Men
One Man Show Gold Edition
Acordes principales
Descripción
One Man Show Gold Edition by Jacques Bogart is an aromatic fougère fragrance for men. Launched in 2011, this composition features red apple, violet, anise, neroli, and mandarin in the top notes. The heart unfolds with cinnamon, clove, lavender, and geranium, while the base rests on musk, amber, French labdanum, and woody notes.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
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Uso recomendado
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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40 reseñas
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A friend gifted me this fragrance in October, right before my birthday, and it’s incredible. It’s not modern; it leans more toward the Kouros by YSL or Lapidus pour homme line, a scent reserved for night: woody, with resins and sweet, almost cloying like molasses, not like cake. It’s rich, comes super concentrated, and lasts forever. The name is identical to One Man Show, but the scent is very different. Recommended if you’re a fan of intoxicating scents, not because of the brand or trends, but for its potency.
A blind buy that went wrong. The quality and projection are excellent, but the scent turned me off: it smells like a very old gentleman, like a heavy cologne from the 80s, the kind from exclusive barbershops back then. Orange blossom dominates at first, then clove and cinnamon; it’s too intrusive. It’s not that it’s bad, I just prefer sweet, amber, or floral scents. Definitely not for me. I can’t stand it.
This fragrance is anything but pleasant. It reminds me of the worst phases of The One Sport by D&G. I’m not saying it’s bad, just not my style. It’s quite intrusive and a bit overwhelming. Is it ‘distinguished’? Nowhere near; it’s more youthful, ‘scandalous and extroverted’.
Amidst the debate over whether this is for older gentlemen or something youthful, I tried it one Saturday night and had to take it off immediately; no new launch has ever performed so well in the evening. Maybe because it’s underappreciated. It’s super attractive and sexy with very little atomization. I give it a 10.
Caught between thinking it’s for old men or young ones, I tried it one Saturday night and had to take it off because the effect was too strong. No night perfume has dominated like this in years. Maybe because it’s underappreciated. It’s super attractive and sexy with just a few sprays. I give it a 10.
I love it because it’s a night perfume that doesn’t work for the day, with almost infinite trail and longevity and few sprays to flood the room. It’s not overexposed and in some cases is unknown. It comes from Jacques Bogart’s One Man Show (1980), a 2011 flanker; later came the Ruby and Oud Editions. It feels sweet, powerfully strong, and striking from the start, maintaining a high trail for many hours. The heart notes are spectacular, swimming between sweet and spicy with beautiful floral phases. Then it shifts to sensual vibes in musk and leather, but without losing its sweetness, showing a more carnal side. It’s not overexposed or very well-known; here in Spain, not all perfumeries sell it (Corte Inglés does). The French brand Jacques Bogart is known among fragrance lovers. It’s a night perfume that must be used with great moderation. I loved discovering it at the end of 2015.
A time bomb. I just bought a tester and the scent won’t go away; I tested it 9 hours ago. The dry-down is a bit dated, but to my taste, just like all 80s perfumes.
First off, it’s not as strong or brutal as they say; it’s right up there with Kouros, Aramis, Van Cleef & Arpels, or Grey Flannel, no more and no less. I like it because it’s a happy meeting between the powerhouse style and modern currents. It’s like putting Aramis and One Million in a cocktail shaker: the result works, blending the chypre and lavender well with a slight metallic-melon varnish. They profile a new style in perfume history. Rating: 9/10.
It’s One Man Show but amplified, modernized, and doubled, with much more trail and longevity. It unites classicism with modernity, a unique combination that makes everyone pay attention, as it’s absolutely not a conventional perfume.
I tried this perfume today. Maybe it’s an exaggeration to say it’s super strong or beastly, but it’s intense and long-lasting without being invasive or overwhelming, unless you overapply. With a moderate dose, it’s excellent. It has the best of both worlds: vintage yet modern, far from typical current fragrances, making it unique. In the opening, you get modernity: citrus with the sweetness of apple and anise, very current and refreshing. Then, as it dries down, that classic 80s scent appears, very masculine, like a barbershop or Van Cleef & Arpels. Very good, original, with vertigo-inducing longevity and sillage. Great value for money. Recommended for those who love classic scents, for autumn, winter, and only at night.
Today I tested this perfume, and although it’s intense and lasts a long time, it’s not aggressive or nauseating; with normal dosage, it smells great. It has the best of both worlds: it’s vintage yet modern, moving away from current generic fragrances. Upon leaving, the mix of citrus with the sweetness of apple and anise is very fresh and current; then, as it dries, that classic 80s masculine scent appears, like a barbershop, similar to Van Cleef & Arpels or Kouros. It’s very good, original, and has vertigo-level trail and longevity. Recommended quality/price for the classic, ideal for autumn/winter and night.
