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Battito d’Ali
Acordes principales
Descripción
Battito d'Ali by Profumum Roma is an oriental fragrance from the olfactory family, launched in 2010, designed for men and women.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
Comunidad
1,296 votos
- Positivo 82%
- Negativo 9.5%
- Neutral 8.6%
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Amazon
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Ideal si priorizas velocidad y disponibilidad.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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21 reseñas
Mostrando las más recientes primero.
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I notice an excessively synthetic opening; some of its components don’t blend well and it really grates on my nose. Something similar to what happens with Volo AZ, but not as extreme. Basically, it’s a mix of orange blossom with vanilla and a bit of cocoa, which darkens the blend a little. The final result is a scent similar to coconut sunscreen, and although coconut is listed on Fragrantica, it doesn’t appear on the official website, but it definitely gives the impression of being there. The perfume doesn’t have much evolution; it’s quite linear. The only change I detect is that the synthetic opening disappears after a while, and the scent that remains finally feels a bit more natural. The performance is also quite poor. The longevity seems okay; you can perceive it close to the skin for several hours, but the problem is that I barely smell the perfume unless I bring my nose very close. And this happens from the start. The scent could be unisex, though I’d say it leans feminine. Recommended for any weather. Overall, I didn’t like it. It’s true that once the perfume settles, it doesn’t smell bad, but it’s not a scent that makes me fall in love. Also, its terrible performance on my skin has a lot to do with it. Maybe it’s a problem with my skin or anosmia to a certain component, but I find it hard to smell, and what I do smell, especially at the beginning, grates on me too much.
The opening smells very synthetic and gives me the creeps, just like with Volo AZ. It’s a blend of orange blossom, vanilla, and cocoa that darkens the scent, making it smell like coconut sunscreen (even though coconut isn’t listed on the official website). It’s linear; the synthetic note fades and leaves something more natural. The performance is poor: it lasts hours on the skin but is barely noticeable unless you bring your nose close from the start. I’d say it leans more feminine. Recommended for any weather, but overall I didn’t like it. Once it settles, it doesn’t smell bad, but it doesn’t win me over. Maybe it’s my skin or an anosmia to a certain component, because what I smell at the beginning bothers me too much.
Total surprise: it smells like those giant bubblegum balls from the round machine. It’s gum, but in a good way—elegant, refined, and sophisticated. It’s not just a simple sugar hit; it’s a layered sweetness worth trying if you’re looking for that Pippi Longstocking candy glucose scent.
A perfume surprise. It smells like those huge colorful bubblegum balls dispensed in that old round coin-operated machine. So, it’s a perfume that smells like bubblegum but well; elegant, sophisticated, fine, elevated, distinguished, and transparent. It’s not a slap-in-the-face fruity sugar blast that you’d immediately want to avoid, though it’s rich you’re not sure if you can keep wearing it. A multi-layered sweet where it’s worth diving if you’re looking for a scent derived from glucose and the sweets Pippi Longstocking used to eat.
It smells super good, but the price seems super outrageous. A super pleasant scent that no one can be bothered by. It’s very well blended, and the only note I can perceive separately is the orange blossom. As a good Profumum Roma, it’s super oily and has shorter longevity than others I’ve tried from this house, but it still lasts over 6 hours for me. In its dry down, it smells like a very aromatic body cream. Very versatile, perfect for spring. Well, Battito d’Ali didn’t say much to me. As a detail, I’ll say the name fits it perfectly.
If at any point you think about how much the bottle costs, you might lose interest, but it’s not just with Profumum Roma; it would happen with Tauer, Xerjoff, Orto Parisi, Nassomatto, to name a few ‘commercial’ houses, if I may use that expression. But clearly, when you smell this Battito d’Ali (and you like sweet perfumes), I swear the price fades away and everything else becomes secondary. Plus, if you add that it performs like a beast and there’s an 18ml version, even though the price per ml is higher, the total cost is lower, so you’ll rush to buy it headfirst. So here’s a tip: if you don’t want to spend a fortune on a perfume, don’t try it, or you’ll be lost. It’s so well-constructed, a sweet scent without being cloying, it can’t bother anyone and can’t displease anyone; it’s made to please everyone, with vanilla, cocoa, and coconut, but nothing overpowering.
