by what the community voted.
More from Orto Parisi
More from Alessandro Gualtieri
How it wears
Compare the results and tap an answer to add your vote.
Longevity
Leading answer Very long-lasting
3,498 votes
Sillage
Leading answer Strong
3,588 votes
Character
Leading answer Traditionally masculine
3,261 votes
Value perception
Leading answer Fair price
2,930 votes
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Community reviews
40 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
With the Orto Parisi switch, this recent Bach is my favorite from the house. Incredible performance; I sprayed it 7 times after a 10-hour workday, and a colleague over 1.5 meters away asked what I was wearing. It’s a fussy, amber scent that doesn’t go unnoticed, with a fruity punch at the start that sets it apart from the repetitive niche trends.
Amber and smoky, it’s a classic structure but with a sweet, fruity twist. The burning earth blend is brutal, taking me straight to embers or volcanic rocks. It has less projection than others, but good longevity. I rank it #4 in the house, behind Cuoium, Bocannera, and Megamare.
Another fragrance that confirms that raspberry is a terrible idea on my skin.
I tried it at a perfumerie and it smells the same or very similar to Davidoff’s Cool Water; it’s still a very good scent.
I bought it for its idiosyncratic drydown, not for performance expectations. With names like Semen or Terroni, I thought of southern Italy with smoked earth. It’s a good perfume, notable but not a thermonuclear bomb. The opening is potent, sweet, and spicy; the drydown reveals the magic: smoky scent, woods, and wet earth after a fire. I haven’t received compliments this week, but I have been noticed. It lasts about 4 hours for me before I need to reapply. Solid projection, noticeable at a meter, then within 30cm. It hits hard, no subtleties. Use it to show roughness and presence, not for daily wear or summer.
Terroni is a Machiavellian perfume representing hate and rage covered in lava and burnt earth. Unique and too ‘niche’, but if you like smoky and mysterious scents, it’s a must-have in your collection.
Beyond being niche, which is becoming simplistic. Terroni evokes childhood and maturity, from uncertainty to a defeated yet happy smile. What a masterpiece.
I haven’t smelled it, but I did try the Pendora Scents dupe. It smells of burnt woods, charcoal, and smoky tones… Ideal for cold nights.
They sprayed me 6 times at a perfumerie, I sat in my car and couldn’t smell it, but when I brought my nose close, I could feel it. I really liked the aroma. Now at home reading, I don’t feel it projecting; that’s what matters to me. Good luck to people who say it’s a beast.
To awaken hidden emotions… absolutely a masterpiece, and when this happens, I delight in it any time of year.
I’ve stopped being impressed by most perfumes, but this one was sprayed on me in-store and my eyes opened wide: it smells like burnt, scorched earth, something toasty but of brutal quality. A beast. I don’t detect the raspberry; it’s smoky, but as people say below, try it yourself. A masterpiece, winter only.
When a perfume manages to reflect the essence behind the nose, that’s where it’s at. Like others on the forum, Terroni goes beyond notes; there are feelings. When you meet one like this, you let your head fly. I won’t dive into notes or performance. I invite you to experience up close a fruit forest devastated by the lava of a volcano.
Same thing with Cuoium, I wouldn’t wear it. I don’t like it at all.
It sits between Nasomatto’s Black Afgano and Lalique’s Encre Noire. Truth be told, Encre Noire could be niche just by changing the bottle and brand. The star is a earthy, wet vetiver, ideal for autumn-winter. Longevity and sillage are excellent (over 10 hours).
This composition goes beyond chords and trends. I imagine a provincial place without asphalt, just earth, rustic houses smelling of spices and heat, trees, coals in the courtyards. This perfume is a snapshot in memory.
I ran into this fragrance again and concluded it has the same DNA as Bergamask, but without the citrus part. It’s a challenging, pleasant, slightly aggressive, and avant-garde scent. Complex, like beers with exotic hop profiles. It won’t please those looking for the popular. I reaffirm what I observed before: it’s very long-lasting (weeks on clothes), but it doesn’t project as much.
A proper olfactory journey. On skin, it’s a set of slightly burnt woods with ambered touches that make it creamy. Very pleasant if you like smoky scents. It doesn’t give compliments, but it makes you unique and unforgettable.
Peanut butter in a pot over a dying campfire. A collection piece. Without a doubt. Very hard to find a social context to wear it.
The great work by Gualtieri. An olfactory experience, don’t expect compliments. Wearing this positions me in a dark, earthy context, with smoke, near gunpowder. Burnt woods. Maybe a place where something happened and fire was the protagonist. The notes don’t matter to me. For special occasions, smelling this is almost magical. For dark nights, semi-formal and subdued attire, with cold… it’s great. Lasts, performs, very original. It has everything.
To me, the jewel of Orto Parisi and one of those who have come to stay in my seasoned collection. At first, it’s not friendly; the opening can overwhelm noses not trained in smoky scents, but it’s just the first stage that gets passed after 30-45 minutes. The first time in-store on paper, I rejected it and discarded it. Luckily, I gave it a chance later with a decant on skin, until today that opening goes unnoticed (I’ve also smelled bottled BBQ grills that leave Terroni in the dust). What hooks me: yes, it has Black Afgano DNA, but Terroni replaced it in my collection because it offers something Nasomatto doesn’t: it seems more in tune with my age (30), less serious, versatile, and kind. It’s a twist on the known formula, without Boccanera’s redundancy, offering new nuances: the ambered/smoky red fruits that remind me of lollipops or Glühwein, a less ceremonial incense, less transcendental. I use it in the cold, preferably at night, with 2-3 sprays, high potency and longevity but not as wild as Megamare. I see it as more masculine, though a girl with it would be memorable. It’s a character perfume that adapts to any code; I wear it casually and it works wonders. It’s striking and liked quite a bit in my circle. Attractive and seductive. But it’s subjective; I recommend trying on a decant and obligatorily on skin before concluding.