For those who didn’t like the original 1980 One Man Show, you could give this 2011 One Man Show Gold Edition flanker another shot. I think you’ll notice a huge difference in style; always within a very long-lasting and trail-heavy perfume. This EDT could pass for an EDP and repeats some of my previous reviews: it has two faces, a Power-House one and a modern perfumery one. It doesn’t recall any black-and-white movie; it has much more color. It’s like One Man Show was refined and updated, gaining strength and reaching further. Highly recommended from dusk until night. It generates compliments and it’s practically impossible for anyone to guess what you’re wearing. Few sprays are enough.
Out of all the blind buys I’ve made (and there are many), I’ve only ended up gifting two: Bogart Pour Homme and this one. They don’t make me gag like Secretions, but honestly, it’s nonsense to own them because I’d never wear them. They share that vibe between Loewe Essence and Pure Havane, just much more synthetic and forced. In this Gold Edition, it’s less noticeable than in the Pour Homme, but still. The opening is more tolerable with a hint of red apple and cinnamon, but soon a dry, stale anise scent emerges, nothing like the drink… it fits the aroma of an alcoholic’s clothes better. If there is musk, it’s not the usual kind, nor is the amber. The performance is quite impressive.
It opens strong with red apple, anise, and violet, making it sweet with a hint of fuel vibe from its cinnamon and musk wrapped in amber. A trace of the original One Man Show emerges very slowly, but it’s knocked down by a geranium and French labdanum that prevent it from surfacing. It has a certain bubblegum vibe that makes it feel synthetic, but it’s not. It stays sharp without letting its guard down; it takes few sprays—three lasts all day, and you’ll easily get through eight hours of work.
I’d put it on the list of night perfumes: sexy and unhurried. It blends the modern with a super sensual dry-down. It’s a total pleasure, ideal for going out because it lasts forever and has a beautiful pyramid that’s neither common nor mass-market. Surprising.
Bought it blind and it was a mistake, though the potency of this flanker is undeniable. For me, who loves perfumes from the Kouros and Ted Lapidus Pour Homme lines, this Gold Edition amps up the balsamic note to the max and the clove takes over the scene. I own the Oud Edition and its balance is gorgeous, but it felt way too similar to Ted Lapidus Black Extreme, which I hate. Scent: 4, Longevity: 10, Projection: 10.
It took me a while to find the words to review this fragrance. I ordered it from the US a year ago, blind buy. I already knew the original and imagined something similar but sweeter. I’ve used it 3 or 4 times in different scenarios and hours. Its best moment is in clubs, pubs, or bars, preferably in the afternoon or evening and with cool or cold weather. It works wonderfully there. There’s something that doesn’t fully captivate me: a note that reminds me of a kitchen where something cured has been prepared, a sausage, a chorizo, something with lots of clove, onion, and a bit of garlic. Perhaps it’s the combination of clove and bitter orange, sweetened, but the spice stands out. At times it’s intense, at others it calms down and lets a smell of apple and cinnamon bloom, which also reminds me of a kitchen, but now for Christmas. It has a heavy trail if you overapply, which I don’t recommend. I think it’s one of those perfumes that smells better when applied sparingly (2 or 3 sprays) than if you overdo it. It has medium-day longevity. The truth is, I recommend trying it before buying, although the price is excellent. Better try it or imagine that note; if there’s no problem, go ahead. You’ll have an intriguing perfume that combines two eras: spicy-bitter orange from the past with sweet-amber and party vibes from the present.
Fougère perfumes aren’t in fashion, unfortunately for those who don’t know them. Their golden age was the 70s and 80s, when all men wore them. Today, the general public ignores them and doesn’t buy them. A huge mistake. Those who haven’t faced this universe of notes lose out on indescribable beautiful aromas. A good way to get close is ONE MAN SHOW GOLD BY JACQUES BOGART. Its quality-to-price ratio is unbeatable. Although the note sheet lists many ingredients, the scent is quite linear, but it’s a beautiful accord. A mix of hard citrus and potent resins turns it into a Fougère of extraordinary presence. In my nose, lavender, apple, geranium, labdanum, carnation, moss, and musk stand out, not all described. Clove and orange blossom are also noticeable. I don’t detect anise, violet, or cinnamon. The scent is punchy, intrusive, rugged, and dry, with a very well-executed citrus point. I even smell undeclared aldehydes. Its trail and longevity are exceptional, and the price is ridiculous. Whoever wears it will be original. It adds personality, confidence, presence, and elegance. Nothing like any current bestseller.