‘Battito d’Ali’ wasn’t what I expected. Having tried more perfumes from Profumum Roma and knowing it shares notes with Vanitas but adds cocoa and coconut, I expected a sweet gourmand and nothing like that. This is a soft dream. The first hours of a magical day. A caress from an angel. The opening has a beautiful bitter orange blossom that stays throughout the entire journey as its standout note. The base is creamy, smoky, and sweet; I detect floral notes, myrrh, vanilla, and cocoa. I can’t find the coconut no matter how hard I look. It reminds me of Dove or Nivea body soap or lotion but with orange blossom. It’s not too sweet; it’s airy, creamy, relaxing, and very delicate. Suitable for all year round and unisex, as this scent suits everyone and is easy to enjoy. Soft sillage and shorter longevity than other scents from this house, yet it’s still excellent. If I had paid more attention to reviews or videos, maybe I would have asked for a sample of Sorriso instead of this, but I still like it, though not enough to buy it.
Battito d’Ali is an exquisite scent, like a hug of orange blossom, myrrh, and cocoa that comforts you. The first time I smelled it, I was completely smitten (and that day I tried many great perfumes), to the point where I had to go back to the store for it a few weeks later. One of my favorites: creamy, kind, clean… a gem of perfumery. I bought the 100ml bottle, but I think 18ml is more than enough for most collectors. A glorious perfume; often less is more, and its magic lies in its (apparent) simplicity.
Strange perfume. It reminds me of bubblegum balls from old machines (glad I’m not the only one), but with exceptional quality in its components. The mix of notes gives a distinct accord; I only perceive the bergamot if I concentrate. It’s sweet without reaching gourmand and its performance is moderate, leaning more towards feminine. It didn’t excite me, I have mixed feelings, but I think it’s one of those where the more you use it, the more you like it. Still, I wouldn’t buy anything larger than 2 or 3 ml.
To me, it smelled a bit like vanilla Coca-Cola, but confirming previous comments, yes, it smells like colored bubblegum balls. It’s a sweet creamy floral, not reaching gourmand or edible status. It opens with the vibrant purity of bergamot, fresh and luminous, while vanilla and myrrh weave a warm and spicy embrace. The base is melted amber with a subtle whisper of cocoa, adding depth without weight, like a faint echo that prolongs the trail.
To me, it smelled a bit like vanilla Coca-Cola, but after reading the previous comments, I confirm that I also find that similarity with the colorful bubblegum balls!!! 🙌🏼 It’s a sweet, creamy floral, not quite gourmand or edible. The fragrance opens with the vibrant purity of the orange blossom flower, which adds a fresh and luminous air, while the vanilla and myrrh weave a warm and spicy embrace in the heart. In the base, the amber blends with a subtle whisper of cocoa, adding depth without weight, like a faint echo that prolongs the trail of the fragrance.
Based on the reviews, I expected something different. At first, it didn’t surprise me, but after several uses, it really does surprise, and a lot. Its name lives up to it: it’s an angel beating its wings, a harmonious scent that brings tranquility. The opening is a creamy sweetness, like baby lotions, giving way to a non-pungent vanilla with a creamy, almost edible base. Lasts about 6-7 hours with low sillage, but you feel it present all the time.
You can only smell it at skin level, an abyss of deference compared to Aqua di Gio. Rich scent but zero sillage. Total disappointment.