Starts with campfire smoke—not incense, but the kind that rises before roasting meat. Within minutes, it sweetens with notes of raisin or date, reminiscent of Laudano Nero. The drydown is pure Orto Parisi DNA. It’s complex and grows more captivating over time; lasts 24+ hours on skin and weeks on clothes.
For a select few seeking something strong, deep, and mysterious. Smells like a forest after a fire, with vetiver and ash evoking caves or basement libraries. It’s gothic, refined, and sensual, perfect for personal enjoyment or projecting status. Misunderstood yet imposing, it’s a jewel in the darkness. Scent: 10. Projection: Excellent (>3h). Longevity: 10h. Recommended.
Smells like being underground. The massive sillage is confusing, honestly… how can such a dry scent have so much reach?
The ultimate Beats mode: fire, earth, and black grapes. Similar to its siblings (Black Afgano, Bocanera), but Don Gualtieri breaks the mold. Is he crazy? Only the system’s children think like that. Dare you to be different and leave an olfactory mark? Pay the price of the product and of using it. My favorite perfumer, top 3 of all time. Asking about sillage or projection with Orto Parisi is an insult.
Bought it for the hype and was disappointed. Lucky it was a decant; don’t buy the bottle blind. Smells dense, dark, and has a sweet twist that repels me. It represents a vineyard destroyed by lava, but to me, it smells like burnt vanilla cake. Generated total rejection; I couldn’t tolerate it despite trying. Not for everyone; you’ll get more strange looks than compliments. I understand it fascinates due to its originality. Performance is impeccable: lasts and projects a lot.
Patchouli, amber, fine woods, and red grape, though what dominates is the complete fragrance. Orto Parisi is now one of my favorites (I bought 5 in two months). I don’t recommend buying blind without being accustomed to the niche world. Start with Megamare or Bocanera to see if they’re for you. Scent 8.5, Projection 9, Longevity 10, Originality 9.
Terroni is a distinct experience in the niche world. Inspired by Vesuvius, it opens with smoky, earthy, and amber wood, very strident: charcoal, sweet incense, and a dense, salty smoke similar to Vi Et Armis or Iron Duke, like gunpowder. Upon drying, that smoke and gunpowder fade to reveal a dusty, clay-like, and sandy accord, typical of Gualtieri (Black Afgano, Stercus, etc.). It feels very similar to Black Afgano, though here the hash is less prominent, more like a dusty accompaniment. Upon drying, it convinces more: earthy and smoky vetiver adds to that synthetic sweet and clay-like amber. It lasts long and persists on clothes, but isn’t as loud; at 6 hours on skin, it’s still perceptible at close range. The clay accord is rare. Be careful with the atomizer in certain seasons, as the first hours are strident. Ideal for winter, cold cities, or the mountains with coffee. Although it feels masculine, upon drying it’s perceived as more unisex due to the amber. Good performance with a trusted seller. Recommended for lovers of smoky and earthy scents. It’s a successful interpretation of the terroir, though Black Afgano remains more enchanting.
“Grilled Fruit”: immediate opening to burnt woods. If you summarize it, it smells like “smoke from sweet grilled fruits.” I don’t know the exact fruits, but the review by PabDark1014 points to the same thing. It’s informal upon drying, but to be honest, it doesn’t seem like niche quality (price/quality/performance don’t convince me). It feels synthetic (not unpleasant for that reason). I think Megamare has more character. Compared to Terrae Essence by Bulgari, there’s a 30-50% similarity, somewhat hidden. I perceive that “woody amber” note mentioned, which I’ve felt in other perfumes, even feminine ones. Given its fame, I expected more in performance: it lasts a long time (especially on clothes), but I don’t see it projecting as much.
Orto Parisi’s Terroni is captivating, but the intro can shake you like an erupting volcano (I bought the story and the scent beforehand). It comes out robust, earthy, and with burnt wood; the base isn’t sweet but anchors itself over time, accompanying those hard and smoky accords. Finally, you feel that organic DNA found in almost all Nasomatto and Orto Parisi perfumes: sometimes a work of art, other times incomprehensible madness. I like it more and more; I see it for cold weather, more masculine than feminine, with brutal performance and for special occasions. Probably my favorite from the brand. Note: 8/10.
Powerful opening, smoky, incense, and sweet, very similar to Laudano Nero. Over time, much smoke appears, as strong as that of Beaufort’s Vi Et Armis: a mix of burnt wood, like eucalyptus sticks and leaves in a fireplace (those from southern Chile will understand), combined with red fruits, grapes, and blueberries. It becomes linear until many hours later; the drydown is Gualtieri’s signature: musky, woody, and slightly sweet. I liked it quite a bit; I think the drydown is better than the opening. Longevity and projection are MONSTROUS: no more than 2 sprays or people will look at you weirdly.