Spectacular. I detect bitter orange and spicy geranium. The opening is a heavyweight punch from the 80s, like Tyson. No modern flourishes, but it has a current bad-boy vibe. It’s fruity and sharp, 80s and simultaneously One Million… yes, like mixing One Million and Ted Lapidus Pour Homme. It could be a reinterpretation of YSL Kouros. I love it and the price is a must. 9/10.
Spectacular. I detect bergamot and spicy geranium. The opening is a heavyweight punch from the 80s, like Tyson; no modern frills, but with a current edge. It’s fruity and sharp, 80s vibes yet reminiscent of One Million… could be a reinterpretation of YSL’s Kouros. I really like it, and the price is a must. 9/10.
It’s an incredible bomb of character and longevity. It would be 70% YSL Kouros and 30% One Million, and out comes Bogart Gold. It’s not for delicate noses; it’s a rough, manly perfume. Kouros shares notes like amber and musk, but it evolves differently. Ideal for autumn, winter, or cold nights. I recommend it to those who know where they’re going before using it to avoid bad comparisons with Boss Bottled or Cool Water. If you compare it to Ted Lapidus Black Extreme, it’s like comparing Polo Blue to Cool Water: they don’t resemble each other at all.
Bought blind for a very cheap price and a terrible disappointment. Too aggressive; one part I like but the other hits hard, a very pronounced old-school smell. In a closed environment, it will surely bother people.
I thought I’d lost it forever due to the lack of stores, but thanks to the website, I have it again at a ridiculous price compared to department stores. It’s a toilette that works like a perfume. It rules the night and is awake like a bird in heat. The opening is great, all the notes dance attractively with a brutal trail. Over time, it takes a retro turn, a nod to the updated Power House: leather and musk with deep nuances. If it were for a woman, it would be the perfume of a professional. That’s its magic. If you wear it, you won’t smell like everyone else, but if you’re discreet, better leave it.
As I read somewhere, it’s a mix of Kouros and One Million, vintage meets modern. Tremendous fragrance, nothing for kids. Very potent; 2 or 4 sprays are more than enough.
Bogart surprises me again with a magnificent fragrance. It doesn’t disappoint and it captivates. It’s a very wearable masculine scent, nothing intrusive, elegant, and pleasant. What stands out most is the apple, cinnamon, with musk and amber. A particular sweetness, without being cloying. Scent, performance, and price: 10/10. It’s 100% worth it.
I read somewhere that this is a blend of Kouros and One Million, vintage meets modern. It’s an incredible fragrance, not for little kids. Very potent; two or three sprays are more than enough.
Once again, Bogart surprises me with a magnificent fragrance. It doesn’t disappoint and it’s captivating. It’s a very wearable masculine scent, nothing intrusive, elegant and pleasant. What stands out most is the apple, cinnamon, musk, and amber. A particular sweetness, without being cloying. Scent, performance, and price: 10/10. Worth it 100%.
This is a beast of a perfume: intense, strong, powerful, and with a rich aroma. It’s not for everyone; you need to have tried other things first to understand it. With just 2 or 3 sprays, you have a classic elixir from the old school but with the energy of the new wave. The bottle says high concentration, and it is. For summer, just one spray.
A wild perfume: intense, strong, potent, and very rich. Not for everyone; you need to have tried different scents to truly understand it. Two or three sprays are enough to get your classic elixir, an old-school scent with new-school energy that amps it up. It’s a beast: the packaging says high concentration, and it is. For summer, I’d recommend just one spray.
If you buy blind, you almost always get it right: nothing of my impulsive buys smells so bad that it’s a total failure. But with these 100ml of Bogart, I’m scared they’ll just get dusty in the drawer and never be used. They have something distinct, but they’re not for everyday street wear. To me, they sound more like a homey, flavorful kitchen than a fancy French menu. They’re definitely not Guerlain or Givenchy; you can tell. They probably use a lot of synthetics, and the result, this ‘One Man Show Gold,’ isn’t their best work, though it’s more interesting than today’s weak releases. It’s a modern fragrance with a strong 80s vibe, long-lasting and commanding presence. But it’s hard to wear; if you use it for a first date, the risk of being left alone is high. It smells strong, fruity, and spicy, and the more time passes, the sharper it gets due to the cinnamon and clove, only calming down when it dries. In short, it’s artificially sweet and a bit chaotic; not one of my favorites.