I love it. But I struggle to describe it. The first few seconds might smell like mosquito repellent or glass cleaner to many people. Luckily, it’s a very short phase of just a few seconds. This perfume smells like innocence, like baby skin; the blend of notes creates a kind of olfactory illusion between talc and baby powder, with a childish vanilla base. I thought it would be more feminine, but for me, it’s not; it’s creamy, velvety, a little sweet and a little powdery, and that orange blossom completes the ensemble masterfully. The myrrh is very present too, but in a much more pleasant way than in other perfumes; I think they’ve found the magic formula for four notes together to create a unique aura.
I love it but it’s hard to describe. The first few seconds smell like mosquito repellent or glass cleaner to many, but it’s a very short phase. It smells like innocence, baby skin, creating an olfactory illusion between talc and a baby doll with a background of childish vanilla. It’s not so feminine; it’s creamy, velvety, a bit sweet and powdery. The bergamot completes the set masterfully. The myrrh is very present but in a pleasant way. They found the magic formula for four notes to create a unique aura.
Wonderful: sweet, floral, delicate. It’s not a projection bomb, but it envelops you leaving a trail. When applied, it smells like Italian panettone with orange and freshly cut chocolate chips. When it dries, it becomes more vanilla-like and the amber comes out, losing the floral charge. Sweet without being gourmand. Used almost all year except extreme temperatures.
An extremely well-made perfume, everything in just the right measure. It’s cozy and warm, makes you feel good. The opening is scary because it’s resinous, but it dries quickly leaving only the base. It has fresh floral notes and a sweetness where vanilla and cocoa stand out. Less is more, nothing clashes. It accompanies and dresses without invading. It’s unisex, versatile, and less for summer. It doesn’t project much but lasts a lot. I thought it would last little, but at 8 hours I still feel it without sniffing. It has its own personality and nothing seems out of place. Very good. WARNING: STAINS CLOTHES.
Mixed reviews, but I bought it as an indecisive collector of viral scents. Truth: I like it, but I don’t love it, and it’s not worth 250 euros. There are better options. It smells like orange gum with orange blossom and vanilla; I don’t detect the cocoa. It has a sticky resinous note that fits perfectly. It’s 45% concentration, very oily and staining, but lasts all day. The packaging is a Lego-style kit: perfume and diffuser separate, plus a dropper and roll-on for travel. I’m not regretting it; there are days I want to smell like gum. It’s not in my top 20, but the originality and quality keep it. Ideal for young people, unisex, and ultra-versatile. Rating: 7.8.
This perfume is highly polarized. I bought it being a timid person without personality; when it goes viral, it ends up in my collection. Honestly: I like it, I don’t love it, and it’s not worth 250 euros. There are better scents. It smells like bright colored bubblegum, orange, and vanilla. I don’t detect cocoa. It has a sticky resinous touch that fits with the gum. It’s 45%, very oily and stains. It’s eternal on skin, no crazy sillage but present. The packaging is a Lego kit: perfume and diffuser separate, with dropper and roll-on included. It amused me. I don’t regret it, there are days I feel like smelling gum. Not my top 20, but for its originality, versatility, and quality, it stays on the shelf. Ideal for young people, unisex, very versatile. Scent 6.5, longevity 9, duration 10h, projection 8, versatility 9. Price 2.5€/ml. Final score 7.8.
It smells like dense cola syrup, balsamic, vanilla, myrrh, and orange. It’s exquisite, reminiscent of a niche version of Armani Code. Lasts a long time on clothes, gives a comforting and cozy sensation, ideal for dates and autumn. I expected something more airy, white, and powdery, but I was wrong. I love it, it’s a scent hard not to like.
Battito Dali is a curious case: ignored outside, here it’s a niche idol thanks to certain YouTubers. I get it, but it’s linear, floral with a sweet and myrrh base, quite feminine. It’s aspirational, like Reflection Man, but nothing more. Longevity is notable, exceeding 8-9 hours due to that exaggerated concentration. The price doesn’t justify it, and the presentation is a mess: a roll-on that dirties the bottle and ruins preservation. A Profumum Roma should tell them not to put perfumes in those AliExpress bottles.