I tested this fragrance first on blotter paper out of caution, thinking it might turn me off, and then on my skin. It’s hard to pin down, and the curious thing is the disparity in olfactory experiences. My opening isn’t modern; it’s strange, I don’t identify clear notes but rather a herbal-sweet-fougère-ambered bouquet, powerful for an hour and then softening. Then come brushstrokes of violet and musk that remind me of Narciso Rodriguez For Him, lingering underneath. It stays linear with two layers: herbal-ambered and violet-musky. I don’t perceive cinnamon as such, but that warmth. I don’t notice anything else. On paper, it’s softer than on skin. Curiously, it smells more like a vintage women’s perfume from the 70s-80s than masculine. It smells very synthetic and lasts a fortune compared to current ones; with few sprays, it’s noticeable and lasts a long time. Considering everything, Bogart Gold is difficult but not unpleasant; I think it’s an interesting proposal, not my style but definitely outside the norm. If you connect with Bogart Gold, no one will smell like you, although probably you won’t get many compliments either. Au revoir! (courtesy of Jerry Drake)
I think the 2020 batch has nothing to do with the 2016/7 one… much weaker now, though it remains very peculiar and strong. For 10 euros, it’s much better than perfumes costing 60/70 euros.
Jacques Bogart: For fans of blind buying, read this: Between this brand and me, we are mortal enemies. I’ve tried several and frankly, ‘IT’S NOT A MODERN TREND BRAND’. Their proposals are ultra ‘OLD SCHOOL’, like fragrances from our grandparents, extremely synthetic, strong, and mostly unpleasant, like toxic chemical experiments. They seem horrifying, outdated, and aggressive. Surely some will disagree, but if you like modern scents, stay away from this brand with a ‘never buy blind’. Scent: Unacceptable. Projection: Foul. Longevity: 6 hours. Do not recommend blind buying, especially if you don’t like vintage aromas.
Old school aroma. I tested this fragrance at a neighborhood perfumery in Villa Urquiza, and in contrast to the comments about its power, I found it rather light and weak.
Accepting the challenge of reviews that dismiss that fragrance as impossible, I just ordered a bottle at a bargain price. We’ll see if it’s worth it, though I don’t think I’ll be disappointed. I’m a lover of extravagant and dark perfumes, the kind that make some people wrinkle their noses (Kouros, Ted Lapidus, Antaeus…). Let’s see how that mix works out.
I don’t think it’s a bad fragrance as people say. Rather average, for certain profiles. I associate it with a mature man aged 50 to 60, energetic and imperative. He’s saying: ‘Here I am’. Quite strong, fruity but loaded with alcohol, ambered aroma with a weak leather touch, moderate citrus. It’s not discreet and honestly, I wouldn’t buy it; I was gifted it. Without lasting power, I added alcohol to the bottle to reduce the intensity (a sacrilege for purists, haha). It lasts days on clothes. It’s not for everyone or for a date, unless it’s with a 60-year-old lady looking for adventure in the old-fashioned way. Scent: 5, Longevity: 8, Sillage: 9.
I used it once, but comparing it to colognes: * For men 35 and up, not for teenagers who love One Million or Invictus. * At first, it smells like apple incense with cinnamon and anise. * Best for cold climates. * Longevity is 8 hours (I put it on at 10 am and at 7 pm at the movies with AC, it revived nicely). * 1 spray on the throat/neck, max 2. * Women like it (ages 30+, not the 60s as some say). The three women near me liked it, and one made a suggestive face, perhaps due to that alcoholic and spicy tone. * For the price and everything, it’s a must for young adults.
OMG JACQUES BOGART: It performs really well. I’m a Bogart Pour Homme user and I used the classic One Man Show, which I find more versatile, but Silver Scent and others are relatively weak in projection, and this Gold holds its own. To me, it smells like extreme red wine, probably the apple note. I find it very synthetic and sharp due to the spices; if it had better quality, it would be a masterpiece. I’ve received compliments, especially at night and in cold weather. It can be overwhelming, so I recommend a maximum of 4 sprays. I apply it to my hands and then on my skin, or 2 puffs directly on the neck, and it lasts all day.
Chile, chile, super chile. Chanel’s Antaeus is a toy compared to this beast.
A mix of Ted Lapidus and its Black Extreme version. Two in one. It has the punch we’re used to from Jacques Bogart. If you like those two, dive into this. I won’t list the notes, but it’s fruity, aromatic, green, animalic, woody, musky, soapy, clean, and powerful.